Noozhawk Talks: Leslie Dinaberg Sits Down With Steven Lovelace

Steven Lovelace (Michelle J. Wong / Noozhawk photo)

Steven Lovelace (Michelle J. Wong / Noozhawk photo)

As the owner/director of Santa Barbara Dance Arts (with partner Alana
Tillim), Steven Lovelace has his dance card full guiding the jazz hands and pirouettes of more than 400 young students. Here, he takes a brief intermission to talk to Noozhawk.

Leslie Dinaberg: So Arts Alive! which shared your space, is now gone, sadly. But I hear Santa
Barbara Dance Arts is expanding.

Steven Lovelace: Yes. Now my rent just doubled which is pretty scary. But Alana and I … we’re
a very good mix, she’s definitely a great artist and does wonderful choreography
and really good with the kids. She’s a great teacher … I know that it will be good
for us in the long run …

LD: I know a lot of kids that take classes from you and just love it.

SL: They do. We have 400 kids here. Are they going to do it as a profession? I’ve
got a few kids that could be able to do it. Are they talented enough, absolutely,
but you know it also takes intelligence and hard work. …

Some of it here at my studio is social. I know the girls enjoy dancing, I know they
enjoy what I do in the class, but they also enjoy coming in and being a part of this
group … they interface and they interact and it feels good.

LD: I also think you can’t discount just the physical part of dancing. I think as a
parent you realize that your kids need to run around and burn off energy and they
can’t learn if they don’t do that.

SL: And they don’t learn this in school. This doesn’t happen in school. The level
of dancing or the level of vocal coaching that goes on here of the acting classes,
that is not the same, … Before I started this I have worked in practically every
darn school in the city doing independent things.

LD: Will there be changes at your studio now that you have the entire

SL: Now we’re going to really transform this into a performing arts center. …
We’ve got Kindermusik here that’s very successful. … We’ve still got a gallery
space down there. The performing arts need the visual arts anyway because
somebody’s got to build the set to put on the show. I’m about to do two musicals
in the summertime, so this is all individual artists, costumers are individual artists,
they’re not performing artists, so I work with set designers, costumers.

LD: With this transition, is the name of the whole place going to be Santa
Barbara Dance Arts?

SL: Yes. Arts Alive! doesn’t belong to me. … The Arts Mentorship Program is the
nonprofit part of it. That is our scholarship program and our dance companies,
our performing groups, and a lot of internship stuff. We do everything from teach
them to teach classes, we mentor them to choreograph. They are producing their
own things. … The kids right now they are producing their own student
choreography showcase that will be April 26th at 3 p.m. The senior dance
company produces it under our direction, they put the program together, and they
do auditions and do the ticket sales. They do everything.

LD: That’s great. That’s really good experience.

SL: Yes, it’s great. It’s for 14-18 year old kids. They put their own recordings
together, they edit the music for the kids, they do all that. They outreach to the
kids at the dance school. … They can’t walk out of here just being dancers. It
takes more than that to make it in the dance world and we know that, so I’m
teaching kids to teach. You know one girl, she went out of here, she didn’t want
to be a dance major but she taught dance on the side because she could make
20 bucks an hour teaching dance instead of slinging hash and trying to scrape
tips together so that she could help support herself in school. So that’s a really
nice little skill to walk out of here with.

I’ve got one girl in her senior year in high school she choreographed two
musicals in the school. It pays a couple of grand for her to go in and choreograph
eight dances for a musical. She’s so good at it. So she’s working on
choreography and making some money. I’m hiring her this summer to help me
choreograph my musicals because I can’t do everything. She works here in the
summertime; she’s great with teaching. She’s 19.

LD: How long have you been dancing?

SL: I started when I was 21. I actually was doing aerobics up at Nautilus, and the
gal that was running it there who is now one of my moms.

LD: Cindy Elster?

SL: Yes … she pegged me right away in class. I was very coordinated. … I would
be right up in there in the front just going for it, and I moved really well and she
said, “you know, I think you should become a teacher. You should teach. Half the
class is following you anyway.”

So she started having me come up with her on the thing and do the routines with
her and she was really basically training me to teach. (Then she said) “Why
don’t you go up to City College and take a couple of jazz classes? You’ll get all

So I went to City College and took Kay Fulton’s jazz class. It was actually an
intermediate class and … at the end of the class she lined up half a dozen of us
and she said, “You need to take ballet, you need to take ballet or modern,” she
got up to me and she says, “you can stay.” So I got to stay in the class. And that
was the beginning of dance for me.

LD: That’s kind of wild, it’s late in life, most people start dancing so

SL: It is late, but it’s more common for men. Men can start late. … They get an
accelerated training. I was up in a community college. I wasn’t in a dance studio
hidden away, I was up in a community college where everybody could see me so
within six months somebody from UCSB saw me and called Alice Contadina who
was the department head at the time and she sent one of the teachers out to a
class to observe me and she said “why don’t you come out here and take some
lessons free of charge?” So I went out to UCSB and I danced out there for a year
and then they offered me a spot in their company. By that time I had quit my day
job and had gotten a job at Julie McLeod’s Dance Warehouse. So that’s my
whole history around here. Julie taught me how to teach.

LD: What’s it like to work with all those little girls?

SL: Well, there’s a lot of different ways I could answer that. … I think it’s really
important to be a place where girls can be empowered, which is one of the big
reasons we want to mentor girls and give them social skills because every time
they don’t make that audition it’s a skill to know how to take that rejection of not
getting what they want. The first time you don’t get into the college that you want,
if you don’t get that job that you think you’re perfect for that they give to someone

… We really, really feel strongly that we’re providing a service, not just in giving
excellence in dance training or contemporary dances but we’re giving your kids a
community that they can feel good about. And the kids love being here.

… And I know that some of that is because it’s a great experience for them to be
here, but I have to say we provide this forum where they can be seen at
whatever talent level they are at or whatever their interest in dance is. Whether
they are just here for an after school class or they have an aspiration to go on
and go to Broadway and be in music videos or be a director or whatever. It’s here
for them and we want to be there. We take them all seriously. We don’t talk down
to the kids here. We really believe in that.

LD: If you could pick three adjectives to describe yourself, what would they

SL: Holistic, resourceful, appreciative

Vital Stats: Steven Lovelace

Born: Santa Barbara, on June 6, 1957

Family: Partner Gary Clark

Civic Involvement: Santa Barbara’s Summer Solstice, Lit Moon Theatre
Company; Santa Barbara Dance Alliance: Arts Mentorship Program; Fund for
Santa Barbara

Professional Accomplishments: Co-owner/director Santa Barbara Dance Arts;
Co-owner/director Stage Left Productions; Teacher at Arts at Laguna; Former
Artistic Director and Artist in Residence with Santa Barbara’s Summer Solstice;
Dancer with Repertory-West Dance Company, Santa Barbara Dance Theatre,
Santa Barbara Civic Light Opera, Bill Evans Dance Company, and Nora
Reynolds Dance.

Best Book You’ve Read Recently: (laughs) “Twilight. It’s not like they are the
best-written books in the world but there’s something very engaging about those

Little-Known Fact: “I like to be alone.”

Originally published in Noozhawk on April 12, 2009. Click here to read the story on that site.

Leslie Dinaberg Sits Down with Laura Inks

Laura Inks (courtesy photo)

Laura Inks (courtesy photo)

New years are all about reflecting on the past, the present and the future, and Laura Inks was in a particularly reflective mode when we caught up with her this week. With the ink barely dry on her divorce papers, Inks had also just ended another era as she completed the sale of her “baby,” ARTS ALIVE! Creativity Center, to its new owners Anthony Parisi and Laura Eliseo.

Leslie Dinaberg: So are the new owners planning to keep ARTS ALIVE relatively intact?

Laura Inks: Yes. They are both artists. … They’re building an art center in Kaui and so their plan is to have some synergy between Kaui and Santa Barbara and kind of live in both places and even have artists maybe go back and forth as like an artist exchange program or something, which would be really cool.

LD: What a great gig that would be.

LI: I know…she’s a dancer and … he is a glass artist … they’ve hired Jeanine Richards, her son was J.R. Richards of Santa Barbara High, he passed away a couple years ago. And she had Camp Lorr in Montecito for like 25 years. … She’s going to be running the ARTS ALIVE camps. Her husband just died, like last week, and so she’s thrilled to have a project to sink her teeth into.

LD: Wow, so you’re not going to be part of the new team?

LI: No. You know it’s so hard to create something and then raise it. It’s like a child, and then to turn it over to somebody. But I feel really good about this couple. They believe in my whole dream. The mission is to have a space where people can come and create and express themselves and especially for children and adults too. So they are going to continue to that. And Jeanine I’m just thrilled that she’s going to continue that.

LD: Well congratulations for you. I know you were concerned about the future of ARTS ALIVE!

LI: Well I didn’t know what was going to happen; I just knew that financially I couldn’t do it anymore. I was married for 17 years and that kind of helped cushion my starting a new business while I still had food and shelter and then with the separation that changed.

LD: Do you know what you’re going to do now?

LI: I don’t know. I’m really excited. I’ve had some really good job interviews and nothing’s panned out quite yet.

LD: Are you trying to stay in the arts field?

LI: Well I don’t know. I consider myself to be an art educator/social activist. One of my strongest skills is networking and getting the word out and meeting people and connecting people, so it could be with a nonprofit, helping them get the word out about programs and projects. I’m still the president of the Arts Mentorship Program, which is a nonprofit that’s under the umbrella of Community School Inc. … The project I’ve been working on is the Graffiti Project.

LD: What is that?

LI: It’s taking teens and young adults who do graffiti and giving them a controlled environment to create in … then to find venues for exhibiting their work. We’ll have a show in the gallery at ARTS ALIVE! of the kids graffiti artwork (through January 31st).

The idea is that first of all, the people that come here and paint on the boards and canvases that we give them are not painting on the street. We’ve had four events so far where we have music and a barbecue and a big event where they can come and spray paint. We provide them with paints and boards and everything … kids from about 14 to about 26 and some amazing artists.

Kids have already gotten jobs from them being here and doing their work and people coming up and saying, “Wow I’d like something like this on the inside of my dojo,” or, “I’d really like this on the side of my building.”

LD: That’s exciting.

LI: Yeah, it is. Also I want to expose them to other types of street art where they can move into some type of field where they can make a living…We just got a $5,000 grant from the fund for Santa Barbara to cover the cost of what we’re calling the junior organizers. I’m kind of like the head organizer but I can’t do it alone.

…Every time we have an event we have between 100-150 people show up to paint or support the kids who are painting. And we also, this is really cool, the last time we had an event, the kids from the teen center who have been making music, who have been singing over at Chapala, like they are rappers and what they call DJs … they came and performed.

…I’m trying to just give them a space to be creative and an outlet for their art form, which I think is very valid. A lot of people don’t think that graffiti art is art but that’s because it’s vandalism and they are out there on the streets doing it. So I’m trying to direct their energy into something that’s more positive and is more community-based.

We have had kids here from all different gangs…but it’s been so peaceful. It’s like the kids that are the artists, they really get what I’m doing and they’re respectful of it, which is amazing and it’s really cool.

LD: And I’m sure it’s in part because you are showing them respect for what they’re doing.

LI: Exactly. It’s a two-way street.

LD: Does it seem like the kids think of themselves as artists?

LI: Oh yes. They absolutely do. They are very serious. They have color palettes, they have sketchbooks, they’re not just coming here tagging, these are artists that need a big venue to work in and unfortunately they take to the streets because they don’t have opportunities like what it is I’m trying to create, I am creating. It’s pretty cool. And I especially like being around all the young people because it keeps me young, it keeps me hip. Even though my teenage kids don’t think I’m hip (laughs).

LD: There’d be something wrong if they did.

LI: Absolutely that would be abnormal. But their friends think I’m cool. It takes a village. Like I’m taking somebody else’s kids and getting them in some positive direction and hopefully someone will do that with my kids.

LD: That’s a really cool project. How do people contact you now if they want to contribute or get involved?

LI: Just email

LD: You talked about applying for jobs now. Have you lost the urge to run your own business?

LI: Yeah. I kind of just want a paycheck. I don’t want to have sleepless nights anymore. When you have your own business there’s really no down time. … I’m at the age now, I’m going to be 50 this coming year, where I feel like I really don’t want to do something I’m not passionate about. I don’t want to just go punch a clock somewhere…I’m just going to not stress it and be open to receive the direction of the universe. Not to sound airy-fairy but I think everything happens for a reason and there’s good energy out there and the right thing is going to come along.

Vital Stats: Laura Inks

Born: : Pittsburgh, PA, November 20, 1958

Family: : Children Camdon (14), Olivia (16), Amanda (25), and Shawn (31) and two granddaughters, Alonnah and Ashlee.

Professional Accomplishments: : Founded ARTS ALIVE! Creativity Center; Award winning art teacher; Real Estate salesperson and Rookie of the Year; Women’s Economic Ventures Entrepreneur of the Year

Civic Involvement: : Community School Inc, Arts Mentorship Program; Santa Barbara Education Foundation, Keep the Beat

Little-Known Fact: : “Probably that I have so many kids and that I adopted my two older kids.”

Originally published in Noozhawk on January 21. 2008. Click here to read the article on Noozhawk’s site.