Mentors and Makers: The Artists of Westmont College

MENTORS AND MAKERS: The Artists of Westmont College, at Sullivan Goss Gallery.

MENTORS AND MAKERS: The Artists of Westmont College, at Sullivan Goss Gallery.

As part of its continuing commitment to exhibit the work of talented emerging artists alongside important established and historically significant artists, Sullivan Goss Gallery hosts an exhibition of works by the art department faculty of Westmont College. Mentors and Makers: The Artists of Westmont College opens on Dec. 6 with a 1st Thursday Reception from 5-8 p.m. The exhibition remains on view through Jan. 20.

The art department at Westmont College has always had an outsized influence on the art scene of the region. But tucked away in its bucolic Montecito campus, it can be easy to overlook how much concentrated talent is found there. “Currently, Westmont’s arts faculty consists of some of the most intriguing, adventurous, and distinct artists working in and around Santa Barbara, though their work is making waves over a much larger area,” says Curator Nathan Vonk.

Featured artists include:

Scott Anderson received his M.F.A. in illustration from The University of Hartford, and an M.A. in illustration from Syracuse University. His illustration work has appeared in numerous publications, including The Wall Street Journal, LA Weekly, The Village Voice, Variety, The Hollywood Reporter, and many others. He has also created numerous book covers for the popular “Who Is” series from the Grosset & Dunlap division of Penguin Books. His work has been awarded and recognized by Communication Arts, American Illustration, the Society of Illustrators New York, the Society of Illustrators Los Angeles, and in multiple volumes of Spectrum. A gallery painter as well, Anderson exhibits his figurative work annually with Sullivan Goss Gallery.

Scott Anderson, Wave 2, 2017, 7 x 11," oil on canvas, on view at Sullivan Goss Gallery.

Scott Anderson, Wave 2, 2017, 7 x 11,” oil on canvas, on view at Sullivan Goss Gallery.

James Daly focuses on figurative work and classical methods in various genres. Most recently his art has been an exploration of movement, visual memory, and experience in the outdoors. Daly is a graduate of Westmont and UCSB with degrees in Studio art and a Masters in Education. For the last eleven years he has developed a classically based curriculum that follows atelier-style art education for Providence Upperschool and more recently joined Westmont as an adjunct instructor.

James Daly, Haskell's Sunset, 2018, 6 x 8 inches, oil on board, on view at Sullivan Goss Gallery.

James Daly, Haskell’s Sunset, 2018, 6 x 8 inches, oil on board, on view at Sullivan Goss Gallery.

Nathan Huff earned his M.F.A. in Drawing and Painting, from California State University Long Beach, and also studied at Watts Atelier School of Art. Huff creates drawing and painting installations that function as freewheeling narratives: personal stories that explore the gaps between visual perception and modes of representation. Huff’s solo museum and gallery exhibitions have been featured at UCR Culver and Sweeney Galleries (Riverside), Los Angeles at D.E.N. Contemporary (West Hollywood), New Media Gallery (Ventura) Minthorne Gallery, (Oregon), and Gallerie View (Salambo, Tunisia.)

Nathan Huff, Skies and Schisms 5, 2018, 22 x 30 inches, gouache on paper, on board, on view at Sullivan Goss Gallery.

Nathan Huff, Skies and Schisms 5, 2018, 22 x 30 inches, gouache on paper, on board, on view at Sullivan Goss Gallery.

Sommer Roman was born and raised in California. She received her BA from UC Santa Cruz in 2004, and her MFA from UC Santa Barbara in 2014. She maintains a multi-disciplinary practice spanning sculpture, painting, and drawing and teaches part-time at California Polytechnic University (Cal Poly) & Westmont College in Santa Barbara. Some of her recent projects & exhibits include: Left Coast; Recent Acquisitions of Contemporary Art, a group exhibit at the Santa Barbara Museum of Art; Out of the Great Wide Open, a group exhibit at the Museum of Contemporary Art Santa Barbara; Artist Residency & culminating solo exhibition, Passage at UC Santa Barbara; Artist Residency at The Squire Foundation, and most recently, In the Woods, Perpetual Youth, a solo exhibit at Ventura College.

Sommer Roman, Sighting no. 542, 2018, 55 x 20 x 26 inches, reclaimed fabric, clothing, pillows, feathers, paint, on view at Sullivan Goss Gallery.

Sommer Roman, Sighting no. 542, 2018, 55 x 20 x 26 inches, reclaimed fabric, clothing, pillows, feathers, paint, on view at Sullivan Goss Gallery.

Chris Rupp received his BA from Westmont College and an MFA from Azusa Pacific University. While trained primarily as a sculptor, Rupp does not limit his art making to traditional sculptural mediums or even three-dimensional forms. From graphite drawings, to molded plastic, or the use of unconventional store bought materials. His work has been exhibited at the Inland Empire Museum of Art, Biola University, Westmont Ridley-Tree Museum of Art, San Luis Obispo Museum of Art, The Channing Peake Gallery, and the Santa Barbara Arts Fund.

Chris Rupp, Dreamers Welcome, 2018, 18 x 30 inches, acrylic enamel paint on coir door mat, on board, on view at Sullivan Goss Gallery.

Chris Rupp, Dreamers Welcome, 2018, 18 x 30 inches, acrylic enamel paint on coir door mat, on board, on view at Sullivan Goss Gallery.

Meagan Sterling has an M.A. and an M.F.A. in Printmaking from the University of Wisconsin, Madison. Her work has been displayed in many juried and group exhibitions, from Denver and Peoria to Seattle and Spokane. She says, “The paradox of daily life as safe and comfortable, juxtaposed with its polar opposite—defense against life’s uncertainties—appears to bully the American Dream itself. My art explores images of post World War II Americana where energy and resources were often used to advance comfort and promise safety and well being.”

Meagan Stirling, Everlasting Arms 5, 2018, 16 x 16 inches, Drypoint and Monoprint, on view at Sullivan Goss Gallery.

Meagan Stirling, Everlasting Arms 5, 2018, 16 x 16 inches, Drypoint and Monoprint, on view at Sullivan Goss Gallery.

Sullivan Goss – An American Gallery, is located at 11 E. Anapamu St. in downtown Santa Barbara.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on December 2, 2018.

First Person: Sullivan Goss Gallery’s Nathan Vonk

 New Sullivan Goss Gallery owner Nathan Vonk is flanked by his colleagues and fellow curators Jeremy Tessmer and Susan Bush.

New Sullivan Goss Gallery owner Nathan Vonk is flanked by his colleagues and fellow curators Jeremy Tessmer and Susan Bush. Courtesy photo.

Preserving the Legacy, Embracing the Future

By Leslie Dinaberg

The link between Burning Man’s annual bacchanal festivities and Sullivan Goss Gallery’s 30-plus-year legacy of celebrating important 19th-, 20th– and 21st-century American art may seem tenuous, but it was a visit to Burning Man that first sparked Nathan Vonk’s interest in art and the friends he made in the desert that first brought him to Santa Barbara.

Armed with a master’s degree in post-modern literature theory, Vonk taught night school at Ventura College and walked dogs during the day. He eventually bought out the owners of the dog business, ran it for a few years and then sold it for a profit, right before the market crashed in September of 2008.

Now fully enmeshed in the Santa Barbara scene, Vonk contemplated going back to school and getting a doctorate in art history or curatorial sciences and asked Sullivan Goss curator Jeremy Tessmer if he “could volunteer some hours at the gallery, so I could see if it was something that I wanted to do in graduate school.” Vonk laughs, “I came in and volunteered for the week, and on Friday, Frank [Goss] offered me a job. I never went back to school, and I’ve been there ever since.”

He continues, “I was the one guy in the whole country who got a new job in October of 2008. When everyone else was going on unemployment and Bear Stearns was crashing, I was one of the luckiest people in the country. I’ve been at Sullivan Goss ever since, and I couldn’t be happier.”

So happy, in fact, that when Goss told the team (which includes Tessmer and fellow curator Susan Bush) he planned to retire after 2016, Vonk bought the gallery because he wanted to make sure the legacy continued, with its staff intact.

If you think of arts in Santa Barbara as an ecosystem, the part that Sullivan Goss fulfills—if that goes away, the whole ecosystem suffers greatly and it’s not a part that someone is going to step in and fill that void. That was a large part of my motivation to take on the risk of running a commercial gallery,” says Vonk.

He and his wife, Erin Smith, have a son, Lowen, who, Vonk says, “has been to more art shows at age 2-1/2 than I think the average Santa Barbaran probably has.”

Part of what Vonk loves about Santa Barbara is its casual, egalitarian nature. “I think we all understand how lucky we are to work in a gallery like this, in a town like this. Shortly after working for Frank, I had the opportunity to go to New York and visit galleries…the whole vibe there is so different than it is in Santa Barbara. If you don’t look like you can afford it, they don’t give you the time of day.…It kind of left a bad taste in my mouth about the whole situation, and it made me all the more excited to come back and work for Frank, because we don’t operate that way. In part we can’t, because the man or woman who comes into our gallery in shorts and flip-flops could very easily be a billionaire, and I don’t know that. So I have to treat everyone like they are billionaires, and I like that.”

Vonk views part of his art-dealer role as acting like a sort of docent, saying, “What we sell are not just pretty pictures; they are pretty pictures that come with a history and a provenance and some other interesting part of them that, hopefully, people who are interested in buying them will understand that if they buy them, they are only going to be a small portion of that object’s history.”

He also clearly loves the work. “One of the great things about Sullivan Goss is that I was sort of an academic, and I loved studying and writing essays and we do all that.… We’ve written four or five books…all the things I wanted from going back to school I got. Plus I got to stay in Santa Barbara so it was even better.”

Originally published in the Summer 2017 issue of Santa Barbara Seasons Magazine.

Brad Nack 19th Annual 100% Reindeer Art Show

Paintings by Brad Nack

Paintings by Brad Nack

The herd is back! Brad Nack‘s 100% Reindeer Art Show opens this Thursday, Dec 3 at Roy (7 W. Carrillo St.) with an opening reception from 6-8 p.m.

Painting by Brad Nack

Painting by Brad Nack

As has become a local tradition (and very fun event , the exhibit features elegantly framed, small oil paintings of reindeer in the back room for one night only. This year, the front room will also feature a series of larger reindeer paintings that will remain on display through the end of the year.

Painting by Brad Nack

Painting by Brad Nack

“I always envisioned the reindeer paintings as small, whimsical pieces,” says Nack, “but, now I decided to paint some bigger ones.”

“Get there early,” advises Nathan Vonk, of Santa Barbara Art Blog. “This is one of the craziest, most lively, and most beloved art events of the entire year. And for good reason. Don’t miss this one.”

Painting by Brad Nack

Painting by Brad Nack

—Leslie Dinaberg

Originally published in Santa Barbara Seasons Magazine on December 1, 2015.