Time to earn your keep

© Greenland | Dreamstime Stock Photos & Stock Free Images

© Greenland | Dreamstime Stock Photos & Stock Free Images

I recently spent the day with Lila, a delightful two-year-old charmer who earns her own living simply by smiling and being cute. This got me thinking. If she’s only two and she’s already got a steady income, then it’s high time my eight-year-old started carrying his own weight.

If Koss got a job it would solve a lot of my problems. I keep telling my husband that driving 25 miles to Ojai for brunch doesn’t really count as a vacation. We’d be able to afford much better trips if Koss chipped in. Plus, let’s face it; unemployed kids are a pain the neck, with all the Lego’s and crushed popcorn underfoot and the dirty fingerprints on the walls. This is what jobless children do: they track mud and leaves into your house, they spill orange juice onto your keyboard, and they want play dates and snacks. Trust me, I see this kind of slovenly behavior every day.

Leeching off mom and dad is a way of life for unemployed children, and they’ve got no qualms about it whatsoever.

Enough of this freeloading, it’s time for Koss to get a job. He won’t even have to start at the bottom. Koss has already proved he’s management material. You know how schools and sports clubs try to shamelessly turn children into miniature salespeople? Well, instead of going out and doing his own wrapping paper pushing and raffle ticket racketeering, he’s conned me into doing it.

I’ve got to admit, Koss is an excellent supervisor. He’ll say, “Mom, have I sold enough wrapping paper to get the shiny spinney silly noisy flashy thingee that will break in the car on the way home from school yet?” Then he’ll give me the sweetest little smile that makes my heart melt, so I’ll call up yet another family member and con them into a few more rolls. Then he’ll add in the ultimate sales motivational tool–and give me a big fat hug.

I’m told that in the good old days, when a kid was old enough to make his parents crazy, you put ’em to work slopping hogs or tarring roofs, or knocking on doors collecting for newspapers.

But now, annoying kids are usually sent off to go throw a ball against a wall, or play computer games, which doesn’t do much to help my vacation fund, or our trade deficit with China, for that matter.

If ever there was ever a kid who could benefit from a solid day’s work in a Chinese Gap clothing factory, it’s Koss. Okay, maybe that’s too extreme. He might not make it in a Chinese sweatshop if they don’t serve Red Bulls and goldfish crackers. I’d settle for him putting in a solid day’s work at the Gap in the mall. The skills he’d learn folding all those waffle knit hoodies would sure come in helpful on laundry day.

Of course Koss’d be grumbling and complaining so much that he’d probably get fired the first hour. He’s eight, and already lagging with the work ethic. Maybe the Amish have the right idea, with their centuries-old tradition of having children tend to the fields and work in sawmills.

That’s the problem with trying to make kids work. They start out as babies. Adorable, sweet-smelling, cuddly babies to be sure, but keep in mind, babies are society’s most devious leeches. Think about it. A baby makes the tiniest little peep, and his every need is taken care of. Not only that, babies are praised–actually gushed over–for doing what comes naturally. Everyone oohs and ahs and claps their hands when they pass gas. They say, “what an angel you are” when all they do is fall asleep.

No wonder most eight year olds are so lazy, they’ve been lying around, eating, sleeping and playing since they day they were born.

But children are remarkably well suited for many careers. Why just the other day, my husband and I were out to dinner with our son, and when the server came to take our drink order, Koss spoke right up: “My dad will have a Firestone, mom will have a glass of merlot.” So you can see why we decided to promote him to vice president.

When she’s not being “managed” by her son, Leslie’s usually typing away at email. For more columns visit www.LeslieDinaberg.com.
Originally appeared in the Santa Barbara Daily Sound on December 7, 2007.

One on one with Wendy Read

Wendy Read, courtesy CEC

Wendy Read, courtesy CEC

Santa Barbara County faces huge challenges with foster children, especially as they reach their teenage years and it becomes almost impossible to find homes for them. Funded by a grant from the Santa Barbara Foundation, Founder/CEO Wendy Read and her team have been working to create the Children’s Project, which will be the state’s first residential charter school, located on 60 acres of oak-studded hills north of Los Alamos.

Leslie Dinaberg: How did the Children’s Project get started?

Wendy Read: When I was 20 years old, I … was a volunteer with foster kids. I followed a young boy from the time he was six to the time he was 18, … to 27 different placements, including prison, where he spent the last six years of his life.

I was an actress at the time (appearing on TV shows such as “A Team,” “Knight Rider,” and the “North & South” miniseries)… but I realized that my real passion wasn’t acting, it was advocating for change in the foster system. That’s what drove me to go to law school. … There’s really not a day that goes by that I don’t think of that boy and … what would have made his life different. What could we do that would change the trajectory of people like him that are now following through the system.

LD: How did the idea for a boarding school come about?

WR: We received funding from the Orfaela Family Foundation which allowed us to start the steering company and we met once a month … it was all of us sitting around the table saying who are these kids, why are we sending them out of county and how do we bring them what they need.

LD: So at that point there was no specific agenda to build a school for foster kids?

WR: Oh no. … We just said who are the kids, why are we sending them out of town and how do we bring them home.

… We were surprised at how many times our kids moved and how many times they moved out of town, and how many times they were separated from their siblings… We were surprised at how many referrals were made … it made us say we don’t just want to bring them home. We want to bring them home and do a better job of raising them than their parents were.

LD: Why foster children?

WR: There are so many kids to be helped in the county, but there’s a big difference between foster kids and at risk kids and homeless kids or kids that need help. Maybe it’s because I’m an attorney that I see it that way, but we elected the judge that sits on the bench and says to a parent, “You know what, you’re not doing a good job of parenting your children. Based on the values that we as a society have created, you’re not doing a good job. We’re going to take your children away from you and care for them ourselves until you clean up your act.” And in that moment, we not only have a moral responsibility to care for these kids, but we have a legal responsibility to care for them. …We become the parents … fewer than 50% of them graduate from high school nationwide, so we’re doing a pretty bad job of parenting.

LD: Are there other models for this type of school?

WR: A program in San Diego called San Pasqual Academy (www.sanpasqualacademy.org/), which is a boarding school for foster youth, opened our eyes to what is possible. We asked for their advice, and they said they would start in 7th grade, so you could do two full years of remedial work. They talked about starting it as a charter school … to have the flexibility to say if you get reunited with your family or you get adopted, you can still be a day student. The charter school gives us that flexibility.

LD: What about the idea that being in a home is best?

WR: All we’re trying to do is provide an option for some kids that don’t want to be in a foster home or can’t be placed in a foster home, they can’t reunify with their families and would like to get a great education.

…Right now the judge has to say to a parent, “You have six months or a year to clean up your act and you get your child back,” it’s either/or. You clean up and you get your child back 24/7 or you fail and all rights are terminated. We really feel like one of the advantages of the campus is that a parent can start the healing process and still maintain a connection to the child … which is best for the kid if he wants to be connected, but not having the responsibility of having the child live with them, which is what caused those problems in the first place.

My whole thing is I want to stop arguing about where the pillow is at night and make sure the desk is in the same place every day.

LD: What’s the timetable for opening?

WR: With an aggressive timeline, we’re hoping to open in September of 2010.

LD: And the idea is to raise them up through better education?

WR: Exactly. Some of these families, it never occurs to them that the kids could go to college. You start talking about these things and it changes the whole family dynamic and then it changes the whole community dynamic. And then we talk about the ripple effects of this campus …I think this is really an opportunity for the entire community of Santa Barbara to do something that’s going to change things on a national level. That’s what seems to be appealing to people. … The idea is education being a way to solve a problem that we all know is there.

Vital Stats: Wendy Kilbourne Read

Born: June 29, 1964, Hollywood, CA

Family: Husband James, son Jackson (16), daughter Sydney (12)

Civic Involvement: Founder/CEO The Children’s Project; Cate Parents Organization, Current President; Katherine Harvey Fellow at Santa Barbara Foundation 2004

Professional Accomplishments: Cover of T.V. Guide in 1985; Passed the CA Bar 2002; Junior League Woman of the Year 2007

Little-Known Fact: Wendy has her Private Pilot’s License

 

Originally published in Noozhawk December 3, 2007.

With Open Arms: Sarah House

Sarah House (courtesy photo)

Sarah House (courtesy photo)

While the image of a residential care facility for people who are sick and dying doesn’t exactly conjure uplifting images, a visit to Sarah House is more inspiring than depressing.

“Sarah House is a place where you live your life until the last breath. It’s a celebration of your life,” says Kerrie Kilpatrick-Weinberg, board member of the nonprofit, which opened in 1994 as a home for people with AIDS, and has expanded its mission in recent years to focus on end-of-life care. “You have your family and the things that mean so much to you around. This is important and sometimes gets overlooked when you’re in a larger setting such as a hospital.”

According to executive director Randy Sunday, throughout the past year, 85 percent of Sarah House’s occupancy was for hospice care and only 15 percent for people with AIDS. While anyone designated as “low income” (making less than $27,000 per year) is eligible for care, about 40 percent of the people who live there were previously living on the streets, with no income at all. “These numbers have picked up because awareness has increased in the community,” he says. People often ask if there are conflicts with having formerly homeless people living alongside low-income people, but Sunday says “when you’re sitting in the living room in pajamas, it doesn’t arise; there’s a great quality about that.” He describes the atmosphere at Sarah House as, “not a luxury bed and breakfast, but there are always muffins or fresh granola. For the homeless, it might be the home that they never had. For everyone else, it’s just inspiring. The element of hospitality is something we always want to keep. The unit of care isn’t just the residents, it’s their families and friends as well.”

Working closely with the other end-of-life care agencies in town–such as Visiting Nurse & Hospice Care of Santa Barbara, Doctors Without Walls, Hospice of Santa Barbara, and Cottage Hospital’s Palliative Care Unit–who provide referrals, medical services and counseling, Sarah House offers a warm home for people to live out their days in a caring, extended family atmosphere. Named for the late Sarah Shoresman–her daughter, Linda Lorenzen-Hughes, remains active on the board of directors–Sarah House offers the highest level of medical care in an intimate, eight-bed setting, rather than a sterile hospital environment. “There’s such a need. It’s a special place, and we’re able to offer something to a group of people that may otherwise be forgotten,” says board president Jay Albert.

“We are committed to teaching people to see this as a natural journey, and this is a place to take that journey along with your friends and loved ones,” says board member Nancy Lynn. Part of that community education involves participating in special course on caring for those approaching death. “A lot of people come to the class, it’s not just caregivers but folks who think they might become caregivers at some point and people who have lost someone and want to understand more,” says Sunday.

Sarah House, which doesn’t receive funding from Medicare or Medi-Cal, raises about half a million dollars each year from private sources, individuals, foundations, and special events in order to provide all of its services at low or no cost to residents. The annual events–which include Light Up the Night, an annual holiday party where gorgeous holiday trees designed by local artists and celebrities are auctioned off; an Oscar Party, which celebrates the Academy Awards; and Second Seating Dinner Parties, where members of the community are invited to Sarah House to sit among the residents and learn about the program, among others–are designed not only to raise money but also to help educate people about the organization. “You have to have fun,” says Kilpatrick-Weinberg. “And it’s not making light of the situation. Sarah House is not about dying, it’s about celebrating and living your life right to the very end.”

For Sarah House’s annual holiday fundraiser–“Light Up The Night: The Artizan’s Ball”–on December 8 at the Santa Barbara Women’s Club, dress as your favorite artist or work of art and enjoying live music and special cocktails such as Cosmo Van Gogh. The Oak Group artists will be creating paintings on the spot, to be auctioned off, and many other unique works of art will be available for purchase, along with the traditional holiday trees, designed by local artists and celebrities. Tickets: $100 suggested donation. For more information, call 882-1192 or visit sarahhousesb.org.

Originally published in Santa Barbara Magazine on December 1, 2007.

Shop Till You Drop

Courtesy of stockimages:freeimages.net

Courtesy of stockimages:freeimages.net

Leslie’s Holiday Gift Guide

While theoretically fun, in reality, shopping for holiday gifts can be more stressful than a root canal. And you don’t get any Percocet afterward, or even a balloon.

Shopping is so painful that, come December, many newspapers and magazines publish gift guides to “help you out.” These gushing depictions of thingamabobs and doodads aren’t just there as an excuse to obliterate the line between advertising and legitimate content so that the sales staff can take the last two weeks of the year off. They’re also published so that the writers can score free samples and cross a few names off their own shopping lists, while still affording their weekly latte allotments.

In the interest of perpetuating this fine journalistic tradition, here is my first annual holiday gift guide of groovy things you can buy without ever leaving the comfort of your own home. (Note to stores: if you send me free stuff I’ll do a sequel for Martin Luther King Day, a vastly under-gifted holiday in my humble opinion)

For your wandering nephew–who really should be sedated whenever you’re forced to take him to a crowded public place–buy a Missing Milk Carton Costume (www.prankplace.com). His cute little face sticks out of the label, and his relevant contact information is printed right on the carton.

Your workout buddy would probably appreciate a waistband stretcher (www.carolwrightgifts.com). This ingenious device allows you to stay a size six through the holiday pig out extravaganza by simply stretching the waistband of your jeans. Diet schmiet!

The office Secret Santa Torturama will be lot less nightmarish this year when you gift your coworkers with a fine collection of abusive office rubber stamps (www.prankplace.com), allowing them to stamp those annoying expense reports in triplicate with sayings such as, “This is F**KING URGENT,” “Staple this to your FACE,” “Confidential – read this and I’ll have to kill you,” “File under T for TRASH,” and “Complete and Utter BULLSHIT.”

Overachieving teenage relatives can multi-task with the SAT Math Shower Curtain (www.alwaysbrilliant.com), which has test questions printed right there. No calculators allowed.

Teenage relatives who aren’t on the college track will enjoy the Crime Scene Towel, (www.baronbob.com) which holds their place at the pool with its classic chalk outline of a victim.

Your brother-in-law will be surprised and delighted by a stylish 100% silk “Ties Suck” Tie (www.thinkgeek.com), featuring a repeating binary pattern that, when translated into ASCII, reads: “ties suck.”

Your geeky brother will totally dig the Wi-Fi Detector Shirt (www.thinkgeek.com), which displays the current wi-fi signal strength to admirers as far as the eye can see. Talk about a chick magnet. You may have a new sister-in-law before the year’s end if he wears this baby.

Coffee addicts will appreciate a shot of Caffeine Soap (www.lazyboneuk.com). Who says they’re not a morning person? Lather up in the morning to a dose of 200 milligrams per shower/serving, which should provide just enough perk to hold off the a.m. demons until they can make their way to Starbucks.

I’ve found the one-size-fits-all perfect hostess gift for holiday gatherings: Pick Your Nose Party Cups (www.perpetualkid.com).

A new spin on the traditional party cup, each goblet comes with printed nose on it so that guests can pick their own nose for an evening of fun. Great stuff like this is why Santa invented the Internet. You’d be smart to stock up.

Your favorite artists will enjoy creating with Chew-By-Numbers Gumball Art (www.perpetualkid.com). No need to worry about mastering a paintbrush or pastels, all they’ll need are their chompers to provide the tools for this wadded-up gum masterpiece. I’m pretty sure this is how Jackson Pollock did it.

Your uncle the lush (and the bouncers at the County Bowl) will appreciate the Barnoculars Binocular Flask (www.after5catalog.com), a double-chambered liquor flask disguised as binoculars. Don’t confuse them with your actual binoculars–let me tell you, it burns.

Those endless soccer games will be a lot more bearable for moms and dads with a Cell Phone Flask (www.after5catalog.com), which looks just like a mobile phone but instead of a charge, holds their favorite adult beverage. Ditto with the don’t confuse them advice.

If you’re feeling really generous, your favorite columnist would kvell to receive a His & Hers Double Portrait in Chocolate by Vik Muniz (www.neimanmarcus.com), featured in the Neiman Marcus Christmas Catalog. For a mere $110,000, the Brazilian artist will capture your likenesses in a double helping of Bosco® chocolate syrup and you’ll come away with a one-of-a-kind framed museum-quality photographic work of art.

As long as we’re dreaming big, I wouldn’t mind reserving my spot on the Virgin Galactic Charter to Space (www.neimanmarcus.com). Boarding begins in 2009 for this ultimate getaway, which is now being “planned, designed, tested, and executed down to the last detail to ensure its safety and success.” The $1,764,000 price tag includes a six-passenger charter, so you’d better send me some nice Hanukah gifts if you want to make my top five friends list.

== When she’s not succumbing to her, “one for me, one for you” holiday shopping survival strategy, Leslie can be reached at Leslie@LeslieDinaberg.com. For more columns visit www.LeslieDinaberg.com.

Originally appeared in the Santa Barbara Daily Sound on November 30, 2007.

Noozhawk Talks: One on one with David Starkey

David Starkey (courtesy photo)

David Starkey (courtesy photo)

Spending five minutes chatting with David Starkey is enough to make any writer feel like a slacker. The Poet-Playwright-Nonfiction Author-Editor-Santa Barbara City College Professor-Television Show Host is a busy guy. It’s no wonder that family members–he is a father/stepfather to eight children–mime him typing on a keyboard when they play Charades.

Leslie Dinaberg: What are you doing these days?

David Starkey: Right now I’m working on a book length memoir. … I just finished writing a creative writing textbook, which combines four genres, poetry, drama, fiction, and nonfiction. I have three books of poetry out in the last year and a book, Living Blue in the Red States … that I edited. It’s about progressives living in conservative parts of the country.

LD: Are you able to incorporate it into your teaching at City College?

DS: I haven’t yet. If we had a class on political writing or something like that I might. … I wrote a play about Alzheimer’s. We had a stage reading at this little theatre in Ojai, Theatre 150. …. It is called Crossing the Bar.

LD: Do you have somebody in your family that has Alzheimer’s?

DS: No. I read an article in the LA Times about this camp outside San Francisco where people who are caretakers take their loved ones who live with them up for a weekend so they can get a break, because it’s so overwhelming. … The caregivers are together, the Alzheimer’s patients are together and they finally join up at the end. And a hidden conflict is that this woman has made a deal with her husband that if she finally goes too far she wants him to kill her. So the play is him trying to make up his mind whether or not to go through with it.

LD: Sounds really interesting.

DS: It seemed to me like there was a kind of crazy poetry in a lot of the ways that you hear people with Alzheimer’s speaking. It sounds almost like avant-garde poetry. …

LD: Are you still hosting the Creative Community Show (on Santa Barbara TV Channel 21)?

DS: Yeah, we just won another award. There’s a body that all the community and educational access stations belong to, nationwide, and they submit shows and the last two years it’s won the best talk show in the country.

LD: Congratulations.

DS: Yeah. I’m not sure what the competition is, but it’s a neat thing. … What I enjoy about this is meeting interesting people and getting a chance to talk to them.

LD: Coming from Chicago to Santa Barbara, what’s your take on the cultural arts scene here?

DS: … I think it’s pretty lively for a small town. It’s extraordinary. I know that some of the artists that I speak with say that we’re a community that claims to embrace the arts and yet ultimately it’s more lip service than not. I don’t know. As a poet I don’t really expect to get much money anyway, so it’s not that big a deal to me. There happen to be a lot of people to interview for my TV show, so that’s nice. But I do think that we have a pretty thriving community and even if there are problems.

LD: How do you do all these different things? Do you just never sleep?

DS: I guess I get enthusiastic about things, and I think I’m pretty good at finishing off. So if I have an idea that kicks around with me for a while, I’ll just look for ways to make sure it happens.

LD: Just the fact that you’re showing me these four books that you’ve had published in the last year and the play and you’re in a band (with poet Barry Spacks) and you’re teaching and you have a pretty young daughter, it’s impressive. That’s a lot to get done.

DS: I guess I feel when I get enthusiastic about something I just follow it. And I guess I get enthusiastic about a lot of different things.

LD: That’s great.

DS: And you know a lot of the things that I do are things that can be accomplished in real time in a relatively short span of time. So for instance, to write a poem and to revise it, you can do that in small chunks of time. … I try to make sure that I get a little something done every day. I think that’s important when you’re working on a really long project. When I wrote that creative writing textbook I tried to do that. School inevitably gets in the way, grading papers and stuff like that.

LD: I know how hard it is to work with kids in the house. The idea of writing something where your deadlines are self-inflicted is very impressive to me.

DS: You sort of feel like you want to finish it so badly, because if you don’t do it now you know you never will … there’s obviously gender issues involved in this. When I was with my first wife she worked and I was at home a lot with the kids and while they would ask me for things a little, I think I was able to ignore them in a way that a mom can’t. Or to address them more quickly … I guess that’s partly the way that my mind works. It can focus really intently on a task and then switch off and then switch back on, and I know that some others don’t work that way.

LD: What do you like to do when you’re not working?

(Loud laugh from wife Sandy in the other room) Work.

DS: To me that’s not work. Since I was a little kid, I wanted to be a writer. So that’s what I want to do, that’s my thing. And it might seem like work or it might seem like a way to get me out of this family (laughs).

LD: So seriously, what else do you like to do?

DS: I spent a lot of time on the City College Creative Writing Program where he is the director). I got some release time this year, so we have a website, http://creativewriting.sbcc.edu/ if you could put that in your story I’d be grateful. … I’ve been Fundraising for that. We’ve got some generous donors that put some money in to bring writers to campus to fund contests. …

LD: What kinds of students are in the creative writing program?

DS: There’s a real community college profile–you’ve got the person with the PhD in English literature and the person who’s never written anything who’s just signed up because it fit into their class schedule. It’s always interesting that way.

Vital Stats: David Starkey

Born: June 28, 1962, in Sacramento, CA

Family: wife Sandy, children Elizabeth (23), Carly (21), Stephen (15), Miranda (6) and stepchildren, Serena (24), Andrea (20), Julia (17) and John (10)

Civic Involvement: Creative Community Show, SBCC Creative Writing Program

Professional Accomplishments: Seven small press books of poems, editor and contributor, four full length plays produced, three plays with staged readings, five 10 minute plays, professor of English and Director of Creative Writing program at SBCC

Little-Known Fact: That he has so many children and step children (8 in total)

Originally published in Noozhawk on November 28, 2007

My Big Fat Carbon Footprint

hand holding earth by jannoon028 at freedigitalphotos.net

hand holding earth by jannoon028 at freedigitalphotos.net

The weight of my carbon footprint has been keeping me up at night.

I sure do miss the good old days when I’d be overjoyed to find a public bathroom stocked with toilet paper and soap. Show me a recently cleaned floor and seat covers and you’ll see me doing a little “happy dance” as an encore to the “I have to pee dance” I’m usually doing on my way in.

But on a recent visit to the movies, I confronted yet another in a growing number of environmental dilemmas. The facilities were fine, but after I washed my hands I stood stunned by indecision, paralyzed by choices: Should I dry my hands with a paper towel or use the air hand dryer?

“Dryers help protect the environment,” a sign proclaimed. “They save trees from being used for paper towels. They eliminate paper towel waste.” They also suck down electricity and dry out my skin, which increases my hand lotion consumption considerably. Nobody ever considers the Nivea trees.

I also vaguely recall reading something about hand dryers increasing the amount of bacteria in the air, because they suck up your germs then spew them back out onto the next customer. Eww! Just the thought of that is enough to make me resort to my son’s preferred drying method–wiping his wet hands off on my jeans.

“Paper or plastic?” I must have a mental shopping block, because somehow I only remember to bring my canvas bags to Trader Joes, not Vons. I guess I could shop exclusively at Trader Joes, but my husband insists on Kellogg’s Raisin Bran and Tropicana Orange Juice, neither of which TJ’s stocks. Besides, don’t I get some carbon offset credits for reading Star Magazine and the Enquirer in line at Vons and not actually paying for any dead trees that put Britney or Paris on the cover? I suppose if nobody ever read about either of those girls, we might just save the planet. But would such a planet really be worth saving?

I try to do my part. I wish Vons would do theirs, by just charging me for the stupid paper bags (which I always intend to reuse for wrapping paper), so I wouldn’t be embarrassed to leave Ben and Jerry melting in the cart while I run outside to get my canvas bags.

Of course I’m environmentally embarrassed when I do go out to my gigantic gas guzzling Mercury Grand Marquis to get the totes for my melted Stephen Colbert’s Americone Dream.

Here’s the thing: I can’t afford a Prius. Plus I’m not a great driver. Tooling around town in a big safe American car that makes people steer clear of that 80-year-old granny driving is really a safety gesture of good will for the whole community. Seems like I should get some kind of carbon credit for that.

If nothing else, I know I get big carbon points for just being poor. Thanks to our frugal packrat of a landlord, everything in our house is recycled, from the carpet remnants on the floor to the river rock on the walls. Even most of our furniture is family heirlooms, i.e. old junk rescued from the dumpster. Yes, this is quite the P.C. household. Our landlord once spent three hours trying to repair a florescent light that I eventually replaced at Home Depot for $5.99.

My greatest virtue is that rather than succumb to the consumerist temptation to “trade up” a model, I’ve made a commitment to stick to the same old husband. Not only does that cut out the environmental impact of maintaining two separate households, think of all that drive time and paper we’re saving for the lawyers. When you add in the extra showers I’d be taking if I were single, and the hydrocarbons from the hair spray I’d be using if I were dating, I can kick off those heavy carbon shoes entirely. Better hang on tight to your peace prize, Al Gore: I’ll be wearing my carbon halo tonight.

When Leslie’s not agonizing over her carbon footprint, she’s usually on email at email. For more columns visit www.LeslieDinaberg.com.
Originally appeared in the Santa Barbara Daily Sound on November 23, 2007.

Ruth Chris Steak House opens in La Cumbre Plaza

Ruth Chris Steak House (courtesy photo)

Ruth Chris Steak House (courtesy photo)

I got quite a meaty education the other night, when I sat in on an employee training session and menu sampling for the new Ruth’s Chris Steak House in La Cumbre Plaza, which officially opens on Monday, November 19.

If the attention to detail in the training session–conducted by the Irvine restaurant’s general manager Todd Lounsberry, who will serve as a mentor to Santa Barbara’s general manager Chris Goodyear–is any indication, Santa Barbara diners are in for a level of service they haven’t exactly come to expect in our local establishments. Let’s face it: most restaurants here are better known for the beauty of their surroundings and the quality of their food than they are for having staff who go out of their way to make you feel welcome.

With just under 300 seats, the new Ruth Chris Steak House will have to attract a lot of steak lovers to recoup its investment in this location–even at $36.95 for an a la carte filet. A company spokeswoman declined to answer my question about how much was spent on the restaurant build out, but the interiors are lovely, with no expense visibly spared on the heated outdoor patio, roomy bar area, indoor/outdoor fireplaces, two wine cellars (which can be reserved for intimate dinners) and expansive dining room. There also three private rooms, which can be combined to hold about 70 guests, as well as Ruth’s Library, a boardroom type setting that can be used for special events.

Despite the hefty investment and the La Cumbre Plaza location, I wouldn’t bet against Ruth Chris’s record of success. Clearly the company knows something about capturing carnivore customers. Since its 1965 founding in New Orleans by Ruth Fertel (who passed away in 2002), they’ve opened 114 locations worldwide, including Canada, Mexico, Hong Kong, Taiwan, Japan, and now, Santa Barbara.

The excitement level at the training session was palpable, probably in part because the approximately four dozen hosts, servers (who must have a year of fine dining experience), server’s assistants and bar tenders were honored to have been selected out of the more than 500 people who interviewed for their jobs, according to Ruth Chris PR Maven Lanette Jarvis.

The staff was transfixed as Lounsberry showed off various cuts of meat in their raw state and reviewed a gigantic stack of product information cards, including facts about how Ruth Chris buys its meat (“from cows that are fed only corn, which results in richer more flavorful taste”), how the steaks are cooked (“seared at 1,800 degrees, then seasoned with sea salt, black pepper and a touch of parsley, and topped with fresh butter that sizzles on your plate”), and how they’re served (“on a 500 degree plate,” they recited in unison).

According to Lounsberry, all of the meat served at any Ruth Chris Steakhouse (with the exception of the Filets, which aren’t always available in the U.S.) is rated USDA Prime, which means it falls in the top two percent of graded meat. “Ruth Chris takes up almost half of the prime meat available in the U.S. for its restaurants.”

In addition to Filets, those cuts of beef include a Porterhouse (“it has to be a minimum of one and a half inches thick in order to be a Porterhouse”), a Ribeye, a Cowboy Ribeye (includes a bone), a T-Bone, and a New York Strip (“it has that name because it’s shaped like New York”). Seafood, lamb, pork and poultry are also available, but steak is definitely king on this menu.

We tasted bites of the Filet, the New York Strip, the Porterhouse and the Ribeye, each one more mouth-wateringly delicious than the last. “We want our guest to leave Ruth Chris Steak House as raving fans,” said Lounsberry.

So far, so good.

Originally published in Noozhawk

Sarah House Lights Up The Night with “The Artizans’Ball”

Sarah House Artizans Ball 2010

Sarah House Artizans Ball 2010

Noted artists Hank Pitcher, Rick Schloss, Matti Berglund, Jane Sun, Brad Nack, Michael Drury, Tom Henderson, Kathleen Elsey, Anthony Ocone, Larry Iwerks and Barnaby Conrad are but a few of the more than 100 artists who have donated their work to assist Sarah House and AIDS Housing Santa Barbara at their annual holiday Light Up The Night benefit at the Santa Barbara Woman’s Club on Saturday, December 8, from 6 to 10 p.m.

Sarah House is the only “social model” home in the nation offering hospice care for low-income or homeless individuals who are in need of a place to die with appropriate care and dignity. Named for the late Sarah Shoresman, whose daughter, Linda Lorenzen-Hughes, remains active on the board of directors, Sarah House does not receive government funding, but relies instead on donations to keep the facility open for those in need.

This year’s fundraiser theme is “The Artizans’ Ball,” which centers on the silent auction of works of art and tabletop holiday trees and wreaths, as well as spectacular vacations in Tuscany, Hawaii, and Careyes, Mexico. This is a different twist for the 16th annual Light up the Night, which has traditionally auctioned off holiday trees designed by local artists and supporters.

“We feel like it’s always good to reinvent yourself,” says chair Kerrie Kilpatrick-Weinberg, who is herself an artist and the founder of Artwalk for Kids. “We’ve done Light up the Night for several years and there’s other people doing trees now, so what this will be is a ball, music, lovely food and drinks, but more importantly art everywhere…It’s very much an auction centered around art energy in Santa Barbara, with the artistic community donating to Sarah House.

The only thing that will be silent will be the auction. The evening includes entertainment by Cats’ N’ Dogs with Lois Mahalia, Tom & Gabe Lackner; the national award-winning San Marcos Madrigals choir; the Living Muses, Buddy Winston, and a surprise or two. Food will be from New West caterers, with local wines from Buttonwood Farm Winery and Alma Rosa Winery and a special bar featuring original concoctions by the Wildcat Lounge, such as a Cosmo Van Gogh and Warhol-on-the-Rocks.

Costumes are optional but everyone is encouraged to come dressed as their favorite artist or in something inspired by a work of art. Tickets are $100 suggested donation. To purchase tickets call 882.1192 or visit www.Sarahhousesb.org

Originally published in Noozhawk

San Marcos High to Celebrate 50th

San MarcosSan Marcos High School alumni and supporters are planning a gala event to celebrate the school’s 50th anniversary in 2008. Anyone who is interested in helping to plan the event, or would like to be on the mailing list for invitations and updates should email Cara Gamberdella (Class of 1990) at cara@villagesite.com or call her at 683.7336.

“I am committed to giving back as a proud alumna and community supporter,” says Gamberdella, a former SMHS English and journalism teacher. “San Marcos has been a very important part of my life and my family’s life here in Santa Barbara.

The committee, headed by Assistant principal Ed Behrens , also includes Debbie Keys Thomas, Diane Dodwell, Holly Eubank, Joan Cotich, Shawn Ricci, Helen Murdoch, Aaron Solis, Sadie Hall and Susan Kipp.

The date of the celebration –which will be an evening of dinner, dancing, entertainment and Royals’ nostalgia and will be open to all former students, staff and community supporters–is not yet determined, but the party is slated for February or March of 2008.

Originally published in Noozhawk

Getting Your Piece of a Beachfront Paradise

courtesy photo

courtesy photo

A jaw-dropping view of the Channel Islands, Santa Barbara’s coastline and the San Ynez Mountains adorn the Santa Barbara Beach Club (www.santabarbarabeachclub.com), a new oceanfront estate overlooking More Mesa Beach at the end of Patterson Avenue.

Beachfront properties like this are hard to come by–especially without those pesky freeways and railroad tracks nearby–but Kari Ann and Jay Gerlach are willing to share their dream home with five other families.

“We’re hoping it’s other people’s dream house too. We’re going to find out if we have good taste or not, I guess,” says Jay, who was involved in a number of start up businesses before creating the beach club.

courtesy photo

courtesy photo

Membership in the $13 million, 6,300 square foot, New England style property, will cost approximately $2 million, plus annual expenses. This gets each owner an equity share, plus eight weeks a year in the house, which has five suites and features a private beach cove, gourmet kitchen, gym, handcrafted bar, theatre, billiard lounge, wine cellar, walk-in cigar humidor, library, sauna, pool and Jacuzzi. It even has a hydraulic car elevator to maximize parking space. Concierge services such as an on-call masseuse and private chef will be available to members, and the house will be stocked with everything from the owner’s favorite foods and soaps, to their family pictures.

“If you want, there’s no reason for your guests to know you don’t own the house outright,” says Kari Ann. “It’ll be just like it was when you left it.”

While the technical term for the partnership is “factional ownership,” Jay explains it simply: “If you and I bought a house together and both our names were on title, that’s exactly what we’re doing. It’s called tenants in common … but we will have six owners, each with a percentage.”

The Gerlach’s originally bought the property, an empty lot, to develop their dream house. But like anyone who’s ever tried to build a home can testify, development doesn’t come cheap. As the dream house got dreamier and dreamier, the financial realities became such that they rethought the investment, explains Kari Ann.

As construction progressed on local architect Robert Foley‘s design, they shared the work-in-progress with friends, “We got such great response,” says Kari Ann. “Everybody said, ‘Oh this is great. I wish we had a house like this.’ And my husband said, ‘Why not?'”

“If we can share it with other people and still manage to keep eight weeks for ourselves it would be really great investment for us and still a beach house of our dreams,” she says.

The shared ownership model allowed Kari Ann, who worked with Tuvalu Home (www.tuvaluhome.com), to furnish the house with everything she dreamed of.

Some of her favorite things include chandeliers right out of “The Little Mermaid,” made out of seashells, a settee with quilting inspired by coral, and a custom made curio cabinet. “I didn’t want to be matchy matchy. I wanted it to look more like a collected look over time,” says Kari Ann. She describes the experience of furnishing a house from top to bottom–including every single knob, knick-knack, linen and dish–as “a hellish but wonderful dream.”

“When you’re building a place that luxurious and that large, it just makes more sense to split it with more people,” says Jay. The Gerlach’s already own a beach house in town, and weren’t planning to use the new home full time anyway. They wanted a place where their extended family could come stay, and the estate, at 5277 Austin Road, fit the bill perfectly.

They did a test run over the Fourth of July. “We had multi-generations here and it was kind of fun to see how the house was used,” says Kari Ann. “Women were in the kitchen chatting, the older people were at the table having their coffee, enjoying the main room and the library, and the kids were downstairs, outside, or down the beach in the back. All the men were upstairs in the Jacuzzi (which has a flat screen television tuned to sports to compliment the dolphin and sea lion show on the ocean). … I think this house has something for everybody and something for everybody at the same time.”

When asked about what it’s like to work so closely with his wife for the past three years, Jay laughs. “It’s fun but it also can be very frustrating … everybody’s heard of the old saying that if you can survive a remodel together you’ve got a strong marriage–this was a lot more than a remodel.”

He laughed even harder when asked if he would do a project like this again. “Yes, but not immediately. We need a little time to recover.”

For more information visit www.santabarbarabeachclub.com or call 805.504.0699.

Originally published in Noozhawk