Cocktail Corner: Art, Libations and Music on the Edge

The pool at the Goodland, courtesy photo.

The pool at the Goodland, courtesy photo.

A spirited toast to all things alcoholic! by Leslie Dinaberg

Make a splash next weekend at Goleta’s Goodland Hotel when art meets music, libations, food and creative fun with a poolside “play with your food” interactive brunch on Saturday, Oct. 17. It’s all part of MCA Santa Barbara‘s second annual On the Edge Festival, which brings internationally renowned performance artists to Santa Barbara this month.

Meet the On Edge artists over what’s sure to be a delicious brunch, featuring a do-it-yourself crepe and bagel bar, with food portraits and puppet inspiration. Enjoy your brunch poolside with a DJ set by Nikki Jean and Double O, and a cash bar with signature cocktails by resident mixologist Chris Burmeister. Trust me … he’s got a way with a Martini shaker!

Outpost cocktails, courtesy photo

Outpost cocktails, courtesy photo

The Goodland is located at 5650 Calle Real in Goleta. To purchase tickets ($25 general admission and $20 for museum members) click here.

Hope to see you there. Cheers!  Click here for more cocktail corner columns.

Leslie Dinaberg

When she’s not busy working as the editor of Santa Barbara SEASONS, Cocktail Corner author Leslie Dinaberg writes magazine articles, newspaper columns and grocery lists. When it comes to cocktails, Leslie considers herself a “goal-oriented drinker.”

Originally published in Santa Barbara Seasons Magazine on October 9, 2015.

 

Editor’s Pick: Michael McDonald

Michael McDonald, courtesy of Lobero Theatre.

Michael McDonald, courtesy of Lobero Theatre.

Iconic singer and five-time Grammy-winner Michael McDonald (Steely Dan, The Doobie Brothers and loads of solo hits) teams with Ambrosia for a special Concert to Benefit Youth Interactive at the Lobero Theatre (Oct. 11). All proceeds support Youth Interactive’s after-school programs for local underserved youths.

—Leslie Dinaberg

Originally published in the Fall 2015 issue of Santa Barbara Seasons Magazine.

Editor’s Pick: Santa Barbara Studio Artists Tour

Painting by Francis Scorzelli, courtesy photo

Painting by Francis Scorzelli, courtesy photo

Santa Barbara Studio Artists Tour takes place on Labor Day weekend this year (Sept. 5–6). It’s always a treat to peek inside the diverse array of local artists’ homes. With 40 artists participating this year, collectors are sure to find something to suit their style.

Originally published in the Fall 2015 issue of Santa Barbara Seasons Magazine.

—Leslie Dinaberg

Editor’s Pick: Dane Goodman and Keith Puccinelli

Artwork by Dane Goodman and Keith Puccinelli, on view at Westmont Ridley-Tree Museum of Art.

Artwork by Dane Goodman and Keith Puccinelli, on view at Westmont Ridley-Tree Museum of Art.

Collaborations between artists Dane Goodman and Keith Puccinelli are always a treat, full of clever, thought-provoking humor and surprises. Expect nothing less from their latest teaming, “Tug,” part of the ArtWatch 2015 series at Westmont Ridley-Tree Museum of Art (Sept. 2–Oct. 17).

Opening Reception: September 2 | 4:30-7 p.m. | Westmont Ridley-Tree Museum of Art, 955 La Paz Rd. 805/565-6162, westmontmuseum.org.

—Leslie Dinaberg

Originally published in the Fall 2015 issue of Santa Barbara Seasons Magazine.

Editor’s Pick: The Paintings of Moholy-Nagy

László (or Ladislaus) Moholy-Nagy, Composition, n.d. (ca. 1922-23). Paper collage on paper. SBMA, Gift of Mrs. Charlotte Mack. Courtesy photo.

László (or Ladislaus) Moholy-Nagy, Composition, n.d. (ca. 1922-23). Paper collage on paper. SBMA, Gift of Mrs. Charlotte Mack. Courtesy photo.

The Paintings of  Moholy-Nagy: The Shape of Things to Come is an exciting mash-up of one of the most influential members of the Bauhaus: László Moholy-Nagy’s artwork, with “interventions” inspired by Moholy’s art by designer Alex Rasmussen, whose Goleta-based company Neal Feay reinterprets artistic forms in anodized aluminum. Santa Barbara Museum of Art, 1130 State St., July 5 through September 27. 805/963-4364, sbma.net.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons Magazine, Summer 2015

The Art of Getting People Back to Nature | Yarnbomber Stephen Duneier

Stephen Duneier with one of a series of yarn-covered boulders he created at Lizard's Mouth. Photo by Scott London, ScottLondon.com.

Stephen Duneier with one of a series of yarn-covered boulders he created at Lizard’s Mouth. Photo by Scott London, ScottLondon.com.

By Leslie Dinaberg

Artists often use their work to provoke discussion or emotion, but Yarnbomber Stephen Duneier’s colorful creations are site-specific installations designed to get people out to the middle of nowhere.

In this case, “the middle of nowhere” is Santa Barbara County’s plethora of hiking trails. Duneier’s seven projects to date include creating an Alien Campsite on Davy Brown Trail; a series of covered boulders at Lizard’s Mouth; a reflective starfish above the pools at Seven Falls; a spider web at Sasquatch Cave in the playgrounds of Lizard’s Mouth; an enormous boulder on Saddlerock Trail; an ongoing Guinness Book of World Records attempt to create the world’s largest crocheted granny square; and creating his first project—cloaking a 40-ft. tall eucalyptus tree on the Cold Spring Trail’s east fork with a gigantic knitted sweater—which took place in 2012, just 82 days after he picked up knitting needles for the first time ever.

All of Duneier’s projects are done in a way that doesn’t permanently disturb nature, with permission from the U.S. Forest Service. “The forest service has actually been really supportive, now that I have a track record with them, and they know that I’m not just some guy who wants to use the land for my own purposes,” he says.

The other consistent element in a Yarnbomber project is that the installations stay up for just nine days. “The first weekend is all about people just stumbling onto it, then there are five days during the week, when nobody goes hiking very much. The second weekend is all about word–of–mouth. It sort of builds…but I don’t really want crowds; I just want it to be on people’s radar. And having it for nine days, you can’t procrastinate. You’re either going to go see it and make the effort today or you’re just not going to see it,” says Duneier.

The projects, many of which are done in collaboration with artists from around the world, have opened up a world of new experiences for Duneier, whose day job is writing about and managing investments, as well as teaching Decision Analysis at UCSB’s College of Engineering.

“I’ve always been speaking on macroeconomics; talking at big conferences…but now I’ve started talking about making dreams come true; this has been a little offshoot of the yarn bombs,” he says. The audiences vary, but the idea is “how do you have these grand visions and actually make them happen?”

His next “grand vision,” launching sometime this summer, incorporates metalwork and gemstones. As to where and when it pops up, the website yarnbomber.com is the best place to stay tuned.

Says Duneier, “I’m kind of a yes guy…I really don’t know where it all will lead.”

Originally published in the Summer 2015 issue of Santa Barbara Seasons Magazine.

Local Lowdown: Lucidity Festival

Lucidity Festival

Lucidity Festival, Courtesy of innermusephotography.com

This experiential arts and music festival brings together a top-notch line-up of musical talent, along with multi-sensory art installations, themed environments and educational speakers, as well as more intimate settings for personal connections.

Now in its fourth year, Lucidity Festival offers workshops and presentations on subjects such as breathwork, consciousness, health & healing, permaculture, social change, world peace and more.

Turning dreams into reality is an underlying theme. As the organizers wrote: “When we become lucid in our dreams, we realize ourselves as infinite potential, we let go of fear and we are free to create that which we want to see in the world. Bring those visions, those possibilities and that delicious conscious energy with you to Lucidity and wake up in the dream.”

Lucidity Festival 2015: Kindred Quest opens for camping at midnight on Thursday, April 9. The music starts on Friday, April 10, and runs through Sunday night, April 12. For tickets and information about camping, visit lucidityfestival.com.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons Magazine, Spring 2015.

Local Lowdown: Flock Soars into Lotusland

Put a Bird on It!

This spring, the otherworldly dreaminess of Lotusland transforms into a real-world call for awareness as FLOCK: Birds on the Brink comes to the garden. 

Story by Leslie Dinaberg

Inspired by the interdependency of bird species to plant species, and to the human race, this contemporary art exhibit celebrates the daily presence of birds in our gardens and communities while illustrating the critical impact of wild bird populations on our ecosystems and our own well-being. Guest curator Nancy Gifford (the same talented dynamo who brought the buzz-worthy bee-themed SWARM to the venue in 2013 and GONE in 2012) and the Lotusland team gathered artworks and commissioned installations from more than 30 local and international artists, which are displayed in the pavilion and—for the first time—throughout the garden.

“It should be quite a provocative and visceral experience,” says Gifford, who hopes to inspire action from all those who encounter FLOCK. “This year, we are covering the issues about birds…it’s about the interrelatedness of species and how important birds are.” She continues, “Plus there’s a tremendous amount of great artists worldwide who work with birds and the bird theme. It’s amazing.”

The exhibit, which opened on February 28 and runs through May 23, is amazing. Approaching the Pavilion Gallery, visitors duck beneath a courtyard “ceiling” of empty black cages titled Silent Spring, their doors open in wait for the return of songbirds long extinct. Upon entering, one quickly encounters the foreboding David Hochbaum blackbird Murmuration installation hovering over Laurie Hogin’s splashy Darwinian landscapes, Robyn Geddes’s moody color field birds, a burning crow by local artist Keith Puccinelli and embellished taxidermy specimens from New Zealand artist Karley Feaver.

Then there are various mechanical devices by Jane Edden, Juan Fontanive and Norman Reed, as well as a “chick bar” diorama by Michael Long. Next is the “nest” room full of surprises by Esther Traugot, Gayle Stevens, Philip Koplin, Liza Myers, Maria Rendon and the mesmerizing video Bobe’s Legend by Macedonian artist Robert Gligorov. Visitors then go through the pavilion into the main gallery, which features large-scale haunting bird works by Fatemeh Burnes. A robotic wing chair by Alan Macy flaps to the beat of a “bird dance” video by Robin Bisio that encircles an aviary centerpiece installation full of musical and avian surprises.

FLOCK also expands beyond the Pavilion Gallery to include six outdoor installations hidden throughout the gardens. Expect to encounter a Murder of Crows in the newly restored blue garden, Gary Smith’s human-scale nests, R.T. Livingston’s camouflaged Sitting Ducks: Hiding in Plain Sight by the lotus pool, a larger-than-life caged topiary peacock by Joe Shelton and a birdbath sound machine by Carlos Padilla and Pod Nest by Luis Velazquez in the pavilion courtyard. Other participating artists include Sharon Beals, Penelope Gottlieb, James Hodgson, Nathan Huff, Pamela Larsson-Toscher, Anne Luther, Kaoru Mansour, Cheryl Medow, Tom Mielko and Susan Tibbles.

FLOCK: Birds on the Brink is on view at Lotusland from Saturday, February 28 through Saturday, May 23. Visitors may see the exhibit as part of a docent-guided tour offered at 10 a.m. and 1:30 p.m., Wednesday through Saturday. Reservations are required. For reservations, call 805/969-9990 or visit lotusland.org for more information.

Originally published in Santa Barbara Seasons Magazine, Spring 2015.

Inside the Flat File

Paintings on Guitar, by John Chervinsky, courtesy of wall space gallery

Paintings on Guitar, by John Chervinsky, courtesy of wall space gallery


There’s something magical about searching for art amidst the flat files. As wall space gallery owner Crista Dix says, “Looking through the flat files at the gallery is like heading to a buffet and coming back for thirds and fourths. Every drawer is filled with unique work, unlike the drawer before it, and the one after unlocks even more visual desserts.” 

Let’s take a peek inside the flat files.

Story by Leslie Dinaberg 

Aline Smithson

This series, entitled “Spring Fever,” is a take on childhood, womanhood and the future. Inspired by Michael Apted’s ongoing “7-Up” documentary series—chronicling the lives of British children every seven years through adulthood—based on the Jesuit maxim, “Give me the child until he is seven and I will give you the man.”

Aline Smithson says, “In this case, I give you the girl. ‘Spring Fever’ explores the idea of childhood and beyond, capturing seven-year-old girls wearing 1950’s spring hats. Juxtaposing hats traditionally worn by women half a century older with the visual of a child on the threshold of knowledge and sophistication allows us a glimpse into the future, and possibly a reflection of a face that wore a head full of flowers long ago.”

Smithson has had solo exhibitions throughout the United States, China and Europe and her work is in a number of museum collections. 

John Chervinsky

This work represents John Chervinsky’s photographic investigation into the nature of time, light, space and gravity. He creates these conceptual pieces by first composing and photographing a still life; cropping a subset of the image and sending it to a painting factory in China; waiting for an anonymous artist to complete an oil painting of the cropped section, and send it back in the mail; then reinserting the painting into the original setup and re-photographing the piece.

Chervinsky states, “ I’m interested in issues relating to perspective. I’m interested in the tensions expressed in the comparison between reality versus representation. I’m interested what happens when I collaborate with another artist that has no idea that they are involved in a collaboration, and I’m interested in seeing and expressing subtle changes over time that we might otherwise take for granted.”

Bill Finger

With a background in photography and more than 20 years working on movie sets, Bill Finger creates photographs of miniature scenes that seem life-sized. Handcrafting each element, he builds miniature dioramas of narrative scenes that serve as the subject of his large-scale photographs. 

“… I put the camera into the scenes as though it’s the viewer’s point of view, making the viewer a participant,” states Finger. “I also play with the idea of a filmic place that only exists to be photographed and then is destroyed after the photograph [is shot]. This happens in real life too. … I’m creating temporary places that are coming out of my imagination, but they exist in the real world as long as it takes me to photograph them.”

Space Oddity, featuring work by Bill Finger, John Chakeres, Charles Grogg and Ryan Zoghlin, will be on view from May 30 through June 28 at wall space gallery, 116 E. Yanonali St. C-1, 805/637-3898, wall-spacegallery.com.

Ryuijie

The subject matter in this series is botanicals frozen in blocks of ice. The ice is as important as the flowers it encases, providing an element of the unexpected and unpredictable. This element can be likened to the Japanese principle of wabi sabi—beauty in nature in all its imperfections.

“Taking spring flowers and stopping time, Ryuijie has managed to mix line, form and texture to brilliant effect,” says Crista Dix, owner of wall space gallery. Crafted by freezing the blooms, then illuminating them with light, these painterly images capture the eternal warmth of the season.

Ryuijie, who was born in Otaru, Japan, has steadfastly pursued his own photographic vision for more than 30 years. An exceptionally prolific artist, works by Ryuijie can be found in private and public collections worldwide.

“Photography is such a unique art form. Most think it’s about what image can be captured from a phone, like landscapes or selfies, but photography can be so much more,” says Dix. “It is fun for me to be involved in releasing someone’s creativity when they come in to look at work and see anything is possible.” 

All photographs pictured can be found in the flat files at wall space gallery.

Originally published in Santa Barbara Seasons Magazine, Spring 2015.

Santa Barbara Printmakers Best Impressions at the Arts Fund

Courtesy Arts Fund

Courtesy Arts Fund

Opening on January 9 at the Arts Fund, BEST IMPRESSIONS consists of works by ten artist members of the Santa Barbara Printmakers who were awarded top prizes in recent annual exhibitions organized by the group and juried by art professionals from universities, galleries, and printmaking organizations in our region.

Artists with work on view are David Graves, Yessy Kim, Inés Monguio, Jerilynne Nibbe, Patti Post, Karen Schroeder, Garrett Speirs, Don Zimmerman, Siu Zimmerman and Pamela Zwehl-Burke.

Santa Barbara Printmakers is a group of artists dedicated to producing fine art prints using etching, woodblock, collagraph, linocut, clay, lithography and solar plate processes. Their distinctive marks on paper were produced by hand and press printing, and represent a wide range of artistic expression and techniques.

The exhibition, curated by Don Zimmerman,opens with a reception on January 9 from 5-8 p.m. and extends until February 28. The exhibition will be held at The Arts Fund Gallery, located at 205-C Santa Barbara St. in the Funk Zone. Regular gallery hours are Wednesday-Friday from noon-5 p.m., Saturday from 11 a.m.-5 p.m. and Sunday from11 a.m.-4 p.m.  The exhibition is free and open to the public.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 2, 2015.