Year in Review | My Top Stories of 2024 (Editor)

An Arts, Culture & Community Editor Reflects on Her Favorite Stories of the Year

From left: Leslie Dinaberg; SOhO Restaurant & Music Club; Keith Puccinelli exhibit; Cheese tasting event

I wear a few different hats at the Santa Barbara Independent, as both a writer and as the editor of the Arts & Entertainment, Living, and Food & Drink sections of the paper.

Putting on my editor’s hat, here are a few of my favorite stories from this year:

Arts & Entertainment

It’s hard to stay in business in this town, and I loved the way Joe Woodard told the tale of SOhO’s 30 years in business: SOhO Goes the Big 3-0

Few wordsmiths can string together 26 letters with as much originality and punch as Nick Welsh can, and though he doesn’t write arts stories often, when he does, he’s pretty much guaranteed to knock them out of the park. Case(s) in point: The Brasscals Bring Honk to Santa Barbara and SBIFF Gives Fiesta 5 a New Lease on Life.

The late artist Keith Puccinelli was such a talented individual and Joe Woodard captures his quirky personality exceptionally well in this cover story: Art About Life, Death, and Clowning.

Speaking of capturing personalities, Roger Durling’s cover profile of Baret Boisson — The Accidental Artist-Activist — was one of my favorite features of the year, with vibrant, insightful writing (I’ve known Baret for years and learned a lot from the story), and particularly beautiful shots captured by Ingrid Bostrom.

Food & Drink

Matt Kettmann’s recent cover story — Santa Barbara’s Hospitality Game-Changers — was exceptionally well-researched and although it had a zillion moving parts, he managed to put it together elegantly and informatively, as well as entertainingly. He also, of course, writes quite eloquently and knowledgably about wine on a regular basis, but I was particularly intrigued by this story of How a Documentary About an Armenian Winemaker Created Iran’s First Wine in Decades.

I love a good literary pun as much as anybody who plays with words for a living, and George Yatchisin did himself proud with this take on Poe-tent Potables | The Edgar Allan Poe Speakeasy. I also really enjoyed his take on how The Black Sheep Santa Barbara Brasserie Raises the Baa — including the headline, for which George deserves all the credit. No surprise, he’s also a poet!

When Michael Delgado first pitched me the concept for Cheese the Day — an ambitious cover story bringing wine, cheese and culinary experts together to sip, savor, and share their expertise —  I had some doubt that he could pull it off. But he did an incredible job on this one, and we got to enjoy the fruits, and the pairings, of his labor. We’ll be working with him again soon and I can’t wait. Keep an eye out for more information on an open-to-the-public Cheese the Day event you won’t want to miss out on.

Living

I’ve been reading John Zant’s sports reporting for as long as I can remember, and his story on Remembering OJ Simpson and the Dangers of “Godding Up Those Ball Players” was one of the standouts of the year.

I’m always happy to have Starshine Roshell in our pages, but her post-election column,  And So It Begins … Misogynists Are Already Crawling Outta Their Hovels, struck a particular chord with me. When something needs saying OUT LOUD in a crowded space, I’m so grateful to have her as the one who is willing, and oh-so-very able, to say it!

Victor Bryant’s story The Urzua Family Athletic Legacy Shines On at Bishop Diego hit the perfect sweet spot between sports and community. I loved learning more about this family.

While I’m on the subject of sports and family, Jim Buckley’s cover story Going for Gold … Times Three: Isla Vista’s Neushul Family Rides a Chlorine-Scented Wave All the Way to the Olympics was another favorite of the year.

And finally, in what was probably my favorite story of the year in an “only in the Santa Barbara Independent would you read this way,” was Callie Fausey’s Down the Rabbit Hole first-person trip into the world of ketamine therapy. Gutsy, specific, original, and compelling from start to finish.

Click here to read my own writing picks for 2024 as well.

Year in Review | My Top Stories of 2024 (Writer)

From left: Leslie Dinaberg; RuPaul; Ty Warner tequila; Sofi Tukker

Here Are My Favorites Stories I Wrote This Year

I wear a few different hats at the Santa Barbara Independent, as both a writer and an editor. As for my own prose, I wrote more than 200 stories of various types over the last 12 months, which is similar to my 2023 tally. That sounds like a lot — and it is — but a good chunk of what I do is short and snappy, and a lot less time-consuming than the longer features my colleagues are able to devote themselves to.

That being said, some of my favorite stores are the ones I get to dig in more deeply on. Arts education is close to my heart and is something I’ve spent a lot of my volunteer time working on for many years. For a very long time, I have wanted to embed with a visiting artist and write about what it’s like not just to perform for UCSB Arts & Lectures, but to go all over town and teach and connect with people as part of their educational outreach. Hanging out for a few days with Lil Buck and Jon Boogz, and our fab photographer Ingrid Bostrom, was a dream come true. I couldn’t have asked for a nicer, more talented, and thoughtful group of artists to work with on this cover story.

Going behind the scenes to write about the AHA’s remarkable teen participants and their Sing It Out program was another cover story highlight for me, as was working with our team to organize the event and bring back the Annual Indy Awards for local theater in May (see story here). Working with Joe Woodard to put together our first full-blown Fall Arts Preview since the pre-COVID years was greatly satisfying as well.

Covering the Santa Barbara International Film Festival is always one of my favorite, immersive experiences, and one of my 2024 highlights was being just a few feet away from Brad Pitt as he sat in the audience waiting to present his pal Bradley Cooper with the Outstanding Performer of the Year Award. I also really enjoyed a Ken-tastic night with Ryan Gosling when he received the Kirk Douglas Award in January. Apparently I’m a bit of a sucker for a pretty face.

Arts Reviews 

Delving into reviews remains both challenging and fun for me. I do a little bit of theater and a little bit of dance and a little bit of comedy, but mostly I write about music. Other than Sting and Pearl Jam at the Ohana Festival — both of which were bucket list level incredible but outside of the 805 — my favorite show of the year was probably Cage the Elephant and Young the Giant at the Bowl: Two Ginormous Bands Unleash a Great Evening of Rock and Roll, and a Rocket! Other favorite Santa Barbara Bowl shows for me this year were Sofi Tukker and John Fogerty.

A few of my other highlights include:

Toad the Wet Sprocket at the Lobero: Too Good to Take for Granted.

The Lobero Block Party with Big Bad Voodoo Daddy and Ozomatli Taking it to the Streets.

An evening at the Arlington where RuPaul Shows He Was Born to Entertain.

Meow Meow’s unique brand of postmodern cabaret was definitely Wow Wow at the Lobero.

Lyle Lovett was fabulous and I also got to interview him before his Lobero show and meet him afterward. He’s every bit as nice as he is talented.

Finally, the toughest reviews to write are when you have mixed feelings about a show. I struggled with this one a bit, but was happy with the final results and got some good feedback from fellow fans: Indigo Girls Still Have Much to Teach Us.

Experiences

It’s not every day you tour a greenhouse and then sit in someone’s backyard smoking pot and getting a private poolside concert with Iration, but that’s what happened here at the Iration x Autumn Brands Launch Party.

I don’t usually breathe the same air as Kanye West, and there are very few go-go dancers in my orbit, but this Lavish Santa Barbara Soirée Toasts Ty Warner’s New Reserve Tequila was quite the shindig.

Escaping reality with a night at the Rosewood Miramar Beach was definitely a lovely way to snuff out the post-election stress.

Click here to read my editor’s picks for 2024 as well.

Schools of Thought: Our Annual Education Guide 2022

I had the pleasure of writing the Santa Barbara Independent special “Schools of Thought Issue once again in fall of 2022. To read the entire issue online, click hereI

2022 Best of Santa Barbara

From Santa Barbara Independent, Best of issue cover, October 20, 2022

I had the honor of writing the Santa Barbara Independent‘s Best of Santa Barbara winners once again in 2022. It’s always a fun project and it’s always a huge amount of work — but  a little every time I do it.  People are always so excited to hear they won, so that part is definitely fun. You can read the whole thing by clicking here, or on the images below.

Introduction

Introduction

Eating

Drinking

Out and About

Sporting Life

Looking Good

Living Well

Romance

Little CreaturesHousing

Driving

Media

Arts Life: A Look at Upcoming Theater from PCPA and ETC, Michelle Yeoh Really is Everywhere, A& L’s Speaking withe Pico Series

Originally published in the Santa Barbara Independent in August, 2022.

These stories were originally published in the Santa Barbara Independent in August 2022.

On with the Show: A Look at Upcoming Theater From PCPA and ETC

Michelle Yeoh Really is Everywhere

A&L’s Speaking with Pico Series

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Where Palate Meets Palette Artist — Christina LoCascio ‘01

Part of being an artist is bringing pieces of yourself into your work, but painter Christina LoCascio ‘01, whose work is featured in “Gauchos Gone Grape,” takes this connection to a new level. She is truly living her creative life among the vines, painting with wine as a medium and working exclusively with wines from her family’s Larner Winery in Santa Barbara’s Ballard Canyon, where LoCascio, her winemaker husband Michael Larner, and their children Steven (10) and Sienna (8) make their home. 

When LoCascio began experimenting with wine painting in 2002 she couldn’t find any information about how to do it. “That was before Instagram or Facebook. Now if you search the hashtag #wineart there’s a bunch of artists that are painting with wine, but I feel like what makes what I’m doing special is that it’s such a part of my life.” 

Double majoring in communication and art, LoCascio got her first real exposure to the world of wine in her junior year as an intern for Touring & Tasting Magazine. “It was my 21st birthday and they sent me home with a bottle of wine.” That job also had her researching and writing about wineries and grapes and very quickly she was hooked. 

After graduation she worked in the wine industry in Temecula for a short time, until 2002, when Sunstone Winery scion Bion Rice lured her back to Santa Barbara wine country with an offer to work at Artiste Winery, a new venture featuring art-inspired blends that perfectly combined LoCascio’s interests in wine and art. 

The idea for painting with wine grew out of classes she would host for wine club members at Artiste that used wine in a similar fashion to watercolor. 

Those first few paintings led to a group exhibition in Santa Barbara and then an offer to create wine labels for Artiste. “The exposure of working at the tasting room, having my art on display and then having my art on the wine bottles was great for me,” says LoCascio, who went on to have nine shows at Artiste. 

She continues to show her work at the tasting room gallery, although she stopped working there in 2008, when the family opened Larner Winery. They now have a tasting room in Los Olivos, where LoCascio’s art is on display. “From the very beginning, I was drawn to wine and all the wonderful things about it and how it combined art and science and history and so many things,” she says. 

Wine remains a consistent media for her work — the many shades of red comprise her color palette and she uses white wine to “lift” color in a similar way that watercolorists use water to soften their paint. And while wine is a frequent subject, she also delves into figurative art and architectural paintings. “I think that in the time that I’ve been painting with wine my art has evolved and it continues to change. I have gone through a lot of different types of things,” says LoCascio, who has recently begun experimenting with leaves as well as the fermentation process of the wine itself. Exploding wine bottles and incorporating spills into female forms are some of her other recent artistic explorations. 

Of course, when harvest calls, the paintbrush comes down and it’s all hands on deck for the family business. “We’re really busy, but I’ve come to realize that that’s all part of the process. So, when we’re bringing in grapes and doing the punch down and I’m helping with the wine, and watching the fermentations, it’s just kind of part of it and it all inspires me to think of different ideas,” she says. 

“I think the act of being in the winery making the wine is inspiring for the art, too.” 

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

Shoe Designs That Step Up the Sustainability 

Environmentally friendly practices and fashion come together at della terra (dellaterrashoes.com), a new footwear brand from Designer Emily Landsman ’05. Prior to its launch in June, the new brand hit the ground running, winning four Global Footwear Awards for Landsman’s initial designs using vegan and recycled materials to create a PETA certified line of shoes that don’t sacrifice style or comfort. 

“My time in the art studio program at UC Santa Barbara had a huge impact on my career as an eco-footwear designer, especially Kip Fulbeck’s mentorship that allowed me the opportunity to explore the intersection between art, fashion and the digital world. It was Fulbeck’s teachings that ensured we all examined our position in the business and art landscape, bringing awareness of identity politics to the forefront of my mind,” says Landsman, who is the founder and CEO of della terra. 

“A lot of my inspiration also comes from UCSB’s surrounding areas and amazing backdrops, which granted me the chance to explore a design thinking process that I have continued to apply to each and every project I have worked on since my time at the school,” Landsman says. “While I spent a large chunk of my career in major cities like New York and Boston, Santa Barbara’s landscape has continued to be a constant presence in my work. della terra translates to ‘of the land’ and UCSB’s surrounding area is a very large part of that inspiration behind the name. Being able to merge this while contributing positively to the planet will continue to always be my initiative as a designer and business owner.” 

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

Elevated Reflections of Life — Artist Yumiko Glover MA ’17

Elevated Reflections of Life, UC Santa Barbara Magazine, Fall/Winter 2021.

Born and raised in Hiroshima, Japan, cover artist Yumiko Glover MA ‘17 took a circuitous route to finally following her passion. 

“When I was applying for college in Japan I didn’t have a mentor to support me,” Glover recalls. “I wanted to go to art school and of course, my parents worried that it was ‘non job promising.’ So, I gave up and I majored in something else.” But the desire stuck with her. She took as many art classes as she could while working in the import-export business for more than a decade before returning to school to follow her dreams of becoming an artist. She completed a bachelor of fine arts degree at the University of Hawai’i at Mānoa in 2011 and then came to UC Santa Barbara to complete her masters in fine arts in 2017. 

“I was not a good student in Japan in college because I was not really interested in the field. But when I went back to school, I was very serious,” laughs Glover, who is now a visiting lecturer in the UC Santa Barbara Department of Art, as well as a graphic designer and fine artist who has her work in collections at the Honolulu Museum of Art and on view at LAX, among other venues. 

Over the years her style has evolved, but current events continue to influence her art. 

Her “Unfold” series was inspired by President Barack Obama’s visit to Hiroshima in 2016. The first sitting president to visit the city destroyed by an American atomic bomb during World War II, Obama brought origami paper cranes that he folded himself. “Crane origami is a symbol for peace, wishing the best for others, and healing for challenging times,” says Glover. 

Working on the premise that with each fold they make in an origami crane, people are thinking about others’ wellness or sending them good wishes, Glover drew geometric forms and combined them in different ways to create elements. “I thought that matched well with what we are going through in the pandemic,” she says. 

Her ongoing series “Transience” also fits in thematically. “Living through the pandemic completely shifted everybody’s life, including myself, especially my perspective on approaching art,” says Glover. 

“Transience comes from the Japanese term, mono no aware, which means the transience of life that is the aesthetics of impermanence — nothing lasts forever but there is preciousness to it. I created new paintings during the pandemic; one inspired by the cherry blossom season. As you know the cherry blossom has an intense and precious life and death cycle, which is mirrored by the impermanence of our nature and material world that we took for granted for so long.” 

She continues, “During the pandemic, as everything that we thought would last forever became uncertain and our perspectives about life, including the subjects for the magazine — education, economy, mental health, work and environment — everything has changed and also affected me and the way I think, so when I received the concept of the magazine design, I could apply those ideas that I was going through during the pandemic to the design.”  

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

A New Way to See UCSB — Introducing UC Santa Barbara Magazine

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

I am the managing editor of a brand new publication, UC Santa Barbara Magazine.  A  glossy print publication and website offering a birds-eye view of the spectacular seaside university. From the people, programs, scholarly pursuits and trends that make UC Santa Barbara a world-class institution, to the sports, arts and culture, natural environment and vibrant students and vital alumni communities that enrich our campus experiences, UC Santa Barbara Magazine offers insight into the rich complexity of the university and its impact on the larger world around it.

Read the entire magazine online here. In addition, here are links to some of the stories I wrote.

Wheels of Fun

The Short List: The Beat Goes On

Elevated Reflections of Life — Artist Yumiko Glover MA ’17

Bringing Diverse Perspectives to the White House

Shoe Designs That Step Up the Sustainability 

Where Palate Meets Palette — Artist Christina LoCascio ’01