“Mission Blue” is Opening Night Film for SB International Film Festival, Complete Program for 2014 Revealed

film-fest-posterThis morning the Santa Barbara International Film Festival (SBIFF) announced its highly-anticipated line-up for this year.  The Festival begins  January 30 and continues through February 9 and UGG Australia is the presenting sponsor.

“The importance of keeping a sense of exploration and being aware of global issues—as represented in our choice for opening night, Mission Blue— is an overriding theme in our 29th edition of SBIFF,” said SBIFF executive director Roger Durling. “That spirit carried over into every decision and influenced all of our exciting programs as well.”

The opening night film is a world premiere documentary,  directed by Robert Nixon and Fisher Stevens. Shot over a three-year period in numerous locations around the world, Mission Blue traces legendary oceanographer Sylvia Earle‘s remarkable personal journey, from her earliest memories exploring the Ocean as a young girl, to her days leading a daring undersea mission in the Virgin Islands to her experience as the chief scientist at NOAA and beyond. The film is part oceanic road trip; part biography; part action adventure story. Guiding us through the film is Stevens, whose own lifelong passion for the ocean inspired him to produce the Academy award winning film, The Cove. The film also features James Cameron and the late Mike deGruy. Opening night, sponsored by Studio 7 and The Santa Barbara Independent, will take place at the Arlington Theatre on  January 30,  with director Fisher Stevens and Sylvia Earle attending.

On Closing Night, SBIFF presents the critically acclaimed Before Trilogy: Before Sunrise, Before Sunset and Before Midnight. The first two films will screen back-to-back at the Lobero Theatre in the afternoon. After a short break, Before Midnight will close the fest at the Arlington Theatre and will include an in-depth conversation moderated by IndieWIRE’s Anne Thompson with co-screenwriters Ethan Hawke, Julie Delpy and Richard Linklater, who also directed the film.

SBIFF has become an important showcase for Academy-Award frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The complete list of 2014 Honorees (in date order) is as follows:

Cate Blanchett will receive the Outstanding Performer of the Year Award, moderated by longtime friend and Awards strategist at Deadline, Pete Hammond, on February 1 at the Arlington Theatre. Presented by UGG® Australia.

2014 Virtuosos Award, presented to Daniel Brühl (Rush), Adèle Exarchopoulos (Blue Is The Warmest Color), Oscar Isaac (Inside Llewyn Davis), Michael B. Jordan (Fruitvale Station), Brie Larson (Short Term 12), Jared Leto (Dallas Buyers Club) and June Squibb (Nebraska), in recognition of the year’s emerging film artists. The evening will be moderated by Dave Karger, Chief Correspondent and host of “The Frontrunners” on Fandango on February 4 at the Arlington Theatre. Sponsored by Travel + Leisure.

Oprah Winfrey will receive the Montecito Award, moderated by Los Angeles Times Sr. Film Reporter John Horn on February 5 at the Arlington Theatre. Presented by UGG® Australia.

Martin Scorsese and Leonardo DiCaprio will receive the Cinema Vanguard Award, moderated by Todd McCarthy, film critic for The Hollywood Reporter, on February 6 at the Arlington Theatre. Sponsored by lynda.com.

Robert Redford will receive the American Riviera Award on February 7, moderated by longtime SBIFF friend and film historian Leonard Maltin at the Arlington Theatre. Sponsored by Sunstone Vineyards & Winery,

Emma Thompson will receive the esteemed Modern Master Award, moderated by Leonard Maltin on February 8 at the Arlington Theatre. Sponsored by Adobe.

The panel series, presented by Cox Communications, kicks off at 11 a.m. on February 1, with the “Movers & Shakers” panel, bringing together top producers to discuss their craft, moderated by Los Angeles Times film writer, John Horn, and sponsored by Integrated Media Technologies, Inc. At 2 p.m., the next panel is composed of some of the most creative women working in film today entitled “Creative Forces: Women in the Biz,” moderated by Madelyn Hammond, President, Madelyn Hammond & Assoc., and Former Chief Marketing Officer for Variety and sponsored by Fielding Graduate University Worldwide Network for Gender Empowerment.

The panels continue during the Fest’s second weekend on February 8 at 11 a.m., with the ever-popular “It Starts With the Script,” screenwriters panel moderated by indieWIRE’s Anne Thompson. At 2:00 p.m. is the “Directors on Directing” panel, sponsored by Brooks Institute. At 4 p.m., SBIFF will present a new panel, the VFX Technology Panel, which will feature the latest advancements in Visual Effects, sponsored by Adobe and moderated by Geoff Boucher, journalist and author.

All panels take place at the Lobero Theatre. Panelists will be announced soon.

A new addition this year is a series of educational seminars that will be free to the public and will take place in the UGG Pavilion each day throughout the festival at lunchtime. Subjects include: REPRESENTING WOMEN OF COLOR, BREAKING INTO THE INDUSTRY, COVERING A FILM FESTIVAL, ACQUISITIONS, LOCAL FILMMAKERS, SCREEN CUISINE and SOCIAL JUSTICE. Check the festival website for updates.

Another new addition to the Festival is Super Silent Sunday:  on Super Bowl Sunday, SBIFF will present–FOR FREE– two classic silent films at the Arlington Theatre, Wings, directed by William A. Wellman and starring Clara Bow, and The Thief of Bagdad, directed by Raoul Walsh and starring Douglas Fairbanks. Live accompaniment will be provided by Adam Aceto on the theatre’s Wonder Morton pipe organ, which is one of only five in existence.

Another highlight for locals is Mike’s Field Trip to the Movies, the brainchild of renowned nature cinematographer Mike deGruy, whose passion for exploring and sharing those adventures with audiences through filmmaking was the inspiration for this fascinating and thought-provoking program. The goal of the program, which is offered to 4,000 5th and 6th grade students from throughout Santa Barbara County, is to use the art of filmmaking to stimulate creative, confident and culturally aware thinkers and empower students and teachers with a creative approach to education. This year SBIFF will present Disney’s hit animated comedy, Frozen, featuring director Jennifer Lee, who will participate in a Q&A following the screenings with the students and talk about the craft of animated filmmaking. This annual free event, which takes place February 6 at the Arlington Theatre, is co-sponsored by The Towbes Foundation, Wells Fargo Bank, Macy’s and Rotary Club of Goleta.

With Santa Barbara’s lush wine country serving as inspiration, the 2014 poster was once again created by Barbara Boros.

SBIFF  brings 156 films from around the world together to form an incredibly unique and diverse festival experience. The following  is the list of World and US Premiere films, followed by the list of titles by sidebar category. For the complete list of films, along with their descriptions and a preliminary screening schedule, visit sbiff.org. Please note that this is subject to change.

WORLD PREMIERES

A Life Outside, USA

Directed by Catherine Brabec

Featuring: Greg Mesanko, Chris Mesanko, Kevin Casey, Jim Purpuri, Richard Luthringer, and Bucky Walters

A documentary following the six surfers who pioneered the 1960’s surf break at the New Jersey Casino Pier.

 

A Year in Champagne, USA

Directed by David Kennard

A detailed portrait of winemakers and their families reveals some of the most intimate secrets behind creating the legendary bubbly beverage.

 

Barefoot, USA

Directed by Andrew Fleming

Cast: Evan Rachel Wood, Scott Speedman, Brittany Alger

An upper-class, hard-luck gambler invites a shoeless eccentric to his brother’s lavish southern style wedding to prove he’s changed his ways.

BFFs, USA

Directed by Andrew Putschoegi

Cast: Andrea Grano, Tara Karsian

Looking for a few days of vacation and amusement, two best friends pretend to be lovers while attending a couple’s weekend workshop.

 

Bottled Up: The Battle Over Dublin Dr. Pepper, USA

Directed by Drew Rist

This documentary details the events and history leading up to the demise of Dublin Dr. Pepper, as well as the public outcry that continues to this day.

 

Chu and Blossom, USA

Directed by Charles Chu, Gavin Kelly

Cast: Melanie Lynskey, Caitlin Stasey, Alan Cumming

A coming of age comedy centers on an unlikely brotherhood between a pensive, 6-foot-8 Korean exchange student, and a performance artist, both trapped together in small Southern town.

 

Driven, USA

Directed by Ben Pitterie, Brian Hall

Explore the fascinating and obscure world of marathon swimming as three swimmers put everything on the line chasing a dream to swim up to 20 miles across the Santa Barbara Channel.

 

Falcon Song, USA

Directed by Jason Brown

Cast: Gabriel Sunday, James Storm, Martin Kove, Rainey Qualley

A whimsical portrait of a guitar-playing drifter who helps a rancher’s granddaughter find her true calling

 

Gurukulam, Canada/USA

Directed by Jillian Elizabeth

A group of students and their teacher confront fundamental questions about the nature of reality and self-identity at a remote forest ashram in southern India.

 

Invitation to Dance, USA

Directed by Simi Linton and Christian von Tippelskirch

An activist, an avant-garde of disabled dancers, and a quest: equality, justice, and a place on the dance floor.

 

Late Spring, South Korea – World Premiere

Directed by Keun-Hyun Cho

In post war Korea, A genius sculptor meets an amateur model

 

The Last One, USA

Directed by Nadine C. Licostie

This feature-length documentary traces the history of the AIDS Memorial Quilt and the role it continues to play as a response to the disease itself.

 

Lutah Maria Riggs, USA

Directed by Kum-Kum Bhavnani

A documentary about Lutah Maria Riggs, an American architect who worked for several decades in the Southern California region

 

Menthol, USA

Directed by Micah Van Hove

Cast: Jacob King, James Wilson, Johnny Wactor, Luke Eberl

When four friends reunite for a night of fun in their hometown, a crisis forces them to confront the consequences of their lifestyles.

 

Mission Blue, USA

Directed by Robert Nixon and Fisher Stevens

Cast: Sylvia Earle, James Cameron, Mike deGruy,

Legendary oceanographer and TED prize winner Dr. Sylvia Earle is on a mission to save our oceans. The documentary Mission Blue is the story of Sylvia’s life as witness to the changes to the sea that threaten our planet, and how we still have a chance to repair much of the damage – if we act now.

 

Mount Joy, USA

Directed by Jack Lewars

Cast: Kate Hodge, Lou Martini Jr., Matthew Watson

A lead singer places his band’s national bar tour on hold until he gets answers from the girl who broke his heart, but soon discovers she harbors a secret that could change everything.

 

Night Has Settled, USA

Directed by Steve Clark

Cast: Spencer List, Pilar López de Ayala, Adriana Barraza

In 1983 New York City, a thirteen-year-old boy well-poised to enter the precocious teenage world of sex, vodka, and the possibilities of love, is traumatized by an encounter with his housekeeper.

 

Noble, United Kingdom

Directed by Stephen Bradley

Cast: Dierdre O’Kane, Sarah Greene, Brendan Coyle, Liam Cunningham, Nhu Quynh Nguyen, Ruth Negga

In 1989 Vietnam, a funny, feisty and courageous woman overcomes the difficulties of her childhood in Ireland to discover her destiny on the streets of Saigon.

 

Queens & Cowboys: A Straight Year on the Gay Rodeo, USA

Directed by Matt Livadary

Roping and riding and busting stereotypes, the dauntless members of the International Gay Rodeo Association face constant obstacles in their quest to qualify for the World Gay Rodeo Finals.

 

Roaming Wild, USA

Directed by Sylvia Johnson

Featuring: Samantha Layne (voice)

An activist, a cowboy and a mountain man search for solutions to protect life and land in this modern day Western about America’s wild horses and the federal government’s controversial roundups.

 

Sam, Switzerland

Directed by Elena Hazanov

Cast: Frédéric Landenberg, Sacha Guerreiro, Séverine Bujard, Anna Pieri

After living with his mother since his parents’ divorce, seven-year-old Sam is forced to move in with his father, a struggling writer with no source of inspiration.

 

 

The Village of Peace, Israel/USA

Directed by Nicholas Philipides, Ben Schuder

The stories of four African Hebrew Israelites illuminate a community whose daily lifestyle includes polygamy, health, nutrition, education and spiritual enlightenment.

 

Warren, USA

Directed by Alex Beh

Cast: John Heard, Jean Smart, Austin Stowell, Sarah Habel, Joe Nunez

After giving up on making it in the Chicago improv scene, a young comedian fatefully reconnects with the former love of his life one fall night while working at a coffee shop in his hometown.

 

U.S. PREMIERES

 

African Metropolis, Côte d’Ivoire, Egypt, Senegal, South Africa, Nigeria and Kenya

A complication of short films directed by Jim Chuchu, Ahmed Ghoneimy, Folasakin Iwajomo, Marie KA, Philippe Lacôte, Vincent Moloi

A compilation of six short fiction films, set in six major African cities.

 

A la Bizkaina, Spain

Directed by Aritz Galarza

The mystery of the sauce carrying the name of Bizkaia gives us a hint of its origin and ingredients.

 

Adria Blues, Slovenia/Croatia/Bosnia/Herzegovina

Directed by Miroslav Mandič

Cast: Senad Bašić, Mojca Funkl, Peter Musevski

Paralyzed by depression, an aging former rock star from Bosnia is pushed by his wife to reengage with life.

 

Algunas Chicas, Argentina

Directed by Santiago Palavecino

Cast: Cecilia Rainero, Agostina López, Agustina Muñoz

A woman traveling to a friend’s house to escape her marital crisis is soon consumed by the secrets of those around her.

 

The Amazing Catfish, Mexico

Directed by Claudia Sainte-Luce

Cast: Ximena Ayala, Lisa Owen, Sonia Franco, Wendy Guillén

A lonely young woman becomes a live-in caregiver for an ailing but indomitable matriarch and her brood of kids.

 

Bauyr (Little Brother), Kazakhstan

Directed by Serik Aprymov

Cast: Almat Galym, Alisher Aprymov, Murat Omarov, Dokhdurbek Kydyraliyev

A nine year old living on his own is revisited by his brother, and believes his life will change with his arrival.

 

Bella Vita, USA/Italy

Directed by Jason Baffa

Cast: Chris Del Moro, Dave Rastovich, Lauren Lyndsey Hill, Conner Coffin, Parker Coffin

The surf of the Italian coast carries surfer, artist, and environmentalist Chris Del Moro on a pilgrimage back to his ancestral homeland of Italy.

BELLA VITA FILM from Bella Vita Film on Vimeo.

Cannibal (Caníbal), Spain/Romania/Russia/France

Directed by Manuel Martín Cuenca

Cast: Antonio de la Torre, Olimpia Melinte

A mild-mannered tailor, who is a secret cannibal, unexpectedly finds himself falling in love with his latest prospective victim.

 

César’s Grill, Ecuador/Germany/Switzerland

Directed by Dario Aguirre

Cast: Dario Aguirre, César Aguirre

German resident, filmmaker, and vegetarian, Dario Aguirre is called home to Ecuador to help save his meat-loving father’s grill from bankruptcy.

 

Clownwise, Czech Republic/Luxembourg/Finland

Directed by Viktor Taus

Cast: Julie Ferrier, Kati Outinen, Didier Flamand

After thirty years of separation, three clowns reunite to restage the famous act that launched their careers — while also attempting to forgive one another for the fight that tore them apart.

 

Do You Believe in Love?, Israel

Directed by Dani Wasserman

Tova, a unique matchmaker with muscular dystrophy, tirelessly strives to find love for everyone around her.

 

Found & Lost, China

Directed by Xiao Wei Zhu

Cast: Guo Zhu Zhang, Yu Meng Jia

Chronicles the pilgrimage of an orphaned woman in China between 1949 to 1984.

 

The Gambler (Losejas), Lithuania/Latvia

Directed by Ignas Jonynas

Cast: Vytautas Kaniusonis, Oona Mekas, Rimas Blockis

A paramedic, passionate about gambling, is struck by an idea to create an illegal game related to his profession.

 

God’s Slave (Esclavo de Dios), Uruguay/Venezuela/Argentina

Directed by Joel Novoa

Cast: Mohammed Alkhaldi, Daniela Alvarado, Devorah Lynne Dishington

Inspired by true events, this is the story of two extremists, one Islamic and the other Jewish, who cross paths while on opposing sides of the 1994 Buenos Aires AMIA bombings.

 

Eastern Boys, France

Directed by Robin Campillo

Cast: Olivier Rabourdin, Kirill Emelyanov, Daniil Vorobyov

A middle-aged Frenchman solicits a young foreigner and finds himself entangled with a group of young Eastern European hustlers.

 

If I Close My Eyes I’m Not Here (Se chiudo gli occhi non sono più qui), Italy

Directed by Vittorio Moroni

Cast: Mark Manaloto, Elena Arvigo, Beppe Fiorello, Giorgio Colangeli

A teenage boy, tormented into a submissive life, is visited and mentored by a mysterious old friend of his deceased father.

 

The Japanese Dog, Romania

Directed by Tudor Cristian Jurgiu

Cast: Victor Rebengiuc, Serban Pavlu, Laurentiu Lazar, Kana Hashimoto, Toma Hashimoto

When a flood kills his wife and destroys his house, a man attempts to reconnect with his son who arrives from Japan with his wife and child.

 

Metalhead, Iceland

Directed by Ragnar Bragason

Cast: Þorbjörg Helga Þorgilsdóttir, Ingvar E. Sigurðsson, Halldóra Geirharðsdóttir

A grief-stricken young woman adopts the persona and decibel-blasting predilections of her deceased brother

October November (Oktober November), Austria

Directed by Götz Spielmann

Cast: Nora von Waldstätten, Ursula Strauss, Peter Simonischek, Sebastian Koch, Johannes Zeiler, Andreas Ressl

A family reunion at a mountainside inn lays bare old wounds and reveals long-held secrets.

 

The Old, the Young and the Sea, Austria/Spain

Directed by Mario Hainzl

A documentary portrait about the incredible individuals who inhabit, surf, travel and protect the European shores.

 

One Way Ticket to the Moon (Bilet na księżyc), Poland

Directed by Jacek Bromski

Cast: Anna Przybylska, Filip Pawlak, Mateusz Kościukiewicz

Two brothers travel across Poland, a adventure sparked by the older to prepare his younger brother to serve in the Polish army.

 

Paulette, France

Directed by Jérôme Enrico

Cast: Bernadette Lafont, Carmen Maura, Dominique Lavanant

Paulette lives alone in a housing project in the Paris suburbs. With her meager pension, she can no longer make ends meet and becomes and resorts to selling drugs.

 

Revival, Czech Republic

Directed by Alice Nellis

Cast: Bolek Polivka, Miroslav Krobot, Karel Hermanek, Marian Geisberg, Zuzana Budovska

Forty years after separating, four friends decide to reunite their rock band through a revival that takes an unexpected turn.

 

Saudade, Uruguay

Directed by Juan Carlos Donoso Gomez

Cast: Francisco Baquerizo Racines, Jessica Barahona de Prada, Joaquin Davila Romoleroux

Set amidst the backdrop of the Ecuadorian economic crisis of 1999, ‘Saudade’ tackles notions of economic dislocation, friendship, family and young love.

 

Shadow in Baghdad, Israel

Directed by Duki Dror

Featuring: Linda Abdul Aziz

A young journalist from Baghdad connects with a Jewish woman who escaped to Iraq to discover what happened to her missing father.

 

Solo, Venezuela

Directed by José Ramón Novoa

Cast: Samantha Dagnino, Laureano Olivares

A story of one man’s quest for redemption

 

Triptych (Triptyque), Canada

Directed by Robert Lepage, Pedro Pires

Cast: Frédérike Bédard, Lise Castonguay, Hans Piesbergen

The lives of three characters intersect in the sublime narrative geometry of this haunting adaptation of Robert Lepage’s celebrated theatre work Lipsynch.

 

Under the Starry Sky, France/Senegal

Directed by Dyana Gaye

Cast: Marème Demba Ly, Ralph Amoussou, Souleymane Seye N’Diaye, Maya Sansa, Babacar M’Baye Fall, Sokhna Niang, Mata Gabin

Delving into the shadowy world of undocumented travel, this transcontinental drama charts the interconnected destinies of three far-flung sojourners.

 

uwantme2killhim?, United Kingdom

Directed by Andrew Douglas

Cast: Jamie Blackley, Toby Regbo, Jaime Winstone, Mark Womack, Joanne Froggatt

A teenage boy descends into the dangerous world of the internet and the harrowing consequences of his actions.

 

Violet, Spain

Directed by Luiso Berdejo

Cast: Junio Valverde, Leticia Dolera, Miriam Giovanelli, Ricardo Darín, Carlos Bardem

A Spanish boy living in Santa Monica falls for a girl he sees in an old Polaroid. He decides to look for her, despite having no clue of who she is or how long ago the photo was taken.

 

Wounded (La herida), Spain

Directed by Fernando Franco

Cast: Marian Alvarez, Rosana Pastor, Manolo Solo, Andres Gertrudix, Ramon Agirre, Ramon Barea

An ambulance driver struggles with outbreaks of self-destructive behavior, incapable of finding stability and happiness.

 

 

COMPETITION CATEGORIES

 

INDEPENDENT FEATURES

Competition

 

1982, USA

Directed by Tommy Oliver

Cast: Wayne Brady, Hill Harper, Sharon Leal, Ruby Dee, Bokeem Woodbine, Troi Zee, Lala Anthony, Quinton Aaron

 

BFFs, USA – World Premiere

Directed by Andrew Putschoegi

Cast: Andrea Grano, Tara Karsian

 

Barefoot, USA – World Premiere

Directed by Andrew Flemming

Cast: Evan Rachel Wood, Scott Speedman, Brittany Alger

 

Chu and Blossom, USA – World Premiere

Directed by Charles Chu, Gavin Kelly

Cast: Melanie Lynskey, Caitlin Stasey, Alan Cumming

 

Mount Joy, USA – World Premiere

Directed by Jack Lewars

Cast: Kate Hodge, Lou Martini Jr., Matthew Watson

 

Night Has Settled, USA – World Premiere

Directed by Steve Clark

Cast: Spencer List, Pilar López de Ayala, Adriana Barraza

 

Noble, United Kingdom – World Premiere

Directed by Stephen Bradley

Cast: Dierdre O’Kane, Sarah Greene, Brendan Coyle, Liam Cunningham, Nhu Quynh Nguyen, Ruth Negga

 

Warren, USA – World Premiere

Directed by Alex Beh

Cast: John Heard, Jean Smart, Austin Stowell, Sarah Habel, Joe Nunez

 

 

INTERNATIONAL FEATURES

Competition

 

Eastern Boys, France – U.S. Premiere

Directed by Robin Campillo

Cast: Olivier Rabourdin, Kirill Emelyanov, Daniil Vorobyov

 

Found & Lost, China – U.S. Premiere

Directed by Xiao Wei Zhu

Cast: Guo Zhu Zhang, Yu Meng Jia

 

For A Woman (Pour une femme), France

Directed by Diane Kurys

Cast: Benoit Magimel, Melanie Thierry, Nicolas Duvauchelle, Sylvie Testud, Denis Podalydes, Julie Ferrier, Clotilde Hesme, Clement Sibony

 

If I Close My Eyes I’m Not Here (Se chiudo gli occhi non sono più qui), Italy – U.S. Premiere

Directed by Vittorio Moroni

Cast: Mark Manaloto, Elena Arvigo, Beppe Fiorello, Giorgio Colangeli

 

The Major, Russia

Directed by Yuri Bykov

Cast: Yuri Bykov, Denis Shvedov, Irina Nizina, Ilya Isaev

 

Metalhead, Iceland – U.S. Premiere

Directed by Ragnar Bragason

Cast: Þorbjörg Helga Þorgilsdóttir, Ingvar E. Sigurðsson, Halldóra Geirharðsdóttir

 

October November (Oktober November), Austria – U.S. Premiere

Directed by Götz Spielmann

Cast: Nora von Waldstätten, Ursula Strauss, Peter Simonischek, Sebastian Koch, Johannes Zeiler, Andreas Ressl

 

Sam, Switzerland – World Premiere

Directed by Elena Hazanov

Cast: Frédéric Landenberg, Sacha Guerreiro, Séverine Bujard, Anna Pieri

 

Triptych (Triptyque), Canada – U.S. Premiere

Directed by Robert Lepage, Pedro Pires

Cast: Frédérike Bédard, Lise Castonguay, Hans Piesbergen

 

Under the Starry Sky, France/Senegal – U.S. Premiere

Directed by Dyana Gaye

Cast: Marème Demba Ly, Ralph Amoussou, Souleymane Seye N’Diaye, Maya Sansa, Babacar M’Baye Fall, Sokhna Niang, Mata Gabin

 

Victor Young Perez, France/Israel/Bulgaria

Directed by Jacques Ouaniche

Cast: Brahim Asloum, Steve Suissa, Isabelle Orsini, Patrick Bouchitey

 

 

EASTERN BLOC FEATURES

Competition

 

Adria Blues, Slovenia/Croatia/Bosnia/Herzegovina – U.S. Premiere

Directed by Miroslav Mandic

Cast: Senad Bašić, Mojca Funkl, Peter Musevski

 

Bauyr (Little Brother), Kazakhstan – U.S. Premiere

Directed by Serik Aprymov

Cast: Almat Galym, Alisher Aprymov, Murat Omarov, Dokhdurbek Kydyraliyev

 

Clownwise, Czech Republic/Luxembourg/Finland – U.S. Premiere

Directed by Viktor Taus

Cast: Julie Ferrier, Kati Outinen, Didier Flamand

 

The Gambler (Losejas), Lithuania/Latvia – U.S. Premiere

Directed by Ignas Jonynas

Cast: Vytautas Kaniusonis, Oona Mekas, Rimas Blockis

 

The Japanese Dog, Romania – U.S. Premiere

Directed by Tudor Cristian Jurgiu

Cast: Victor Rebengiuc, Serban Pavlu, Laurentiu Lazar, Kana Hashimoto, Toma Hashimoto

 

One Way Ticket to the Moon (Bilet na księżyc), Poland – U.S. Premiere

Directed by Jacek Bromski

Cast: Fillip Pawlak, Mateusz Kościukiewicz, Anna Przybylska

 

Revival, Czech Republic – U.S. Premiere

Directed by Alice Nellis

Cast: Bolek Polivka, Miroslav Krobot, Karel Hermanek, Marian Geisberg, Zuzana Budovska

 

 

DOCUMENTARY FEATURES

Competition

 

A la Bizkaina, Spain – U.S. Premiere

Directed by Aritz Galarza

 

Bella Vita, USA/Italy – U.S. Premiere

Directed by Jason Baffa

Cast: Chris Del Moro, Dave Rastovich, Lauren Lyndsey Hill, Conner Coffin, Parker Coffin

 

Burt’s Buzz, Canada – U.S. Premiere

Directed by Jody Shapiro

Cast: Burt Shavitz, Trevor Folsom

 

César’s Grill, Ecuador/Germany/Switzerland – U.S. Premiere

Directed by Dario Aguirre

Cast: Dario Aguirre, César Aguirre

 

Do You Believe in Love?, Israel – U.S. Premiere

Directed by Daniel Wasserman

 

Gurukulam, Canada/USA – World Premiere

Directed by Jillian Elizabeth

 

The Last Black Sea Pirates, Bulgaria

Directed by Svetoslav Stoyanov

 

On A River in Ireland, Ireland

Directed by Colin Stafford-Johnson

Cast: Colin Stafford-Johnson

 

Queens & Cowboys: A Straight Year on the Gay Rodeo, USA – World Premiere

Directed by Matt Livadary

 

The Village of Peace, Israel/USA – World Premiere

Directed by Nicholas Philipides, Ben Schuder

 

 

SPANISH/LATIN AMERICAN CINEMA

Competition

 

Algunas chicas (Some Girls), Argentina – U.S. Premiere

Directed by Santiago Palavecino

Cast: Cecilia Rainero, Agostina López, Agustina Muñoz

 

The Amazing Catfish (Los insólitos peces gato), Mexico – U.S. Premiere

Directed by Claudia Sainte-Luce

Cast: Ximena Ayala, Lisa Owen, Sonia Franco, Wendy Guillén

 

Cannibal (Caníbal), Spain/Romania/Russia/France – U.S. Premiere

Directed by Manuel Martín Cuenca

Cast: Antonio de la Torre, Olimpia Melinte

 

God’s Slave (Esclavo de dios), Uruguay/Venezuela/Argentina – U.S. Premiere

Directed by Joel Novoa

Cast: Mohammed Alkhaldi, Daniela Alvarado, Devorah Lynne Dishington

 

Saudade, Uruguay – U.S. Premiere

Directed by Juan Carlos Donoso Gomez

Cast: Francisco Baquerizo Racines, Jessica Barahona de Prada, Joaquin Davila Romoleroux

 

Solo, Venezuela – U.S. Premiere

Directed by José Ramón Novoa

Cast: Samantha Dagnino, Laureano Olivares

 

Sombras de azul (Shades of Blue), Cuba

Directed by Kelly Daniela Norris

Cast: Seedne Bujaidar, Yasmani Guerrero, Charlotta Mohlin, Lieter Ledesma

 

Violet, Spain – U.S. Premiere

Directed by Luiso Berdejo

Cast: Junio Valverde, Leticia Dolera, Miriam Giovanelli, Ricardo Darín, Carlos Bardem

 

Wounded (La herida), Spain – U.S. Premiere

Directed by Fernando Franco

Cast: Marian Alvarez, Rosana Pastor, Manolo Solo, Andres Gertrudix, Ramon Agirre, Ramon Barea

 

 

FUND FOR SANTA BARBARA SOCIAL JUSTICE

Competition

 

Bottled Up: The Battle Over Dublin Dr. Pepper, USA – World Premiere

Directed by Drew Rist

 

Hue: A Matter of Colour, Canada – U.S. Premiere

Directed by Vic Sarin

 

Invitation to Dance, USA – World Premiere

Directed by Christian von Tippelskirch

 

The Last One, USA – World Premiere

Directed by Nadine C. Licostie

 

The Passage, Panama

Directed by Alexander Douglas

 

Roaming Wild, USA – World Premiere

Directed by Sylvia Johnson

Featuring: Samantha Layne (voice)

 

Shadow in Baghdad, Israel/France/UK/Jordan/Iraq – U.S. Premiere

Directed by Duki Dror

 

Through A Lens Darkly: Black Photographers and the Emergence of a People, USA Directed by Thomas Allen Harris

 

NON–COMPETITION FILMS

 

SPECIAL PRESENTATIONS

 

15 Years + 1 Day (15 años y un dia), Spain

Directed by Gracia Querejeta

Cast: Maribel Verdú, Tito Valverde, Arón Piper, Belén López

 

African Metropolis, Côte d’Ivoire, Egypt, Senegal, South Africa, Nigeria and Kenya – U.S. Premiere

A complication of short films directed by Jim Chuchu, Ahmed Ghoneimy, Folasakin Iwajomo, Marie KA, Philippe Lacôte, Vincent Moloi

 

Child’s Pose (Pozitia copilului), Romania

Directed by Calin Peter Netzer

Cast: Luminita Gheorghiu, Bogdan Dumitrache, Natasa Raab

 

Code Black, USA

Directed by Ryan McGarry

Cast: Ryan McGarry, Danny Cheng, Jamie Eng, Dave Pomeranz, Andrew Eads

 

Gabrielle, Canada

Directed by Louise Archambault

Cast: Gabrielle Marion-Rivard, Alexandre Landry, Mélissa Désormeaux-Poulin

 

Heart of a Lion, Finland/Sweden

Directed by Dome Karukoski

Cast: Peter Franzén, Laura Birn, Jasper Pääkkönen, Yusufa Sidibeh

 

La Juala de Oro (The Golden Dream), Guatemala/Spain/Mexico

Directed by Diego Quemada-Díez

Cast: Brandon López, Rodolfo Domínguez, Karen Martínez

 

My Sweet Pepper Land, Kurdistan/France/Germany

Directed by Hinder Saleem

Cast: Korkmaz Arslan, Golshifteh Farahani, Suat Usta

 

The Notebook, Hungary/Germany/Austria/France

Directed by János Szász

Cast: András Gyémánt, László Gyémánt, Piroska Molnár, Ulrich Thomsen, Ulrich Matthes

 

Of Horses and Men (Hross í oss), Iceland/Germany

Directed by Benedikt Erlingsson

Cast: Ingvar Eggert Sigurõsson

 

One Chance, United Kingdom

Directed by David Frankel

Cast: James Corden, Alexandra Roach, Julie Walters, Mackenzie Crook, Colm Meaney

 

We Are the Best! (Vi är bäst!). Sweden/Denmark

Directed by Lukas Moodysson

Cast: Mira Barkhammar, Mira Grosin, Liv LeMoyne

 

PAN ASIA

 

Cold Eyes, South Korea

Directed by Cho Ui-seok, Kim Byung-seo

Cast: Seol Kyung-gu, Jung Woo-sung, Han Hyo-joo, Lee Jun-ho, Jin Gyeong

 

Found & Lost, China – U.S. Premiere

Directed by Xiao Wei Zhu

Cast: Guo Zhu Zhang, Yu Meng Jia

 

Ilo ilo, Singapore

Directed by Anthony Chen

Cast: Koh Jia Ler, Angeli Bayani, Tian Wen Chen, Yann Yann Yeo

 

Late Spring, South Korea – World Premiere,

Directed by Keun-Hyun Cho

In post war Korea, A genius sculptor meets an amateur model

 

The Missing Picture (L’image manquante), Cambodia/France

Directed by Rithy Panh

Cast: Randal Douc (voice)

 

Siddharth, Canada/India

Directed by Richie Mehta

Cast: Rajesh Tailang, Tannishtha Chatterjee, Anurag Arora, Geeta Agrawal Sharma, Naseeruddin Shah

 

Transit, Philippines

Directed by Hannah Espia

Cast: Jasmine Curtis Smith, Ping Medina, Irma Adlawan, Mercedes Cabral, and Marc Justine Alvarez

 

Unforgiven (Yurusarezaru mono), Japan

Directed by Lee Sang-il

Cast: Ken Watanabe, Akira Emoto, Koichi Sato

 

 

KOLNOA

 

Bethlehem, Israel

Directed by Yuval Adler

Cast: Shadi Mar’I, Tsahi Halevy, Hitham Omari, Tarek Copti, Michal Shtemler, Hisham Suliman, George Iskandar, Yossi Eini, Efrat Shnap, Karem Shakur, Ibrahim Sakala

 

Cupcakes, Israel

Directed by Eytan Fox

Cast: Anat Waxman, Keren Berger, Ofer Shechter, Efrat Dor

 

Do You Believe in Love?, Israel – U.S. Premiere

Directed by Daniel Wasserman

 

Shadow in Baghdad, Israel/France/UK/Jordan/Iraq – U.S. Premiere

Directed by Duki Dror

 

Transit, Philippines

Directed by Hannah Espia

Cast: Jasmine Curtis Smith, Ping Medina, Irma Adlawan, Mercedes Cabral, and Marc Justine Alvarez

 

A Universal Language, Canada

Directed by Igal Hecht

 

The Village of Peace, Israel/USA – World Premiere

Directed by Nicholas Philipides, Ben Schuder

 

 

SCREEN CUISINE

 

A la Bizkaina, Spain – U.S. Premiere

Directed by Aritz Galarza

 

A Year in Champagne, USA – World Premiere

Directed by David Kennard

 

Bottled Up: The Battle Over Dublin Dr Pepper, USA – World Premiere

Directed by Drew Rist

Cast: Josh Gobin (voice)

 

César’s Grill, Ecuador/Germany/Switzerland – U.S. Premiere

Directed by Dario Aguirre

Cast: Dario Aguirre, César Aguirre

 

Dog Days, Canada/USA

Directed by Laura Waters Hinson, Kasey Kirby

Cast: Coite Manuel, Siyone, Deane

 

Le Chef (Comme un chef), France/Spain

Directed by Daniel Cohen

Cast: Jean Reno, Michaël Youn, Raphaelle Agogue, James Gerard

 

Make Hummus Not War, Australia

Directed by Trevor Graham

 

Paulette, France – U.S. Premiere

Directed by Jérôme Enrico

Cast: Bernadette Lafont, Carmen Maura, Dominique Lavanant

 

 

THE WORLD LAUGHS

 

The Grand Seduction, Canada

Directed by Don McKeller

Cast: Brendan Gleeson, Taylor Kitsch, Liane Balaban

 

Le Chef (Comme un chef), France/Spain

Directed by Daniel Cohen

Cast: Jean Reno, Michaël Youn, Raphaelle Agogue, James Gerard

 

Paulette, France – U.S. Premiere

Directed by Jérôme Enrico

Cast: Bernadette Lafont, Carmen Maura, Dominique Lavanant

 

The Priest’s Children (Svećenikova djeca), Croatia

Directed by Vinko Brešan

Cast: Kresimir Mikic, Niksa Butijer, Marija Skaricic, Drazen Kühn, Jadranka Dokic

 

Revival, Czech Republic – U.S. Premiere

Directed by Alice Nellis

Cast: Bolek Polivka, Miroslav Krobot, Karel Hermanek, Marian Geisberg, Zuzana Budovska

 

A Universal Language, Canada

Directed by Igal Hecht

 

When Jews Were Funny, Canada

Directed by Alan Zweig

Cast: Howie Mandel, Shelley Berman, Norm Crosby, Shecky Greene, Jack Carter, David Steinberg, Andy Kindler, Elon Gold, Gilbert Gottfreid, David Brenner, Bob Einstein, Judy Gold, Marc Maron

 

 

TO THE MAXXX

 

Bella Vita, Italy/USA – U.S. Premiere

Directed by Jason Baffa

Cast: Chris Del Moro, Dave Rastovich, Lauren Lyndsey Hill, Conner Coffin, Parker Coffin

 

Driven, USA – World Premiere

Directed by Ben Pitterie, Brian Hall

 

The Old, the Young and the Sea, Austria/Spain/Portugal/France – U.S. Premiere

Directed by Mario Hainzl

 

A Life Outside, USA – World Premiere

Directed by Catherine Brabec

Cast: Greg Mesanko, Chris Mesanko, Kevin Casey, Jim Purpuri, Richard Luthringer, and Bucky Walters

 

 

APPLEBOX

 

Frozen, USA

Directed by Chuck Buck, Jennifer Lee

Cast: Kristen Bell, Josh Gad, Idina Menzel, Jonathan Groff

 

Despicable Me 2, USA

Directed by Pierre Coffin, Chris Renaud

Cast: Steve Carell, Kristen Wiig, Benjamin Bratt, Miranda Cosgrove, Russell Brand

 

Monsters University, USA

Directed by Dan Scanlon

Cast: Billy Crystal, John Goodman, Steve Buscemi

 

 

SANTA BARBARA FEATURES

 

Lutah Maria Riggs, USA – World Premiere

Directed by Kum-Kum Bhavnani

 

BridgeWalkers, USA

Directed by Kara Rhodes

Cast: Irene Bedard (voice)

 

Falcon Song, USA – World Premiere

Directed by Jason Brown

Cast: Gabriel Sunday, James Storm, Martin Kove, Rainey Qualley

 

Menthol, USA – World Premiere

Directed by Micah Van Hove

Cast: Jacob King, Luke Eberl

 

Orenthal: The Musical, USA

Directed by Jeff Rosenberg

Cast: Jordan Kenneth Kamp, Larisa Oleynik, Malcolm Barrett

 

Selma Rubin and Community of Life, USA

Directed by Beezhan Tulu

Featuring: Selma Rubin

 

Tough Bond, USA

Directed by Austin Peck

 

 

SHORTS PROGRAMS

 

ANIMATED SHORTS

 

Bakerman & The Bunnymen, USA

Directed by Scout Raskin

Cast: Andrew Racho, Scout Raskin

 

Drunker Than a Skunk, USA

Directed by Bill Plympton

Cast: Walt Curtis

 

Flamingo, Venezuela

Directed by Carl Zitelmann

 

The Gravedigger’s Tale, United Kingdom

Directed by Min Young Oh

Cast: Duncan Roberts

 

The House with No Doors, United Kingdom

Directed by Oana Nechifor

 

Me + Her, USA

Directed by Joseph Oxford

 

Sebastian, Russian Federation/USA

Directed by Vlad Marsavin

Cast: Alex Kharlamov, Arina Yagovkina, Elena Yagovkina, Milana Albakova

 

 

Tome of the Unknown, USA

Directed by Patrick McHale

Cast: Elijah Wood, Warren Burton, Natasha Leggero, C.W. Stoneking

 

Woody, Australia

Directed by Stuart Bowen

 

 

DOCUMENTARY SHORTS

 

Cowtown Keeylocko, USA

Directed by Ira Chute

Cast: Edward Keeylocko

 

Do Not Duplicate, USA

Directed by Mary Anne Rothberg

 

The Kids of 5114, USA

Directed by Scott Brown

 

Real Change, USA

Directed by Adam Becker

 

Running Blind, USA

Directed by Ryan Suffern

Featuring: E.J. Scott

 

DRAMATIC SHORTS

 

H.O.G.’s Tooth, USA

Directed by Loren F. Gilley

Cast: Grant Alan Ouzts, Jordan Butcher, Kendra Thomas

 

Little Secret, Czech Republic

Directed by Martin Krejci

Cast: Adam Misik, Klara Cibulkova, Jenovefa Bokova

 

Looms, USA – World Premiere

Directed by Funk Brothers

Cast: Timothy Murphy, Ellen Soderberg (voice)

 

My Father’s Truck, Germany

Directed by Mauricio Osaki

Cast: Trung Anh, Ly Phan, Mai Vy

 

They Came at Night, Congo/USA – World Premiere

Directed by Andrew Ellis

Cast: Godefroid Maka, Innocent Mbula, Pascal Kunbawo

 

SCREEN CUISINE SHORTS

 

Mabel, USA – World Premiere

Directed by Pia Clemente

Featuring Mabel Sawhill

 

People & Plates, USA – World Premiere

Directed by Miguel Calayan

Cast: Christian Navarro

 

Sausage, United Kingdom

Directed by Robert Grieves

 

Sikh Formaggio, Italy/USA

Directed by Devyn Bisson, Katie Wise, Dan Duran

 

The Story of an Egg, USA

Directed by Douglas Gayeton

Cast: Alexis Koefoed, David Evans, Nancy Gleason

 

The Trouble with Bread, USA

Directed by Maggie Beidelman

 

 

SHORT FICTION

 

Across Grace Ally, USA

Directed by Ralph Macchio

Cast: Ben Hyland, Karina Smirnoff, Marsha Mason

 

Bunion, USA – World Premiere

Directed by Jessica Sanders

Cast: Avi Rothman, Alia Shawkat, Michaela Watkins, Misty Thomas, Steve Ireland

 

A Letter Home, USA – World Premiere

Directed by Markus Walter

Cast: Adelaid Kane, Peter Vack

 

Mr. Polman Wants to Fit In, USA

Directed by Carla Dauden

Cast: William Knight, Ann Benson, Ruben Vernier

 

The Pamplemousse, Canada

Directed by Jonathan Watton

Cast: Emmanuel Bilodeau, Mika Collins

 

Satellite Beach, USA

Directed by Andrew Wilson, Luke Wilson

Cast: Luke Wilson

 

Sinceridad (Sincerity), Spain – World Premiere

Directed by Andrea Casaseca Ferrer

Cast: Kiti Mánver, Javier Laorden, Gerald B. Fillmore

 

 

SOCIAL JUSTICE DOCUMENTARY SHORTS

 

Alfredo’s Fire, Italy/USA – World Premiere

Directed by Andy Abrahams Wilson

Featuring: Lapo Guzzini (voice)

 

Life on the Line, USA – World Premiere

Directed by Sally Rubin, Jen Gilomen

Featuring: Kimberly Torrez

 

Not Anymore: A Story of Revolution, USA

Directed by Matthew VanDyke

Featuring: Nour Keize, Omar Hattab

 

 

SHORTS PRECEDING FEATURES

 

Ahco On the Road, South Korea/USA

Directed by Soyeon Kim

 

Mr. Hublot, France/Luxembourg

Directed by Laurent Witz

 

Mia, Belgium/Netherlands

Directed by Wouter Bongaerts

 

Mirage, USA

Directed by Iker Maidagan

Cast: Veronica Taylor, Marc Diralson, Jack Schram

 

 

SANTA BARBARA DOCUMENTARY SHORTS

 

The Alchemistress, USA – World Premiere

Directed by Andrew Schoneberger

Cast: Lindsey Ross (voice)

 

A Life in Pictures, USA

Directed by Scott Erickson

 

Mabon “Teenie” Hodges – A Portrait of a Memphis Soul, USA

Directed by Susanna Vapnek

Cast: Mabon Teenie Hodges, Leroy Hodges, Charles Hodges, Archie Turner

 

Tar Wars, USA

Directed by Emily de Moor

 

Where the Wonder Went, USA – World Premiere

Directed by Bryan Latchford

Cast: Amir Abo-Shaeer, David Tilman, Julia Bowen, Zachary King

 

 

SANTA BARBARA SHORTS

 

Break Dreams, USA – World Premiere

Directed by Paul Mathieu

Cast: Garrett Swann, Susan Isaaks, Mary Jo Eustace

 

Chrysalis, USA – World Premiere

Directed by Carissa Stutzman

Cast: Amber Bela Muse, Ashley Katz, Erin Buckley

 

Greetings from Seaward, USA – World Premiere

Directed by Ryan Murphy and Nate Ptacek

Cast: Billy Smith (voice)

 

Long Way Down, USA – World Premiere

Directed by Sam Benenati

Cast: Peter Dach

 

Martha Cook, USA – World Premiere

Directed by Tony Estrada

Cast: Ben Zisk, Karina Bustillos

 

Other People, USA – World Premiere

Directed by Joakim Svensson

Cast: Maria Oliveira, Ryan Denman

 

The Plastic Pest, USA – World Premiere

Directed by Jessica Hokanson

 

Present Trauma, USA

Directed by Mark Manalo

Cast: Patrick John Flueger, Alimi Ballard, Bre Blair

 

ReMoved, USA

Directed by Nathanael Matanick

Cast: Abby White

 

Teddy, USA – World Premiere

Directed by Ali Lassoued

Cast: Al Keys, Andre Battle, Carter Battle,

 

Trespass, USA – World Premiere

Directed by Keith Schwalenberg

Cast: Manny Jimenez, Lance Irwin, Oliviah Crawford

 

 

YOUTH CINEMEDIA 2014 SHORT DOCUMENTARIES

 

Anaheim Uprising: The Police Killing of Manuel Angel Diaz, USA

 

Tesuque Grandmother Speaks, USA

 

Killer Cops Off Our Streets, USA

 

Dissent is Not a Crime, USA

 

No Letters Allowed Behind Bars, USA

 

Behind the Music of Los Bandits, USA

Hideous Hair, USA

 

Old Town Orange, USA

 

Gang Injunctions Under the Microscope, USA

 

In the Studio with Navajo Artist Clifford Brycelea, USA

 

Hospital Horror, USA

 

Aztlan Unplugged, USA

 

Innocent Bystander, USA

 

Stop Killing Our Sons, USA

Originally published in Santa Barbara SEASONS on January 7, 2014.

Indie singer-songwriter Andrew Bird with The Handsome Family

UCSB Arts & Lectures presents “distinctively original” indie singer-songwriter and violinist Andrew Bird, with show opener The Handsome Family, in concert Thurs., Nov. 21 at UCSB Campbell Hall.

Drawing on influences from American roots music to his classical training, the “relentlessly inventive” (NPR) Chicagoan creates lush, densely layered soundscapes on stage with his violin, a looping pedal, guitar and glockenspiel. His songs are driven by infectious, lilting melodies and clever lyrics that “spin existential doubts into elegant confections” (The New York Times).

The Handsome Family, the quirky alt-Americana duo of Brett and Rennie Sparks (whose songs Bird has covered in the past), will open for Bird.

Tickets are going fast. Don’t miss this intimate show with an artist who’s played everywhere from Carnegie Hall to Bonnaroo and the Mojave Desert!

For tickets or more information, call UCSB Arts & Lectures at 805/893-3535 or purchase online at www.ArtsAndLectures.UCSB.edu.


—Leslie Dinaberg

Originally published in Santa Barbara SEASONS on November 18, 2013.

Cocktail Corner: Toasting the Santa Barbara International Film Festival

A spirited toast to all things alcoholic! By Leslie Dinaberg

Even movie stars shine a little brighter when you give them a perfect cocktail. Since the stars will be out in full force this week, here’s where I would take some of the Santa Barbara International Film Festival VIPs out for drinks:

Harry's (courtesy photo)

Harry’s (courtesy photo)

Golden Globe winning director Ben Affleck, whose terrific film Argo seems to be the Oscar front runner at the moment, is a down-to-earth guy who would appreciate the local charm and flavor of Harry’s—not to mention the generous drinks. Perhaps after he receives the Modern Master Award on January 25 he’ll join us for a Dirty Martini at Harry’s. Made the old-fashioned way, with Bombay Gin, Dry Vermouth, a splash of olive juice, and a “family of olives,” like Affleck, this drink is sure to be a crowd pleaser.

The Biltmore's Smoked Maple Manhattan (courtesy photo)

The Biltmore’s Smoked Maple Manhattan (courtesy photo)

This Saturday night the whole town’s got a date with Daniel Day Lewis when he accepts the Montecito Award on January 26.

Be still my heart.

After years of lusting after Daniel Day Lewis (for his brain, of course, not to mention his smoldering Irish accent) I think its only fitting that before he takes the stage at the Arlington that night we should enjoy an ocean view sunset cocktail together at Four Seasons Resort the Biltmore in Montecito. I think Daniel would appreciate the poetry of a Smoked Maple Manhattan, made with hickory smoked Maker’s Mark bourbon, Bliss maple syrup infused vermouth, shaken straight up and garnished with a brandied cherry or two.

Quentin Tarantino will receive the American Riviera Awardon January 30. He’s a great raconteur in any setting, but I think he’d revel in both the view and the cocktails at The Boathouse at Hendry’s Beach, one of Santa Barbara’s loveliest spots for drinks. My personal favorite is the Blood Orange Margarita, made from El Charro 100% Agave Tequila, with fresh blood orange juice, fresh lime, Triple Sec and a splash of sweet and sour, served on the rocks. I also love the Honeycomb Mojito: Myers Platinum Rum with honeycomb simple syrup, a squeeze of lime, mint, and a splash of club soda.

The enchanting Amy Adams is in town next Thursday, January 31, to receive the Cinema Vanguard Award for her work in The Master. This woman’s versatility is amazing. I’ve loved her in everything from serious dramas (Doubt, The Fighter) to lighthearted films (Enchanted, The Trouble With the Curve). I’d take Amy to Kunin Wine Tasting Room on the Urban Wine Trail. I think she’d appreciate the elegance and local flavor of this great spot, as well as a glass of Seth Kunin’s 2007 Santa Barbara County Syrah. Crafted from three different local vineyards, it’s a smoky, spicy taste of Syrah—and Santa Barbara.

Kunin Tasting Room (courtesy photo)

Kunin Tasting Room (courtesy photo)

Finally Jennifer Lawrence, who was fabulous in both the Hunger Games and Silver Linings Playbook this year, will receive the Outstanding Performer of the Year award on Saturday, February 2. I think she’d enjoy cocktails on the patio at Blush. I have a feeling she’d like one of their fruity fun libations, like the Melted Popsicle (Stoli Raspberry Vodka, Cointreau, fresh oranges, cranberry and lemonade) or Pineapple Smash (Pineapple-infused Skyy Vodka, agave nectar, lime juice, pineapple and jalapeno). Who knows, we might even go ballroom dancing later … when Bradley Cooper shows up.

Seriously, if any of you are reading this—especially Daniel Day Lewis—drinks are on me. Cheers!

Click here for more cocktail corner columns.

Leslie Dinaberg, hard at work. Photo by Derek Johnson.

Leslie Dinaberg, hard at work. Photo by Derek Johnson.

When she’s not busy working as the editor of Santa Barbara SEASONS, Cocktail Corner author Leslie Dinaberg writes magazine articles, newspaper columns and grocery lists. When it comes to cocktails, Leslie considers herself a “goal-oriented drinker.”

Originally published in Santa Barbara SEASONS on January 25, 2013.

Cocktail Corner: Red Carpet Cocktails

A spirited toast to all things alcoholic!  By Leslie Dinaberg

The Academy Awards are on Sunday. My money’s on Argo to take home the biggest prize of the night—and firmly cement the Santa Barbara International Film Festival as the must-stop red carpet event to strut your stuff on the way to the Oscars. I’m still marveling at how many Oscar-bound stars made it to the festival this year.

Meanwhile, for those of us who won’t be at Hollywood’s Dolby Theatre this weekend, the competition for Oscar-inspired libations is every bit as fierce as the race for Best Picture. Here are some red carpet cocktails to make your home viewing party a hit!

Do your favorite films and your favorite cocktails match up? You’ll have to watch—and try—them all to make an educated decision.

Amour

While beautifully shot and acted, to say this movie is a downer is the understatement of the year. However, CookInDineOut.com’s version of The Amour cocktail is a sparkling champagne cocktail designed to invoke the earlier romance of the movie’s couple. Plus, a few sips of this might help you brace yourself for the intensity of the movie.

Argo

Bacardi USA mixologist Manny Hinojosa (how’s that for a cool-sounding job title?) has come up with a delicious-sounding Argo-inspired Scotch-Campari cocktail with elderflower liqueur, basil and ginger ale, The Diplomatic Escape.  Certainly one of the most purely entertaining movies in the bunch, a little Scotch can only help this film go down even smoother.

Beasts of the Southern Wild

Cajun Lemonade is a great treat to celebrate this bayou-themed beast. This spiked version from Food & Wine includes a generous splash of Vodka (or Rum), but nine-year-old star (and nominee) Quvenzhané Wallis—who gives an amazing performance in this haunting film—should probably stick to good old lemonade.

Django Unchained

Grey Goose Vodka did a whole series of Oscar-inspired cocktails, but this Coco Django is a standout—it even alludes to a quirky coconut drink that one of the characters has in a pivotal scene.

Les Misérables

The Les Misérables Cocktail from Cocktail.com, featuring French brandy, is worth taking your time to absorb, just like this sprawling, epic movie set in 19th-century France.

Life of Pi

The Citrus Seas, from Dallas’s SideDish Magazine,  is sublime and sea-worth salute to Ang Li’s beautiful film. They recommend Shellback Silver Rum, but like the Cajun Lemonade, this one would be equally tasty with Vodka.

Lincoln

Basil Hayden’s Bourbon pays tribute to Lincoln with this take on a traditional cocktail, Lincoln’s Manhattan, mixing Bourbon, both sweet and dry vermouth, and maple syrup. They had me at Daniel Day-Lewis.

Silver Linings Playbook

Word on the street is that Robert De Niro loved this Purity Silver Linings Playbook Martini at the Weinstein Company’s Silver Linings Playbook event. Another one of my favorite movies of the year … and there’s certainly not much to dislike about a pure Vodka and spring water cocktail!

Zero Dark Thirty

The Drake Hotel in Chicago has come up with Zero Dark Worthy, a “heavy martini made from Vodka, Cherry Brandy and Dark Crème de Cacao to commemorate the very heavy substance of the film. The title of the Zero Dark Thirty is, as director Kathryn Bigelow explains, “a military term for 30 minutes after midnight, and it refers also to the darkness and secrecy that cloaked the entire decade-long mission (to capture Osama Bin Ladin).”

Pass the popcorn! Cheers!

Click here for more cocktail corner columns.

Leslie Dinaberg

Leslie Dinaberg

When she’s not busy working as the editor of Santa Barbara SEASONS, Cocktail Corner author Leslie Dinaberg writes magazine articles, newspaper columns and grocery lists. When it comes to cocktails, Leslie considers herself a “goal-oriented drinker.”

Originally published in Santa Barbara SEASONS on February 22, 2013.

 

I’d like to thank the Academy

side_oscar“I’d like to thank the Academy, and of course my wonderful husband and adorable son for inspiring me every day. And my fabulous family, friends and loved ones, for sticking by me in those lean years, when it looked like I might never be up on stage accepting this award. I couldn’t have done it without you.”

Since it looks like I won’t be hugging Billy Crystal on stage this Sunday, I thought it was about time that somebody heard my speech. After all, I’ve been practicing my Academy Award acceptance since I was a little girl, effusively thanking my best friend Tatum O’Neill, my husband David Cassidy, my best friend Julia Roberts, my boyfriend Jon Bon Jovi, and my husband John Cusack, depending on which year it was.

At various times I’ve fancied thanking the Academy for recognizing my directing, acting, writing, and-try not to laugh too hard-singing abilities. Despite the fact that the Oscar has yet to be awarded for best singing in the shower, I’m still practicing.

When you picture me giving this speech, envision me with Halle Berry’s body, in a red Valentino gown. My gown preferences have changed over the years-in third grade I was really into the “Little House on the Prairie” books and wanted to wear a red plaid petticoat. In seventh grade I thought strapless Quiana might be cute, and in college I wanted Geena Davis’ elegant long-sleeved gown. But no matter what the dress style, red always looks good for the camera.

Pink is another story. I still haven’t forgiven Gwyneth Paltrow for that ill-fitting pink, “Shakespeare in Love” Oscar night dress, or Penelope Cruz for her pink flamingo gown in 2007. If Penelope Cruz can’t carry off feathers, no one can. I bet you can’t hum a single tune by Bjork, but remember her swan Oscar dress in 2001? Of course you do. That was her career’s swan song, though that ridiculous image is forever embedded in our brains, along with Lady Gaga’s meat dress from another awards show.

Since I’ve been studying the Academy Awards so avidly for so many years-and I don’t seem to have any personal use for this knowledge-I’ll offer some of my sage advice to the nominees.

You’ve got just 45 seconds and more than a billion viewers for your moment of glory. Don’t blow it on a fashion “DON’T.”

DO expect to lose. Despite what your agent, your mother and your hairdresser have told you, prepare yourself for this possibility, then visualize it in your mind. There’s nothing more uncomfortable than watching a newly hatched Oscar loser try to hold back tears on camera. No one is that good of an actor.

DON’T talk too long. One the best Oscar speeches in history was Jane Wyman’s, “I accept this very gratefully for keeping my mouth shut for once.” She was accepting an Oscar in 1949 (I read about this one, I’m not that old!) for playing a mute character in “Johnny Belinda.” “I think I’ll do it again.” And she sat down.

DON’T picture the audience in their underwear, no matter how nervous you get. With most things in life, advice from “The Brady Bunch” is extremely reliable, however this is that rare exception. Try picturing Colin Firth and Brad Pitt (or Scarlett Johansson and Salma Hayek) in their underwear. Not exactly relaxing, is it?

DON’T get political. Your 45-second speech isn’t long enough to say anything meaningful about global warming or the presidential race. If you must be political, bring a visual aid to help communicate your point, such as a sad-looking puppy, or an extremely thin actress.

DO shed a few tears, but not too many. What’s to stop your mother from running up to the podium with a Kleenex?

Which reminds me of the most important advice I have to give to Oscar nominees (and for once, I hope my son is reading): DON’T forget to thank your mother.

Leslie’s all-time favorite line in an Oscar acceptance speech was from Dianne Wiest, who won Best Supporting Actress for “Hannah and Her Sisters” in 1987: “Gee, this isn’t like I imagined it would be in the bathtub.” Share your favorites with Leslie@LeslieDinaberg.com. For more columns visit www.LeslieDinaberg.com.  Originally published in the Santa Barbara Daily Sound on February 24, 2012.

Heating up to Fifty

Between a Rock and Hot Place, by Tracey Jackson

Between a Rock and Hot Place, by Tracey Jackson

Let me start out this column by saying that I am not 50 yet.

I am nowhere near 50 years old.

OK, the sum total of my journeys around the sun is not quite 50–yet–but I’m a heck of a lot closer to being 50 than I am to being 30.

The fact that I have difficulty wrapping my head around this oh-so-obvious reality was part of the inspiration for Tracey Jackson‘s humorous new book, Between a Rock and a Hot Place: Why Fifty is Not the New Thirty, a part memoir, part self-help, part rant and always entertaining look at what happens to women when they hit the big Five-O.

“The idea that just because we want to we can turn back the clock and pretend to be thirty is both amusing and insane,” laughed Jackson, speaking to me from the back room of a hair salon. This busy lady fit in our interview during a quick trip home to New York before flying off to D.C. to continue a book tour that includes visits with Kathie Lee and Hoda, Meredith Vierra on “The Today Show” and the Writing Mamas of Corte Madera County.

“Being on a book tour is tiring, but it’s a good kind of whirlwind,” said Jackson, who has had a lot of whirlwinds since her childhood in Santa Barbara, where her extended family still resides. A comedy screenwriter for 17 years–Confessions of a Shopholic and The Guru are some of her better known titles–Jackson writes frankly about being shocked when she got older and the writing jobs started drying up. Ironically, her last screenwriting job was adapting a book called “The Ivy Chronicles,” about a woman who loses her job and reinvents herself.

Jackson also reinvented herself, producing and starring with her daughter in a documentary film called Lucky Ducks, (about the complex relationship boomer parents have with their over-indulged teens), daily blogging and most recently, writing “Between a Rock and a Hot Place.”

All of the hot button middle age stuff is there, with her amusing takes on what could be depressing topics like menopause (“it’s not all in your head, it’s in your vagina”), money (“I didn’t mean to spend it all”), death (“ready or not, here death comes”) and my favorite, “Sex, Estrogen and Not So Much Rock and Roll.”

Of course I immediately turned to the chapter about sex, where Jackson describes in hilarious detail her attempt to spice up her marriage with a trip to a very posh sex store. The resulting misadventures involving Jackson, her husband, a shiny black bag of toys, and Lola Falana (their Chihuahua) made me laugh so hard that I woke up my husband.

With sex, face lifts, finances and sandwich generation challenges of aging parents and exhausting teenagers sitting side-by-side, the book casts a pretty wide net over the issues of “second adulthood.” Jackson said that was her plan from the start.

“When you’re writing a comedic book, which a lot of this is, and then you have to throw in things that aren’t funny, it’s hard. … When you’re writing about death, you’re writing about death so it’s trickier to make that buoyant and make that something that people don’t go ‘OK now I’ve read this really funny chapter about sex and now I’m reading about dying.’ How do you keep that light? … At the end of the day you kind of give in and say OK I’m writing about death, this is not a funny topic any way you cut it, so we just have to kind of go for it. ”

She still manages to get the comedy in– when she talks about death she includes the story of her husband’s spinning teacher dropping dead at the gym. In fact, no matter what the topic, the laughs and hard truths resonate throughout both the book and my conversation with Jackson.

“We aren’t old and we aren’t young; we are in kind of in-between states, passing through the transit lounge of life,” she writes. “No matter how much Botox you get, things will start falling apart: some marriages end, some kids are job, some jobs are terminated, most faces fall and all boobs do. No one bothered to fill us in on this.”

Luckily that’s where Jackson and “Between a Rock and Hot Place” come in.

Tracey Jackson blogs daily at www.traceyjacksononline.com. Maybe Leslie will do that when she’s 50, but for now she writes weekly. Read her columns every Friday in the Santa Barbara Daily Sound or at www.LeslieDinaberg.com. Originally published in the Santa Barbara Daily Sound on March 4, 2011.

Film Fest Screen Shots

Santa Barbara International Film FestivalA Little Teenage Charm Goes a Long Way

One of the best perks of being a reporter in Santa Barbara is access to the film festival. No matter what you’re in the mood for–movie star mania, industry panels, blockbuster film screenings, documentaries, surf films or obscure foreign films that would never otherwise make it to the Metro 4-our film festival has a little bit of everything.

But despite my primo access to the festival I always feel a little jealous of the Santa Barbara Middle School Teen Press. Those guys really have it made–and they’re way, way too young to appreciate it.

This year Shuba, a 7th grader, got James Franco to recite Lord Byon’s “She Walks in Beauty” poem to her. Oh lord indeed. He looked right at her with those big brown eyes. James Franco and Byron … it just doesn’t get much dreamier than that.

My heart was thumping just watching the video, and Shuba’s not even old enough to appreciate it. She probably wishes it were Justin Beiber or Will Smith’s kid.

Youth is wasted on the young, especially when it comes to reporting.

A few years ago those Teen Press kids were the only ones that Brad Pitt and Angelina Jolie even stopped for on the red carpet. Sorry, we’re too busy adopting children and saving the world and looking gorgeous to talk to any professional reporters. “Oh you’re in middle school. How’s it going, dude? We’d love to talk to you!”

Yeesh. Those kids get all the breaks.

Then last year, while I rubbernecked on the red carpet, a couple of other teen pressers, Kendall and Lia, got within smoldering distance of Colin Firth. Seriously, I’m getting flushed just thinking about it. Be still my heart, it was Colin Firth, Mr. Darcy in “Pride and Prejudice,” Colin Firth, Mr. Darcy in “Bridget Jones’ Diary,” Colin Firth, Mr. Darcy in the other Bridget Jones’ Diary, and Colin Firth, Mr. Darcy in the other “Pride and Prejudice.” Did I mention my favorite character in all of literature is Mr. Darcy?

I wonder who James Franco’s favorite character is? I could have asked him if I was part of the Teen Press and got to interview him alone in the green room after his award. Alone in the green room! Geez, those kids don’t know how lucky they are.

Like I said, I’m a little teensy bit jealous. Mostly I wish the film festival had existed when I was in high school. I only missed it by a few years. Just think, I could have been interviewing Mary Tyler Moore and Ted Danson instead of watching wrestling matches and exposing the evils of cafeteria food.

For more information (and to see the video of James Franco reciting Byron) on the Santa Barbara Middle School Teen Press visit www.sbmsteenpress.org/TP-v14/5-sbiff-00.html. For more of Leslie’s columns visit www.LeslieDinaberg.com. Originally published in the Santa Barbara Daily Sound on February 4, 2011.

The Race to Less Homework

RaceToNowhere_27x40_0711Like many people I spoke to in the audience, I was both dreading and looking forward to seeing Race to Nowhere, a documentary about the impact of undue academic pressures, which was presented by the Orfalea Foundation and UCSB Arts & Lectures last weekend.

Mostly I was worried that watching the movie would become–ironically enough–a homework project for ME in that I feared that its depiction of the negative effects of too much homework and too much pressure to do well in school might motivate ME to want to take on the Sisyphean task of trying to change our educational system.

It’s not exactly a feel good movie, but it certainly is an effective one.

The movie did make me want to do something.

Directed by concerned mother Vicki Abeles, “Race to Nowhere” paints a scary story where cheating has become commonplace, students are disengaged from what they are supposed to be learning, stress-related illness and depression are rampant, and many young people arrive at college and the workplace unprepared and uninspired.

Plus, as one high school girl points out in the movie, “we live in a society today where you have to be smart, but also pretty, and also you have to do sports, and you have to be involved in art, and you have to find something unique about yourself. And you have to know yourself, because if you don’t know yourself then you’re going to lose yourself.”

Aurgh! Is it any wonder that, as Dr. Madeline Levine, a psychologist and expert on student stress who was in the movie and participated on the panel afterward, says, “20% of high school kids have major stress diagnosis or an anxiety disorder of some kind.”

They’ve spent their entire childhoods building their resumes.

It seems so overwhelming.

A lot of the challenges pointed out in the film–the federally mandated No Child Left Behind requirements; the emphasis on testing; too many students “qualified” for top universities and not enough spots available; global economic competition–are just too huge to even think about trying to overcome as a lone parent, but there is one issue that actually seems surmountable, even by little ol’ me.

Homework.

Despite the fact that, as friends with older kids taking AP classes remind me, our sixth grade son is “just getting started” on the homework treadmill, our entire household spends a ridiculous amount of time talking about homework, negotiating about homework, whining about homework and even crying about homework.

Yes, I am the one who usually cries about homework and does a little happy dance on the rare nights when he doesn’t have any. It’s painful and quite frankly we’d all be a lot happier if there were less of it.

Our son’s homework, with the exception of reading and studying for tests, is overwhelmingly full of busywork. Coloring endless pages of a “keepsake” book from a field trip is not a good use of the wee hours of the night, in my opinion. Coloring is supposed to be fun, right? Even the so-called “fun” projects like creating dioramas, board games or giant posters usually involve multiple trips to the crafts store searching for expensive supplies to create projects that require way too much parent participation and take way too much time.

Plus, when you look into the academic research about homework, there’s very little to support it, especially for younger children. According to the movie, there’s no correlation between homework and academic achievement in elementary school, and the correlation flatlines after two hours of high school homework.

“Kids are developing more school-related stomachaches, headaches, sleep problems, and depression than ever before,” writes William Crain, a professor of psychology and author of “Reclaiming Childhood: Letting Children Be Children in Our Achievement-Oriented Society.” “We’re seeing kids who are burned out by fourth grade. Soon, it will be by second grade.”

The other thing too much homework does is cut into kids’ time for physical activity (even though we’re worried about childhood obesity), as well as family time and even household chores. How can we teach our son to be a responsible member of our household (let alone society) when he doesn’t have time to do the friggin dishes?

Among the suggestions for parents at the end of the movie are to “reduce performance pressure” and “allow time for play, family, friends, downtime, reflection and sleep.” Those sound like do-able ideas to me. But can you help us out here, teachers? How about a little less homework.

When Leslie’s not clenching her teeth over her son’s homework, she’s usually home doing work of her own. She can be reached at Leslie@LeslieDinaberg.com. For more columns visit www.LeslieDinaberg.com. Originally published in the Santa Barbara Daily Sound on January 14, 2011.

Why it’s okay to swoon

TwilightAt the last Twilight movie, my girlfriend and I decided there should be a drinking game where you did a shot every time Jacob (18-year-old actor Taylor Lautner) took off his shirt and you heard the gasping chorus of all the teenage girls in the theater.

When you gasp you gulp. When you gasp you gulp. Big gasp. Big gulp.

Had we been playing I would have been just as tipsy as the Clearasil crowd.

I know that some people will be appalled to hear that even middle-aged moms can still swoon at the sight of a beautiful teenaged werewolf man-boy. I can understand their reaction. Every year I get a little closer to having a teenaged son of my own and then I understand their reaction even more. But here’s the thing: somewhere inside every grown up lives the child-and the teenager-they used to be.

Admittedly, I may be more in touch with my inner 13-year-old than many of my peers-though certainly not the ones who attended Tuesday’s night’s Angels Foster Care benefit screening of Eclipse at the Arlington Theatre. This is sometimes great and sometimes downright annoying, but it definitely helps me appreciate pop culture.

When I watch the Twilight movies I’m not someone’s mom and I’m not someone’s wife, I’m a teenaged girl, just like the rest of Team Jacob.

Clearly I’m not alone.

Describing the indescribable pull of the Twilight series (both books and movies), a 36-year-old mother of two told CNN reporter Breeanna Hare: “As grown women we know that we never forget our first love, the first time our heart was really broken. I just think that so many women can kind of identify with the experiences and emotions and underlying message of how difficult it is to make choices in life.”

New York Magazine columnists Em & Lo eloquently put it, “Twilight taps into a time when passion is as much about fantasy as reality, before drunken college hookups, before booty calls, before scheduling sex into a marriage. Twilight reinvents sex for women who might have placed it at the bottom of a to-do list.”

Some of my friends feel the same way (though not passionately enough to let me use their real names).

“Every time I look at R-Pat (tabloid-speak for Robert Pattinson, who stars as dreamy vampire Edward in the films), I feel like I am 12 years old again,” says Gena.

“Of course we don’t read the books or watch the movies for their literary merit,” laughs Serena, another mom friend. “But Twilight is the ultimate teenager girl’s fantasy. Two beautiful, sweet and undemanding boys fall madly in love with a plain, ordinary Jane. How can any woman, of any age, resist the spell of that daydream?”

Author Stephenie Meyers sounds a little surprised by the attraction to these characters. She told Time magazine, “I didn’t write these books specifically for the young-adult audience. I wrote them for me. I don’t know why they span the ages so well, but I find it comforting that a lot of thirtysomethings with kids, like myself, respond to them as well-so I know that it’s not just that I’m a 15-year-old on the inside.”

I think she’s wrong-Meyers is a 15-year-old inside, and a 9-year-old and a 25-year-old and so on. We all are. But sometimes it takes a cultural phenomenon like Twilight for us to realize it.

Share your Twilight theories with Leslie@LeslieDinaberg.com. For more columns visit www.LeslieDinaberg.comOriginally appeared in the Santa Barbara Daily Sound on July 2, 2010.

Drive-in Delights

Courtesy Santa Barbara Drive-In and Public Market

Courtesy Santa Barbara Drive-In and Public Market

The Santa Barbara Drive-In Theater reopens tonight after a 19-year intermission and I can’t remember when I’ve been so excited.

I can, however, remember a lot of great times at the Drive-In.

We moved to Santa Barbara when I was in kindergarten and some of my earliest memories are of my sister Pam and I, bundled up in our footie pajamas, in the back of our parents’ old, Aqua Velva blue Ford Pinto. We’d get to the Drive-In early so we could play on the playground slides, seesaws and swings. My favorite ride was always the spinning Merry-Go-Round-an important rite of childhood, which today’s insurance carriers, and probably a few broken limbs and blows to the head, have all but exterminated. The only thing better than the world of indescribable dizziness the Big Spinner provided was the sugar buzz we got from the assortment of Pop Rocks, Razzles, Bottlecaps, Atomic Fireballs, Grapeheads and Twizzlers our parents let us use to wash down the popcorn.

After all that candy we inhaled, they probably shouldn’t have been surprised that I managed to stay awake well beyond the family-friendly first features like “Fiddler on the Roof” and “Bedknobs and Broomsticks,” into the racier, late night fare. Despite my mom’s command that I, “Go to sleep. It’s way past your bedtime,” I still remember seeing large, incredibly inappropriate chunks of “Carnal Knowledge,” “Dirty Harry” and “Deliverance” at a very tender age.

As I edged into my teen years the Drive-In was still a favorite place to hang out, but by then it had nothing to do with what movies were playing. It was all about seeing friends, being seen, and knowing who was steaming up their car windows in the back row and who was breaking up behind the snack bar. It was all about how many friends you could hide under the cargo hold in the way back part of mom’s station wagon, how many people you could pack in the trunk, or-if you could resist the urge to giggle, and have you ever seen a pack of teenagers who can actually do this-how many pals you could fit under a blanket in the back seat.

Sneaking people in was part of my teenage fun of the Drive-In. For some inexplicable reason, I even remember doing this on the nights when they were charging a flat fee per carload just to keep up with the tradition.

Traditions die hard in this town and the Drive-In theater has been sorely missed.

It’s actually thanks in large part to the efforts of a far more motivated teenager than I ever was, 17-year-old San Marcos High senior Dominique O’Neill, that the next generation of moviegoers will get to go to the Santa Barbara Drive-In.

Last month Dominique organized a fundraiser at the Drive-In to benefit Direct Relief International. It was so successful and so many people wanted to return and share the Drive-In movie experience with their friends that she started a Facebook page to show the current owners, West Wind Drive-Ins, how much public support there was. In just over a week approximately 6,500 people joined the Facebook group (including yours truly) to pledge their support.

“I expected people to want the Drive-In to reopen, but I was astonished by how many people joined so fast,” said Dominique, who wanted to recognize the people who helped her with the Direct Relief fundraiser and spurring interest in reopening the Drive-In. “None of it would have been possible without the help of West Winds Drive-Ins and Public Markets, especially Ken Krummes, Mitch Moore of M&M Painting, Bob Shoppe of Milpas Rental, Kirk Morely of Morely Construction, Clare Moore, Emily Knuutinen, Shelby Zylstra, Maren Walker, Danielle Gruenberg, Whitney Caldwell, and most importantly my mother, Mary O’Neill.”

Awww! What a sweet Mother’s Day present for Dominique’s mom, and a great thing for all of us to celebrate this weekend. I can’t wait!

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The first movie to open at the Santa Barbara Drive-In (907 South Kellogg Ave. in Goleta) is “Iron Man 2,” which runs from May 7 through May 13 and shows at 8:00 p.m. and 10:25 p.m. nightly. After that all screenings will be double features. Tickets are $6.75 and children 5-11 are only $1, with special discounts on Tuesday nights. Visit www.westwinddi.com to sign up for weekly emails with the upcoming movie schedule.

Bring on the popcorn! Leslie would never be so rude as to check her email during a movie, but when she’s not at the Drive-In she can be reached at Leslie@LeslieDinaberg.com. For more columns visit www.LeslieDinaberg.com.Originally published in the Santa Barbara Daily Sound on May 7, 2010.