BottleRock Music Festival 2023

Napa Valley’s Three-Day Event Sets the Stage Ablaze with Great Music

To paraphrase Smashing Pumpkins’ frontman Billy Corrigan, BottleRock is most definitely a top-shelf music festival. Yes, the crowds at this annual Memorial Day weekend extravaganza are massive — more than 40,000 people per day invaded the Napa Valley Expo May 26-28 (that’s close to half the population of Santa Barbara to give you some scale) — but the talent on stage is equally massive.

Here’s a recap.

Lizzo | Photo: Nicolita Bradley for BottleRock Napa Valley

Day 1

The first day’s headliners included the aforementioned Corrigan and the Smashing Pumpkins, who gave a full throttle, pedal-to-the-metal, balls-to-the-wall, pulse-quickening performance that most 50-somethings can only dream of pulling off, featuring a playlist of mostly old favorites like “1979,” “Bullet with Butterfly Wings,” and “Silverfuck,” as well as newer songs like “Empires,” from the 2022 album ATUM-Act I & II. One of many highlights: an amusing cover of the Talking Heads’ “Once in a Lifetime” that sounded nothing like David Byrne.  

Also on the bill that same night (and unfortunately at the same time) was Post Malone, who my friend Misty (and many others) ranked as one of the top shows of the weekend. Sadly I missed out on Posty, but the Pumpkins were worth it in my book.

Smashing Pumpkins | Quinn Tucker for BottleRock Napa Valley

Another highlight from day one was Bastille, an indie British band whose strong lead vocalist Dan Smith added the beautiful voice of backing vocalist Bim Amoako to the mix for extra oomph. They made an excellent pair, and she even took on lead vocal duties on a cheeky cover of TLC’s “No Scrubs” — quite a departure from Bastille’s sad/happy songs like “Good Grief,” Pompeii,” and “Things We Lost in the Fire.”

BottleRock 2016 | Credit: Wikipedia Commons

I also really enjoyed a set by Jean Dawson, who brought a super random juxtaposition of sweetness and scary to the stage. He looked like a full gangsta-rapper-style dude with a grill, bandana, etc., and then played in front of videos of Teletubbies. He even pulled a little girl (maybe 12 years old) up on stage with him to sing along and play the maracas for a while. This is the kind of thing you (or at I) only get at festivals, and it’s so much fun to see what surprises are in store from stage to stage.

There were 22 bands in all that day, including S.B. Bowl favorite Billy Strings, Thievery Corporation, Peter Cat Recording Co., The Airborne Toxic Event, Phantogram, Mike Campbell & The Dirty Knobs, War, and The Stone Foxes, among others.

Day 2

As I wrote earlier, they had me at Lizzo. She’s an incredible performer and her show was the absolute highlight of BottleRock for me. She owned that crowd from the moment she strutted on stage in her black leather catsuit with the curve-emphasizing green lace-up accents — joined by a fabulous five-piece, all-female band, three backup vocalists, and nine backup dancers she calls the Big Grrrls — she performed her long list of hits, including “About Damn Time,” “Juice,” and “Truth Hurts,” along with a terrific cover of Chaka Khan’s “I’m Every Woman.” I heard she played Tina Turner’s “Proud Mary” a couple days before in Phoenix, so I was hoping she would do a repeat of the song in honor of the late performer, but sadly she didn’t, which was probably my only disappointment in a truly stellar evening.

Lizzo | Michael Drummond for BottleRock Napa Valley

Lizzo is such a natural born superstar — she oozes so much charisma and talent, but is also so authentically herself — not to mention her unapologetic self love and sex positivity, that her joyful performance was something that truly transcended her show into a completely different realm than a typical concert. I got a little teary watching a trans teenager and their two moms dancing it out to Lizzo’s show together. She’s just that kind of an amazing performer, and it was just that kind of a night.

That day wasn’t too shabby either. While we missed Duran Duran playing on a competing stage (there were 27 bands playing that day), I was able to catch Leon Bridges, Lupe Fiasco, and Carly Rae Jepson on Saturday. I also saw Dogstar, Keanu Reeves and his band of buddies who were adorable and sounded like, well, Keanu Reeves and his band of buddies.

Paris Jackson | Mila Birtcher for BottleRock Napa Valley

Among my other highlights of Saturday was an opportunity to hang out at the JaMPad, a special club-like venue from JaM Cellars, the winery who is the main sponsor of the event. I sat about six feet away from singer Paris Jackson (daughter of Michael Jackson), who did a short, angsty, coffeehouse-girl-and-her-guitar set, and then was completely blown away by Mac Saturn, a Detroit-based band with some 70s Rolling Stones meets Greta Van Fleet vibes. They are currently opening on tour for the Struts (who had a fun mainstage set on Sunday) but I wouldn’t be surprised if we start hearing about Mac Saturn headlining shows on their own soon. I was tempted to text Moss Jacobs myself, but I figured they’re probably already on his radar.

Day 3

Keanu Reeves in Dogstar | Photo: Priscilla Rodriguez for BottleRock Napa Valley

Another embarrassment of riches. In terms of the headliners, I recently saw Los Lobos at the Lobero, so although I love the wolves, I decided to check out the Red Hot Chili Peppers, and damned if they aren’t still smoking! I’m always a little worried they won’t live up to their past glory when I see my old favorite bands from my younger days, but the Chili Peppers are still one of the most exciting live bands that I’ve ever seen, running and bouncing all over the stage like guys half their age.

Anthony Kiedis looked a little like Spock with short black hair and a day-glow green tunic top, but his voice, enthusiasm and pure star quality were just as sexy and appealing as ever. And Flea, on bass, is still an acrobatic wildman up there, backed by Chad Smith on drums and John Frusciante as fabulous as ever on the guitar. They did an awesome set that included “Around the World,” “Snow (Hey Oh),” “Black Summer,” “Californication,” “Give it Away,” and my personal favorite, “Under the Bridge.”

Welcome to BottleRock | Photo: Zak Klobucher

Because of the time conflict with the Chili Peppers, I was only able to catch a few Lil’ Nas X songs, but boy does he make a sassy, spicy, show-stopping first impression. Between the sexy, scantily clad costumes and dancers, and the fun meshing of hip-hop, pop, and country music, he’s definitely a performer I want to see again.

Other day three highlights for me were Sheryl Crow, whose well-earned Wonder Woman t-shirt got a workout as the tiny dynamo with the big pipes sang and strummed her way through almost all of her classics, including “Strong Enough,” “All I Wanna Do,” “My Favorite Mistake,” and “Soak Up the Sun.”

With 74 bands in total to choose from over the three-day weekend, I could have easily created a completely different and still enjoyable playlist, as I’m sure many others did. There were so many aura delights to be found that despite listening to music from noon until after 10 p.m. each day, I still barely scratched the surface.

The Spa at BottleRock | Photo: Zak Klobucher

The Rest of the Fest

That being said, I would be remiss in not reporting at least a little about the bounty of food and drink at BottleRock. We were in Napa Valley after all, and the many fabulous wineries pouring included title sponsor JaM Cellars, as well as Caymus Vineyards, The Duckhorn Portfolio, Miner Family Winery, Emmolo Wines, Schramsberg Vineyards, Silverado Vineyards, Mumm Napa, Robledo Family Winery, ACUMEN, Anarchist Wine Co., Oberon Wines and Art House Wines. There were also more than 40 different beers on tap, and loads of artisanal cocktails made with top-shelf spirits including Ketel One Vodka, Don Julio Tequila, Hendrick’s Gin, Aperol, Monkey Shoulder Scotch Whisky, Bulleit Bourbon, Captain Morgan, and Baileys Irish Cream — all of whom had cleverly themed and sometimes quite elaborate booths to visit. On the non-alcoholic side, Liquid Death (a hip canned water brand) had its own club, complete with a D.J. and dance floor, Tarot Card readings, tattoos, and other fun accouterments.

Soaking up the sun with Sheryl Crow at BottleRock Napa | Photo: Zak Klobucher

The food itself was also really good, with big name restaurants like Morimoto Asia, La Toque, Goose & Gander, Nash & Proper, and about 40 more serving up incredible fare.

Another highlight for me was the Williams Sonoma Culinary stage, which brought out celebrity chefs and celebrities together to cook on the spot. Cooking bigwigs like José Andrés, Giada De Laurentiis, Aarón Sánchez, and the Voltaggio Brothers  were joined by musicians Lil Nas X, John Taylor & Roger Taylor of Duran Duran, Wu-Tang Clan, Sammy Hagar, Bastille, Tré Cool of Green Day, Dogstar featuring Bret Domrose, Robert Mailhouse & Keanu Reeves, and Dancer Derek Hough, among others. If the music itself wasn’t so tasty, I definitely would have spent a lot more time at the culinary stage.

The Wrap

BottleRock music festival was a sensory feast of sights and sounds, fun and festivities. It’s truly an adrenaline-fueled rush of entertainment of the highest order. The crowds were friendly and mostly very well behaved — there was grass all over the place rather than the dusty fields of many festivals — and the food and the wine were top notch. It really is a first class festival experience. That being said, the whole event was still tempered by the unavoidable inconveniences of being surrounded by so much humanity.

Keanu Reeves in Dogstar | Photo: Nicolita Bradley for BottleRock Napa Valley

Am I too old for this stuff was a question I asked both before, during, and after the festival. My conclusion: not quite. Being able to watch so many incredible artists in one place in just a few days is worth all of the inconveniences — but I definitely had to hang up my tiara in order to really enjoy it all to the fullest!

Tickets are now on pre-sale for next year’s BottleRock, which takes place May 24-26, 2024. Click here to access the information.

This story originally appeared in the Santa Barbara Independent on June 3, 2023.

2022 Best of Santa Barbara

From Santa Barbara Independent, Best of issue cover, October 20, 2022

I had the honor of writing the Santa Barbara Independent‘s Best of Santa Barbara winners once again in 2022. It’s always a fun project and it’s always a huge amount of work — but  a little every time I do it.  People are always so excited to hear they won, so that part is definitely fun. You can read the whole thing by clicking here, or on the images below.

Introduction

Introduction

Eating

Drinking

Out and About

Sporting Life

Looking Good

Living Well

Romance

Little CreaturesHousing

Driving

Media

Arts Life: A Look at Upcoming Theater from PCPA and ETC, Michelle Yeoh Really is Everywhere, A& L’s Speaking withe Pico Series

Originally published in the Santa Barbara Independent in August, 2022.

These stories were originally published in the Santa Barbara Independent in August 2022.

On with the Show: A Look at Upcoming Theater From PCPA and ETC

Michelle Yeoh Really is Everywhere

A&L’s Speaking with Pico Series

854_05_26_22

Our Home & Garden Special Issue 2022

Our Annual Edition Dedicated to Ideas and Design, Both Indoor and Out

Credit: ©Lotusland by Rizzoli, New York, 2022. Image ©Lisa Romerein

Welcome to our annual Home & Garden special issue, the edition run each spring where we explore ideas and designs for indoors and out.

In this year’s collection, we feature a new book all about that most iconic of Montecito gardens, Lotusland, and explain how you can create your own sustainable garden in the backyard. Then we turn to a new Home & Design Collective in the downtown Arts District, head to the library to find free decor resources, and take a look at what it takes, and why, to electrify your house.

Happy designing!

The Lowdown on Lotusland

Gardening for the Greater Good

Destination Downtown for Design: New Santa Barbara Arts District Home & Design Collective Brings Biz to State Street

Vintage Vogue at Indian Pink on State Street

Divine Design at Lonetree in Victoria Court

Home Design Inspiration for All: Free Resources Galore from the Santa Barbara Library

Electrifying Your Home in Santa Barbara: How to Flip the Switch Away From Natural Gas

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Vintage Vogue at Indian Pink on State Street

Longtime Santa Barbara Wholesaler Takes a Voyage into Retail

Credit: Leslie Dinaberg

Boho chic meets vintage flair at Tamara and JP Cajuste’s colorful new Indian Pink store (indianpinkpillows.com), a home furnishing haven stocked to the rafters with an inventive assortment of goods.

Pillows made from exotic textiles from around the world are the mothership that launched the couple’s wholesale enterprise in 2007, and there is certainly a vibrant collection of these one-of-a-kind creations. But with the new store (their first) comes a plethora of new merchandise, including tablecloths, napkins, upcycled lampshades, throw rugs, and a variety of vintage furniture covered in the same gorgeous fabrics that first inspired Tamara when she traveled the world as an American Airlines flight attendant.

“We take 19th-century old-fashioned chairs and couches from France and England, so they’re really well-made, and then have them reupholstered in a pretty fabric,” says Tamara. With supply chains still a mess from the pandemic, “the fact that you can get something that is repurposed and beautiful and available is a big asset,” she explains.

During lockdown, she even created a new line of super-comfortable yet still fashion-forward dresses (with pockets!), pajamas, and reversible robes ​— ​all of which are on colorful display at the store. “I wanted to have something cute to match my house to put on,” she laughs. “I had no idea they would be so popular.”

These days, Tamara sources her fabrics from four different vendors in Rajasthan and Shahpur, India. She relies primarily on instinct to make her selections. “I just fall in love with certain things when I see them,” she laughed. “I could never be an interior designer, because I can’t do modern things. I can only do what I do and what I like.”

Credit: Leslie Dinaberg

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Divine Design at Lonetree in Victoria Court

Michelle Beamer’s Retail Showroom Is a Beautiful New Space for Inspiration

Credit: Leslie Dinaberg

Being in the right place at the right time is often the key to success.

As the principal designer at MB Interiors and a faculty member of the interior design department at Santa Barbara City College, Michelle Beamer had long toyed with the idea of opening a retail showroom. Lonetree (lonetreesb.com), her stunning new space stocked with upscale yet comfortable home furnishings, lighting, art, and accessories, comes on the scene just as the downtown Arts District is seeing a renaissance in home design shops and services.

Credit: Leslie Dinaberg

Cleverly merchandised as a series of vignettes and “rooms” combined with a spacious, courtyard-facing design studio, Lonetree is actually based on Beamer’s master’s thesis at the Corcoran School of the Arts and Design in Washington, D.C. The plan included having ever-changing curated vignettes where clients could sit on furniture and touch fabrics and envision what it would be like to live with them. Check. She also envisioned storytelling design opportunities such as the Santa Barbara Museum of Art–inspired Van Gogh desk display now on view. Check. And she wanted to be able to provide a space for community engagement such as 1st Thursday parties ​— ​featuring a recent raffle to benefit CALM (Child Abuse Listening Mediation) ​— ​and collaborations with community groups like Jane Chapman’s Communal Table gatherings (communaltablesb.com). Check.

Not to mention, a beautiful space for her to create, work with her team, and meet clients. Checkmate.

A Nebraska native, Beamer says the name Lonetree is a nod to her hometown. “When I was doing research, I found out about traders in the 1800s traveling by boat along the Missouri River to bring their goods to market,” she said. “The trader was told that once he glimpsed the lone tree on the hill ​— ​there weren’t a lot of trees in Nebraska ​— ​he knew they were close to the right place to sell their goods.”

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Destination Downtown for Design: New Santa Barbara Arts District Home & Design Collective Brings Biz to State Street

Credit: Irene Ramirez; orangeladybird.com

Downtown Santa Barbara has cemented its place as a design destination, and several businesses have banded together to form the new Santa Barbara Arts District Home & Design Collective. The cooperative marketing efforts by six businesses within walking distance of each other ​— ​all located on the 1200 and 1300 blocks of State Street ​— ​is quickly making an impact.

“You can park once and shop easily,” said Michelle Beamer, owner of Lonetree. “The community is very supportive. We’re always talking each other up. Stephanie Payne-Campbell at Domecíl sends people over here all the time. We’re really reaching out to designers too, and they’re sending people over. Even people from out of town. We’ve given maps to people from hotels and things like that, too.”

This appealingly illustrated map (by graphic designer Irene Ramirez; orangeladybird.com) guides shoppers to visit:

Domecíl:  This shop showcases items for the home that highlight both traditional and contemporary craft, including fiber arts, ceramics, woodwork, fine art, and original bespoke, small-batch clothing. (Victoria Court #7, 1221 State St.; domecil.com)

Lonetree:  This showroom for interior designer Michelle Beamer of MB Interiors features furniture, art, and new and vintage home decor items. (Victoria Court #24, 1221 State St.; lonetreesb.com)

Sofa U Love:  Choose from more than 1,000 fabrics and dozens of sofa styles to customize or reupholster couches, chairs, ottomans, and other furniture. (1227 State St.; sofaulove.com)

Celadon House:  This full-service interior design studio and furniture/decor showroom serves residential, hospitality, and commercial design needs. (1224 State St.; celadonhouse.com)

Indian Pink:  This home and lifestyle boutique features reimagined vintage furniture, tabletop accessories, lighting, art, handmade pajamas, robes and bathrobes, and a gorgeous assortment of pillows. (1307 State St.; indianpinkpillows.com)

Maune Contemporary:  This new gallery specializes in limited-edition fine art prints and unique works by renowned international artists whose work has been exhibited and is in the collections of museums worldwide. (1309 State St.; maune.com)

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Where Palate Meets Palette Artist — Christina LoCascio ‘01

Part of being an artist is bringing pieces of yourself into your work, but painter Christina LoCascio ‘01, whose work is featured in “Gauchos Gone Grape,” takes this connection to a new level. She is truly living her creative life among the vines, painting with wine as a medium and working exclusively with wines from her family’s Larner Winery in Santa Barbara’s Ballard Canyon, where LoCascio, her winemaker husband Michael Larner, and their children Steven (10) and Sienna (8) make their home. 

When LoCascio began experimenting with wine painting in 2002 she couldn’t find any information about how to do it. “That was before Instagram or Facebook. Now if you search the hashtag #wineart there’s a bunch of artists that are painting with wine, but I feel like what makes what I’m doing special is that it’s such a part of my life.” 

Double majoring in communication and art, LoCascio got her first real exposure to the world of wine in her junior year as an intern for Touring & Tasting Magazine. “It was my 21st birthday and they sent me home with a bottle of wine.” That job also had her researching and writing about wineries and grapes and very quickly she was hooked. 

After graduation she worked in the wine industry in Temecula for a short time, until 2002, when Sunstone Winery scion Bion Rice lured her back to Santa Barbara wine country with an offer to work at Artiste Winery, a new venture featuring art-inspired blends that perfectly combined LoCascio’s interests in wine and art. 

The idea for painting with wine grew out of classes she would host for wine club members at Artiste that used wine in a similar fashion to watercolor. 

Those first few paintings led to a group exhibition in Santa Barbara and then an offer to create wine labels for Artiste. “The exposure of working at the tasting room, having my art on display and then having my art on the wine bottles was great for me,” says LoCascio, who went on to have nine shows at Artiste. 

She continues to show her work at the tasting room gallery, although she stopped working there in 2008, when the family opened Larner Winery. They now have a tasting room in Los Olivos, where LoCascio’s art is on display. “From the very beginning, I was drawn to wine and all the wonderful things about it and how it combined art and science and history and so many things,” she says. 

Wine remains a consistent media for her work — the many shades of red comprise her color palette and she uses white wine to “lift” color in a similar way that watercolorists use water to soften their paint. And while wine is a frequent subject, she also delves into figurative art and architectural paintings. “I think that in the time that I’ve been painting with wine my art has evolved and it continues to change. I have gone through a lot of different types of things,” says LoCascio, who has recently begun experimenting with leaves as well as the fermentation process of the wine itself. Exploding wine bottles and incorporating spills into female forms are some of her other recent artistic explorations. 

Of course, when harvest calls, the paintbrush comes down and it’s all hands on deck for the family business. “We’re really busy, but I’ve come to realize that that’s all part of the process. So, when we’re bringing in grapes and doing the punch down and I’m helping with the wine, and watching the fermentations, it’s just kind of part of it and it all inspires me to think of different ideas,” she says. 

“I think the act of being in the winery making the wine is inspiring for the art, too.” 

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

Elevated Reflections of Life — Artist Yumiko Glover MA ’17

Elevated Reflections of Life, UC Santa Barbara Magazine, Fall/Winter 2021.

Born and raised in Hiroshima, Japan, cover artist Yumiko Glover MA ‘17 took a circuitous route to finally following her passion. 

“When I was applying for college in Japan I didn’t have a mentor to support me,” Glover recalls. “I wanted to go to art school and of course, my parents worried that it was ‘non job promising.’ So, I gave up and I majored in something else.” But the desire stuck with her. She took as many art classes as she could while working in the import-export business for more than a decade before returning to school to follow her dreams of becoming an artist. She completed a bachelor of fine arts degree at the University of Hawai’i at Mānoa in 2011 and then came to UC Santa Barbara to complete her masters in fine arts in 2017. 

“I was not a good student in Japan in college because I was not really interested in the field. But when I went back to school, I was very serious,” laughs Glover, who is now a visiting lecturer in the UC Santa Barbara Department of Art, as well as a graphic designer and fine artist who has her work in collections at the Honolulu Museum of Art and on view at LAX, among other venues. 

Over the years her style has evolved, but current events continue to influence her art. 

Her “Unfold” series was inspired by President Barack Obama’s visit to Hiroshima in 2016. The first sitting president to visit the city destroyed by an American atomic bomb during World War II, Obama brought origami paper cranes that he folded himself. “Crane origami is a symbol for peace, wishing the best for others, and healing for challenging times,” says Glover. 

Working on the premise that with each fold they make in an origami crane, people are thinking about others’ wellness or sending them good wishes, Glover drew geometric forms and combined them in different ways to create elements. “I thought that matched well with what we are going through in the pandemic,” she says. 

Her ongoing series “Transience” also fits in thematically. “Living through the pandemic completely shifted everybody’s life, including myself, especially my perspective on approaching art,” says Glover. 

“Transience comes from the Japanese term, mono no aware, which means the transience of life that is the aesthetics of impermanence — nothing lasts forever but there is preciousness to it. I created new paintings during the pandemic; one inspired by the cherry blossom season. As you know the cherry blossom has an intense and precious life and death cycle, which is mirrored by the impermanence of our nature and material world that we took for granted for so long.” 

She continues, “During the pandemic, as everything that we thought would last forever became uncertain and our perspectives about life, including the subjects for the magazine — education, economy, mental health, work and environment — everything has changed and also affected me and the way I think, so when I received the concept of the magazine design, I could apply those ideas that I was going through during the pandemic to the design.”  

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

A New Way to See UCSB — Introducing UC Santa Barbara Magazine

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

I am the managing editor of a brand new publication, UC Santa Barbara Magazine.  A  glossy print publication and website offering a birds-eye view of the spectacular seaside university. From the people, programs, scholarly pursuits and trends that make UC Santa Barbara a world-class institution, to the sports, arts and culture, natural environment and vibrant students and vital alumni communities that enrich our campus experiences, UC Santa Barbara Magazine offers insight into the rich complexity of the university and its impact on the larger world around it.

Read the entire magazine online here. In addition, here are links to some of the stories I wrote.

Wheels of Fun

The Short List: The Beat Goes On

Elevated Reflections of Life — Artist Yumiko Glover MA ’17

Bringing Diverse Perspectives to the White House

Shoe Designs That Step Up the Sustainability 

Where Palate Meets Palette — Artist Christina LoCascio ’01