Hold Hope | Obama in Santa Barbara, 2007

HOLD HOPE: Obama in Santa Barbara, 2007, by Patricia Houghton Clarke.

HOLD HOPE: Obama in Santa Barbara, 2007, by Patricia Houghton Clarke.

International award-winning photographer (and Santa Barbara Seasons contributor) Patricia Houghton Clarke presents never-before seen black and white images from Barack Obama’s campaign stop in Santa Barbara in 2007.

She says, “The photographs embody the President’s abiding power, grace, and most importantly, HOPE.”

There will be an opening reception from 4-7 p.m. on Jan. 28 at PATRICIA CLARKE STUDIO at the Palm Lofts (410 Palm Ave., Space A 18, Carpinteria). A closing reception will also be held in that same location on Feb. 25 from 2-4 p.m.

Barack Obama, 6, 2007, photo by Patricia Houghton Clarke.

Barack Obama, 6, 2007, photo by Patricia Houghton Clarke.

Proceeds from the sales of these images will benefit the American Civil Liberties Union (ACLU), and may also be purchased online through February 25 at: http://patriciahoughtonclarke.com/section/334090_obama_in_santa_barbara_2007.html.

All events are free and open to the public. Studio hours are also available by appointment and groups are welcome. For more information, call 805/381-1758 or email pcphotog@gmail.com.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 24, 2017.

SBIFF is on the Way With Another Excellent Lineup

Here's the poster for the upcoming Santa Barbara International Film Festival feb. 1-11. It spotlights the historic Riviera Theatre which is the new home of the festival's year round activities. Lots of great things are in store for us this year. Photo by Leslie Dinaberg.

Here’s the poster for the upcoming Santa Barbara International Film Festival feb. 1-11. It spotlights the historic Riviera Theatre which is the new home of the festival’s year round activities. Lots of great things are in store for us this year. Photo by Leslie Dinaberg.

It’s hard to believe, but it’s almost time for the Santa Barbara International Film Festival (SBIFF) to begin on February 1. At last week’s press conference, Executive Director Roger Durling revealed the poster (once again designed by local graphic artist Barbara Boros) as well as an impressive slate of programming, including films representing 50+ countries, 51 world premieres and 64 U.S. premieres, along with tributes with the year’s top Oscar-contending talent, panel discussions, and free community education and outreach programs.

To download the film program, click here.

SBIFF 2017 kicks off on February 1 at the historic Arlington Theatre with the World Premiere of the documentary film Charged (sponsored by UGG).

Directed by Phillip Baribeau, Charged chronicles the journey of chef and outdoorsman, Eduardo Garcia and his recovery after being electrocuted by 2400 volts of electricity miles from help in the Montana backcountry.  Garcia had his hand amputated, lost ribs, muscle mass and nearly his life, but more important than what he lost is what he found. Charged tells Eduardo’s remarkable journey from getting up off the forest floor to becoming the man he is today.

SBIFF features the U.S. Premiere of Heal the Living (Réparer les vivants), a French–Belgian drama directed by Katell Quillévéré and written by Quillévéré and Gilles Taurand. Starring Tahar Rahim (A Prophet, The Past, Grand Central, The Informant), Emmanuelle Seigner (Venus in Fur, The Diving Bell and the Butterfly) and Anne Dorval (Mommy, Heartbeats). Three seemingly unrelated stories are masterfully woven together in this family medical drama. A French teenager takes a road trip to the sea with friends to go surfing; a woman learns her heart is failing; and the staff at a regional hospital struggles through another day of saving lives.

The Festival will close with the Lone Scherfig’s period comedy–drama Their Finest at the Arlington Theatre on February 11 in advance of the film’s March 24 stateside release. The Closing Night Film is sponsored by Winchester Mystery House.

The year is 1940, Britain. With the nation devastated by the war, the British ministry turns to propaganda films to boost morale at home. Realizing their films could use “a woman’s touch,” the ministry hires Catrin Cole (Gemma Arterton) as a scriptwriter in charge of writing the female dialogue. Although her artist husband looks down on her job, Catrin’s natural flair quickly gets her noticed by charming lead scriptwriter Buckley (Sam Claflin). Catrin and Buckley set out to make an epic feature film based on the Battle of Dunkirk starring pretentious fading movie star Ambrose Hilliard (Bill Nighy). As bombs are dropping all around them, Catrin, Buckley and their colorful cast and crew work furiously to make a film that will warm the hearts of the nation.

In addition to the wonderful films, SBIFF has become an important showcase for Academy–Award frontrunners, many of whom have arrived as nominees and gone on to win the Oscar. The 32nd Santa Barbara International Film Festival celebrates some of the year’s finest work in film.  The complete list of 2017 Honorees (in order of appearance) is:

  • Viola Davis will present Denzel Washington with the Maltin Modern Master Award, moderated by longtime friend and film historian Leonard Maltin on Thursday, February 2.
  • The Outstanding Performers of the Year Award sponsored by Belvedere Vodka will be awarded to Ryan Gosling and Emma Stone. The tribute will be moderated by Roger Durling on Friday, February 3.
  • The Virtuosos Award presented by UGG, will be awarded to Aaron Taylor Johnson (Nocturnal Animals), Dev Patel (Lion), Janelle Monáe (Hidden Figures, Moonlight), Mahershala Ali (Moonlight), Naomie Harris (Moonlight), Ruth Negga (Loving), Simon Helberg (Florence Foster Jenkins) and Stephen McKinley Henderson (Fences) in recognition of the year’s emerging film artists. The evening will be moderated by Dave Karger on Saturday, February 4.
  • Casey Affleck and Michelle Williams will receive the Cinema Vanguard Award, moderated by Scott Feinberg, on Sunday, February 5.
  • The Variety Artisans Awards will take place on Monday, February 6 and will be moderated by Variety’s Sr. VP Awards Editor, Tim Gray. Honorees to be announced.
  • The Outstanding Director of the Year Award sponsored by The Hollywood Reporter will be Tuesday, February 7 and will be moderated by Pete Hammond. Honorees to be announced.
  • Isabelle Huppert will be presented with the Montecito Award on Wednesday, February 8, moderated by Anne Thompson.
  • Jeff Bridges will receive the American Riviera Award sponsored by Bella Vista Designs on Thursday, February 9, moderated by Scott Feinberg.

All tributes take place at the historic Arlington Theatre except the Variety Artisans Award, which will be at the Lobero Theatre.

 

The panel series begins on Saturday, February 4 with the “Movers and Shakers,” (Producers Panel), bringing together the industry’s most prolific producers to talk about current projects, hopes for the future of filmmaking, and insight into the creative process. Moderated by Glenn Whipp.

That same day proceeds with “It Starts With the Script” (Screenwriters Panel), bringing together top writers to discuss their craft. The panel will be moderated by Anne Thompson.

On Saturday, February 11, Creative Forces: Women in the Business (Women’s Panel), will be moderated by Madelyn Hammond.

All panels take place at the Lobero Theatre.

The 2017 Film Program addresses timely themes including a focus on environmental activism, feminism in the Middle East, efforts to thwart ISIS around the world including, Mali and Kurdistan, the fight for democracy in Ukraine and the global refugee crisis. In addition, some of the new highlights in the program include:

  • Nordic Cinema Competition: A diverse showcase of contemporary cinema From Denmark, Finland, Iceland, Norway and Sweden.
  • Crime Scenes: An international selection of crime thrillers and neo-noirs filled with gritty underworlds and moral nihilists.
  • Documentary Shorts: Refugees: A program of short documentaries featuring compelling stories from refugees living in Malawi, Syria, West Africa, Greece, Sweden and the United States.

For more information and festival updates, visit sbiff.org.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 20, 2017.

Congregation B’Nai B’Rith Celebrates 90 Years

 

Cantor Mark Childs to be Honored at Dreamers Ball on Jan. 22 

Congregation B’nai B’rith celebrates its 90th anniversary at a Chagall-inspired Dreamers Ball to be held at the Bacara Resort on January 22.

The dreamers theme—which honors yesterday, today and tomorrow—pays homage to the 14 founding families who had a vision to build a home for the Jews in Santa Barbara in 1927. What started as a dream thrived beyond expectation to the temple of today—a beautiful sanctuary that serves as a spiritual home to more than 800 families.

The Dreamer’s Ball celebrates the rich history of Congregation B’nai B’rith, the vibrant current community, led musically by Cantor Mark Childs,  and the commitment to innovation and strength into the future.

Cantor Mark Childs, photo by Jay Farbman.

Cantor Mark Childs, photo by Jay Farbman.

“This is a moment to pause in a long continuum of time to celebrate our growth, to honor those who kept us going over the decades, to remember those who have passed along the way, to sigh as we recollect the hard times, to laugh as we recall the high moments, to marvel at the vision of those upon whose shoulders we stand, and to embrace each other as we face our road forward,” says Cantor Childs who will be honored at the gala for his 25 years of service at Congregation B’nai B’rith.

“Congregation B’nai B’rith has been, and will always be filled with the spirit of close community and the priority of educating the next moral, ethical and literate Jewish generation,” says Rabbi Stephen Cohen, who has been the synagogue’s spiritual leader since 2014, and works in partnership with Cantor Childs.

“I believe that right now, we are setting the stage for the next 100 years of Congregation B’nai B’rith communal life. We will maintain our deep connections to the Jewish people around the world, and throughout history, but we are also finding our place in Santa Barbara, alongside the Chumash, and the Latinos, the marvelous interfaith community of Muslims, the Catholics, Unitarians, Episcopalians, Evangelicals, Mormons, Hindus and Buddhists. Here in Santa Barbara, we Jews have a role to play. Our congregation should be a light to our entire city, and a model of healthy, feisty, dynamic, reverent, warm and welcoming community,” explains Rabbi Cohen.

Through song, Jewish teaching and humor, Cantor Childs has touched thousands of lives in Santa Barbara since his arrival 25 years ago. From his weekly song sessions with preschoolers at Beit Ha Yeladim, to his work with hundreds of b’nai mitzvot students, to his inspired leadership, interfaith partnerships and connection with seniors and community members throughout Santa Barbara, Cantor Childs has been a role model and an inspiration, marking everyday moments and significant life-cycle milestones with music and prayer. “He is an exceptional human being, a brilliant and humble leader, a supremely reliable teammate and partner, and a gifted singer,” says Rabbi Cohen.

Congregation B’nai B’rith serves as a spiritual sanctuary to its diverse and inclusive community (the temple has over 25% interfaith families), but is also integral to the greater Santa Barbara community, through social action and religious outreach programs and collaborations with the Santa Barbara Interfaith Initiative, Cottage Hospital, assisted living homes, Showers of Blessings, Anti-Defamation League, UCSB Hillel, and many others.  A temple-wide annual Mitzvah Day sends volunteers into the community to benefit dozens of nonprofits. In addition, Congregation B’nai B’rith has ongoing programs serving food to the homeless community in Pershing Park and working with Transition House in their community kitchen. The temple’s reach even extended to build the Ubumwe Center preschool and elementary school in Rwanda, Africa.

The celebration takes place on January 22 at 5:30 p.m. at Bacara Resort & Spa, 8301 Hollister Ave., Goleta. To find out more about the Dreamers Ball, visit the event page at www.cbbsb.org/dreamersball, call 805/964-7869, or email dreamersball@cbbsb.org.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 4, 2017.

 

The Books of 2016

So many books, so little time—part ten.

My son started keeping a reading list in third grade, so I did too. This is the tenth year we’ve done this.

My favorite books of 2016 were probably You Will Know Me by Megan Abbott, a mystery-thriller set in the world of women’s gymnastics; Eight Hundred Grapes by Laura Dave, set in the world of wine-making; Sweetbitter by Stephanie Danler, which is about the restaurant business; Barbara the Slut and Other People by Lauren Holmes, a terrific collection of shot stories; and The Monsters of Templeton by Lauren Groff, who also wrote Fates and Furies, one of my favorite books I read last year.  

As usual, I tend to find an author I like and then read anything I can get my hands on. I adored Where’d You Go, Bernadette by Maria Semple so much that I also read her two other novels, Today Will be Different (in development as a TV series with Julia Roberts) and This One is Mine, both of which I liked but didn’t LOVE the way I did Bernadette.

Anyway, I’d love to hear about other people’s favorite books this year.

Lots of Candles, Plenty of Cake Anna Quindlen
Why Not Me? Mindy Kaling
Boys & Girls Together William Goldman
Fun Home Allison Bechdel
Precious Gifts Danielle Steel
23 Degrees South Neal Rabin
Last One Home Debbie Macomber
Feel This Ben Stiller & Janeane Garofalo
A Whole New Light Sandra Brown
All Fall Down Jennifer Weiner
The Children Act Ian McEwan
Purity Jonathan Franzen
Crooked Little Lies Barbara Taylor Sissel
The Rumor Elin Hildebrand
The Truth About Alice Jennifer Mathieu
Girl Tripping Gina Iamanna
Everything’s Relative Jenna McCarthy
The Clasp Sloane Crosley
The Guestbook Andrea Hurst
The Art of Peeling an Orange Victoria Avilan
What Alice Forgot Liane Moriarty
Bettyville George Hodgman
Between the Lines Jodi Picoult & Samantha van Leer
Miss Adventure Geralyn Corcillo
Who Do You Love? Jennifer Weiner
Girl Waits With Gun Amy Stewart
The Tender Bar J.R. Moehringer
The Monsters of Templeton Lauren Groff
Connect the Stars Marisa de los Santos and David Teague
Barbara the Slut and Other People Lauren Holmes
The Moon and More Sarah Dessen
The Apartment Danielle Steel
Dead of Night J.D. Robb, Mary Blayney, Ruth Ryan Langan and Mary Kay McComas
The Swans of Fifth Avenue Melanie Benjamin
Lizzie Bennett Diaries Bernie Su and Kate Noble
The List Siobhan Vivan
One Plus One JoJo Moyes
Nora Roberts Land Miles Ava
Windfallen JoJo Moyes
Dear Mr. You Mary Louise Parker
The Sleuth Sisters Maggie Pill
Fireside Susan Wiggs
Sweetbitter Stephanie Danler
Tiny Pretty Things Sona Charaipotra and Dhonielle Clayton
My Favorite Husband Pam McCutcheon
The Fixer Upper Mary Kay Andrews
The Inn at Rose Harbor Debbie Macomber
I Was Told There Would be Cake Sloane Crosley
A Girl’s Guide to Moving on Debbie Macomber
Drinking Closer to Home Jessica Anya Blau
Identical Scott Turrow
If I Stay Gayle Forman
Euphoria Lily King
Eight Hundred Grapes Laura Dave
In the Unlikely Event Judy Blume
Remembrance Meg Cabot
Innocents & Others: A Novel Dana Spiotta
Calling Invisible Women Jeanne Ray
Royal Wedding Meg Cabot
Eligible Curtis Sittenfeld
The Man of the House Stephen McCauley
Be Frank With Me Julia Claiborne Johnson
Fallen in Love Lauren Kate
Four of a Kind Valerie Frankel
The Bridge Ladies Betsy Lerner
The Goodbye Quilt Susan Wiggs
French Roast Ava Miles
Behind Closed Doors B.A. Paris
Heat & Light Jennifer Haigh
The Grand Opening Ava Miles
Paris for One & Other Stories JoJo Moyes
My Kind of Perfect Hannah Ellis
Heroes Have Always Been My Weakness Susan Elizabeth Phillips
You Will Know Me Megan Abbott
The History of Love Nicole Krauss
Today Will Be Different Maria Semple
This One is Mine Maria Semple

Cavalia’s Odysseo is One Wild Ride

Odyesseo "Freedom," photo by Jak Wonderly.

Odyesseo “Freedom,” photo by Jak Wonderly.

If you’re looking for a perfect way to entertain the whole family this holiday season, Cavalia‘s new Odysseo show is just the ticket.

Odyesseo "The Fairies," photo by Pascal Ratthe.

Odyesseo “The Fairies,” photo by Pascal Ratthe.

This magical spectacle blends jaw-dropping equestrian artistry with Cirque du Soleil level acrobatics and music, as well as beautiful costumes and incredible set design. It’s really quite a magical experience, and well worth the drive to Irvine, where it’s playing through January 8 (under a giant White Big Top at the junction of the I-405 & the SR-133).

Odyesseo "Finale," photo by Lynne Glazze.

Odyesseo “Finale,” photo by Lynne Glazze.

The production is so unique that it’s hard to describe. “Odysseo marries the equestrian arts, stage arts and high-tech theatrical effects at never-before-seen levels. A veritable revolution in live performance, Odysseo comprises a list of superlatives: the world’s largest touring production and traveling big top, the biggest stage, the most beautiful visual effects, and the largest number of horses at liberty,” according to the promoters.

For once, they aren’t exaggerating in the least.

Odyesseo "Carosello," photo by Dan Harper.

Odyesseo “Carosello,” photo by Dan Harper.

The 65 horses and 48 artists who star in the show take you on a journey into a dreamy world of the planet’s most unforgettable landscapes. This is a show you won’t soon forget. For tickets and information visit www.cavalia.net/Irvine‎.

—Leslie Dinaberg

Odyesseo "The Angels," photo by Andrew Miller.

Odyesseo “The Angels,” photo by Andrew Miller.

Originally published in Santa Barbara Seasons on December 4, 2016.

“Please Don’t Touch the Art”

Bebop by Dan Levin.

Bebop by Dan Levin.

Dan Levin‘s solo art show, “Please Don’t Touch the Art” at Restaurant Roy (7 W. Carrillo St.)  will include a “one night only pop up store” during the reception on December 1, during 1st Thursday from 7-11 p.m. Levin’s Lonely Hearts altered playing card decks, shirts, candles and small assemblages will be available for sale on Thursday, in addition to a room full of larger works that will be up until the end of January.

For more information visit danlevin.com, and https://www.facebook.com/danlevinart.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons on November 29, 2016.

Vocalosity Contest Winners & Free Master Class Announced

Photo courtesy Vocalosity.

Vocalosity performs at the Granada on Nov. 11. Courtesy photo.

The highly anticipated a capella performance, Vocalosity, comes to The Granada Theatre on Friday, November 11, as part of the Granada Theatre Concert Series. From the artistic producer of Pitch Perfect and The Sing Off, Vocalosity takes a cappella to a whole new level with a show stopping theatrical performance featuring 10 dynamic voices singing some of today’s most popular hits.

Vocalosity explores all genres of music – from tenth century Gregorian chant and classic choral, to barber shop quartet and bouncing doo-wop all the way to The Beatles and Bruno Mars. Combine that, with movement and choreography from Sean Curran (Stomp original cast member), and you have an exhilarating evening of song unlike anything you’ve ever seen or heard, live on stage!

Photo courtesy Vocalosity.

Vocalosity comes to the Granada Theatre to perform on Nov. 11, courtesy photo.

The Granada Theatre recently announced that a cappella group AIRPLAY has been selected as the winner of the A Cappella Performance of a Lifetime Contest and will have the exclusive opportunity to perform as the opening act for Vocalosity‘s Santa Barbara performance. AIRPLAY originated in Santa Barbara, when founding members Antonio, Bobby, Jeff, and DJ formed UCSB’s all-male a cappella group, “Brothas from Otha Muthas” (BFOM). BFOM remained an all-male group until Jane joined after being a member of the Tritones in San Diego. Ben, also a Tritones alumni, joined soon after and AIRPLAY was born!

To add even more excitement around the show, Vocalosity’s artistic producer Deke Sharon, is coming to The Granada Theatre to host a Master Class on Monday, October 24, 7 p.m. The Master Class will be open to the public—FREE for all singing enthusiasts of our community in the McCune Founders Room at The Granada Theater. Deke will be coaching the winning group, as well as other contest participants.  The Granada Theatre is extending an invitation to this exclusive Master Class to all vocalists and singing enthusiasts in the community, offering a unique opportunity to learn from one of the greatest creative minds in a cappella music! This class is FREE and open to the public, no tickets required.

Deke Sharon, photo courtesy Vocalosity.

Deke Sharon will teach a free master class at the Granada on Oct. 24, photo courtesy Vocalosity.

Don’t miss the Vocalosity performance, with special guest a capella group, AIRPLAY, opening the show at The Granada Theatre on Friday, November 11, 8 p.m. Tickets maybe purchased online here http://ticketing.granadasb.org/single/PSDetail.aspx?psn=7986, or by calling The Granada Theatre Box Office at 805/899-2222.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons on October 21, 2016.

Lil Buck – A Jookin’ Jam Session

Lil Buck, photo by Kyle Cordova.

Lil Buck, photo by Kyle Cordova.

JOOKIN’ (jook·in): A street dance style that emerged from Memphis, Tenn. Identified by its extremely intricate footwork and propensity for improvisation, seen by many as a descendant of hip-hop and jazz, with elements of ballet and modern dance. 

See what jookin’ looks like for yourself, when UCSB Arts & Lectures presents Lil BuckA Jookin’ Jam Session—directed by Damian Woetzel, featuring Sandeep Das, Johnny Gandelsman, Ron “Prime Tyme” Myles, Cristina Pato and Wu Tong—on Tuesday, October 25, at 8 p.m. at The Granada Theatre (1214 State St.).

Named one of Dance Magazine’s 25 to Watch, Lil Buck has performed on Madonna’s Rebel Heart tour, in a highly-praised program at Jazz at Lincoln Center with Wynton Marsalis, in a mesmerizing performance with Yo-Yo Ma to Saint-Saëns “The Swan,” with New York City Ballet, in Cirque du Soleil’s Michael Jackson: One and in numerous other high-profile collaborations.

Lil Buck, photo by Kyle Cordova.

Lil Buck, photo by Kyle Cordova.

“I think he’s a genius, ” says Yo-Yo Ma. The New York Times says, “Lil Buck has already carved out a niche that almost no other dancer can fill, bouncing from music videos (that’s him, slo-mo spinning through Janelle Monae’s ‘Tightrope’) to a Super Bowl halftime show (2012, with Madonna) to Lincoln Center.”

A Memphis jookin’ phenomenon who also received early hip-hop training from and studied on scholarship at the New Ballet Ensemble, this genre-defying artist is taking the world by storm.


 

For more information or to purchase tickets call 805/893-3535, visit www.ArtsAndLectures.UCSB.edu or call 805/899-2222 or visit granadasb.org.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on October 21, 2016.

UCSB Arts & Lectures Presents Telluride Mountainfilm on Tour

Mountainfilm Tour Poster, the Accord.

Mountainfilm Tour Poster, the Accord.

Film and nature collide when UCSB Arts & Lectures presents Telluride Mountainfilm on Tour on Thursday, October 20, at 7:30 p.m. at UCSB Campbell Hall.

Telluride Mountainfilm was launched more than 30 years ago by a group of climbers and friends dedicated to educating and inspiring audiences about issues that matter, cultures worth exploring, environments worth preserving and conversations worth sustaining. Still true to the core idea that friends, adventure, passion and powerful ideas are as tantalizing as ever, this 134-minute program offers a six-senses experience of art, adventure, culture and the environment in an eclectic and exciting program of nine short films. 

The show is emceed by a Mountainfilm presenter who guides the audience through the program, often sharing personal stories from his or her interactions with the filmmaker or the film’s subjects.

An image from Lindsay Branham and Jon Kasbe's film "Nascent," courtesy UCSB Arts & Lectures.

An image from Lindsay Branham and Jon Kasbe’s film “Nascent,” courtesy UCSB Arts & Lectures.

Films in the UCSB program will explore the struggle to reach the highest peaks on the planet; marathon life lessons; a BASE jumper’s dream; the triumphs and tribulations of surfing in Iceland; the near-impossibility of skateboarding on the wild, cold Norwegian coast; the power of hope to overcome the greatest differences; discovering a lifeline in the unlikeliest of pursuits; the mental and physical strain of pushing a sport to new heights (literally); and a skier who takes delinquency to new limits.

Here is what to expect:

Wasfia

Wasfia Nazreen doesn’t just climb for the thrill; she climbs for a cause. The first Bangladeshi to scale the Seven Summits, Wasfia has made it her purpose to brave these climbs for the sake of something larger – for the women of Bangladesh. Lyrical and poetic, this short documentary is a reflective character portrait that takes us from the depths of Wasfia’s struggles to the highest peaks on the planet, as we explore what it means to pursue the unknown (Sean Kusanagi, 2016, 11 min.)

Mile 19

Since the inception of the Los Angeles marathon in 1986, 178 runners have completed every race. They’re called “Legacy Runners.” Johnnie Jameson is a member of this special group, but he’s not an elite runner: He’s a working man, a postal employee. But what he lacks in speed, he makes up in creativity. He ran his first marathon backward, finishing in last place. He dribbled a basketball the next year. Each race, wearing his signature Payless shoes, he stops and talks and takes his sweet time. And over the years, the marathon has become a form of therapy for Jameson, who was scarred deeply from serving as an infantryman in Vietnam. The annual challenge of running 26.2 miles has helped him cope, grow and recover from those traumatic experiences. “It’s not about how long you out there, it’s about completing the race,” he says. “You gotta grind it out, because life ain’t nothing but a grind.” This poignant film from Vincent DeLuca conveys a lifetime of lessons in 10 short minutes, spinning a powerful story of resilience, humor and healing. (Vincent DeLuca, 2016, 10 min.)

A still image from Vincent DeLuca's film "Mile 19," courtesy UCSB Arts & Lectures.

A still image from Vincent DeLuca’s film “Mile 19,” courtesy UCSB Arts & Lectures.

The Mysteries

The vision came to Krystle Wright in a dream: a bird’s-eye view of BASE jumpers in flight over a stark desert landscape. When she awoke, the adventure photographer resolved to make that vision into reality. And with that, the dream turned into an obsession – one that led her on a four-and-a-half-year journey of failed attempts, uncooperative weather, disappointments and inward examination. The Mysteries follows a tenacious, and perhaps crazy, quest to chase down an elusive image and provides a glimpse into the kind of singular passion that drives people to reach their goals, regardless of what stands in the way. (Skip Armstrong, 2015, 8 min.)

The Accord

Iceland is an island in the very north Atlantic where the wind is unpredictable at best, where perfect waves are almost as rare as albino elephants and where frigid temps require a full wetsuit arsenal. In other words, being a surfer in Iceland requires a particular mix of hardiness, patience, passion and insanity. And more than anything, it requires befriending that mercurial, capricious, wildly drunken and occasionally benevolent wind. (RC Cone, 2016, 18 min.)

Mot Nord

Ice, driftwood, foamy waves and … skateboards? In this poetic short film by Jørn Nyseth Ranum, four skaters head north to the cold Norwegian coast, applying their urban skills to a wild canvas of beach flotsam, frozen sand and pastel skies. The result is a beautiful mashup – biting winds and short days, ollies and one ephemeral quarterpipe. (Jørn Nyseth Ranum, 2016, 10 min.)

Nascent

Nascent is proof of how short films can impart big messages. It’s a simple premise: two children, a Christian boy and a Muslim girl, give their perspectives on growing up in the divided and desperately poor Central African Republic. Despite differences in their upbringings and religious backgrounds, the pair share a hopeful vision of peace that would allow them to be friends. This could have been an awkward film or, worse, a treacly one. But in the hands of director Lindsay Branham (who attended school in Telluride in 5th and 6th grade), the result is a thoughtful and powerful documentary that asks the simple question: Why can’t we all just get along? (Lindsay Branham and Jon Kasbe, 2015, 7 min.)

Throw

Growing up in East Baltimore surrounded by poverty and violence is hard enough, and Coffin Nachtmahr had the added challenge of being different. He stutters. He never quite fit in, and he was picked on. Then he discovered a lifeline in the unlikeliest of pursuits: yo-yoing. In the subculture of “throwers,” he found purpose, acceptance and community. Today, Coffin is the city’s best, transforming the simple activity of yo-yoing into a transfixing dance of creativity, innovation and connection. (Darren Durlach and Dave Larson, 2016, 10 min.)

High and Mighty

The no-fall zone: It’s what makes highball bouldering the new cutting edge of climbing, where miniscule holds and overhanging routes can stretch more than 30 feet above the ground with no protection beyond a pile of crash pads below. But the thing about pushing bouldering to new heights – literally – is that the consequences also rise. Broken bones, concussions and trips to the hospital are among the more unfortunate results. And sometimes, the mental toughness required is even more strenuous than the actual climbing. This documentary from Sender Films follows the wild personalities who are pushing bouldering into high and mighty places it’s never been before. (Nick Rosen, Peter Mortimer and Josh Lowell, 2015, 20 min.)

One of Those Days 3

A manhunt is underway in the Alps to arrest French skier Candide Thovex. His crime? Where do we start? Dude skis over a helicopter, into camera vans, hits trees, interrupts races and busts through barns. In One of those Days 3, he takes his POV delinquency to new limits. (Candide Thovex, 2016, 5 min.)

Telluride Mountainfilm on Tour is presented by UCSB Arts & Lectures.

2016 Intro by Stash Wislocki from Tour Screeners on Vimeo.

Tickets are $15 for the general public and $10 for UCSB students and youths 18 & under (Current ID required). For tickets or more information, call UCSB Arts & Lectures at 805/893-3535 or purchase online at ArtsAndLectures.UCSB.edu.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on October 15, 2016.

Dug Uyesaka: Long Story Short

A collection of work by Dug Uyesaka will be on view at Westmont Ridley-Tree Museum of Art beginning Oct. 20. Courtesy photo.

A collection of work by Dug Uyesaka will be on view at Westmont Ridley-Tree Museum of Art beginning Oct. 20. Courtesy photo.

The Westmont Ridley-Tree Museum opens its fall season with a diverse collection of art objects and images by Dug Uyesaka, on view from October 20 through January 14 in the museum (955 La Paz Rd.).  A free, opening reception for “Dug Uyesaka: Long Story Short” takes place on Thursday, October 20, from 4-6 p.m. in the museum.

Uyesaka, a third generation Japanese-American, enrolled at UCSB in 1975 and was mentored by art faculty William Dole, Howard Fenton, Bob Thomas and Richard Ross.

"Guided by Voices II" by Dug Uyesaka, courtesy photo.

“Guided by Voices II” by Dug Uyesaka, courtesy photo.

“He is such an integral part of Santa Barbara’s art scene,” says Judy Larsen, R. Anthony Askew professor of art history and museum director. “He is a UCSB art graduate; a frequent exhibitor at art exhibitions around town; and an art teacher at Laguna Blanca School. Our mid-career retrospective of Dug’s work will showcase his amazing oeuvre—from prints to paintings and drawings, from collage to assemblage.” 

"Smoke" by Dug Uyesaka, courtesy photo.

“Smoke” by Dug Uyesaka, courtesy photo.

The Westmont Ridley-Tree Museum of Art is free and open to the public Monday–Friday, from 10 a.m.–4 p.m. and Saturday from 11 a.m.-5 p.m.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on October 13, 2016.