Nature Finds a Way

Nature Finds a Way, originally published in the Santa Barbara Independent on May 14, 2020.

Out of the 1/9 Debris Flow Comes an Even More Magical Wildlife Retreat

“Nature truly is an awesome force,” says landscape designer Margie Grace, “both in terms of destruction and in terms of renewal.” The founder of Grace Design Associates witnessed nature’s competing forces in working on properties that were devastated by the Montecito debris flow of January 9, 2018.

One such project was for Penny Bianchi, whose ravaged garden reemerged as a thriving habitat less than a year after the catastrophic event. Even though the debris flows left her property covered in three feet of mud and detritus, it never even occurred to Bianchi not to restore her beloved garden. A National Wildlife Federation Certified Wildlife Habitat that was home to coyotes, bobcats, hawks, quail, doves, owls, mallards, songbirds, bats, butterflies, native pollinators, reptiles, and amphibians, the 2.5-acre property sits at the entrance to the 42-acre Ennisbrook Preserve and is bordered by Oprah’s estate on two other sides.

Bianchi had a premonition before that fateful day in 2018. Their house was not in the mandatory evacuation zone, but she fibbed to her husband, Adam, telling him on the way home from dinner at Birnam Wood that the zone was expanded and they had to leave. “I just lied,” she admitted. “I just made it up because I was so worried that he wouldn’t want to evacuate.”

So the couple, who are partners in McCormick Interiors, were safely ensconced at the Bacara when the massive debris flow struck, killing 23 people and destroying more than 400 homes.

“Our neighbor said it sounded like there was a freight train in the house,” said Bianchi, who had to wait three weeks before they could access the property, accompanied by a mental-health specialist in trauma. “I told her, we’re alive, my daughter got the cats out … so I’m not going to freak out,” said Bianchi.

“The scope and scale of the damage was mind boggling,” said Grace. “I’m trained as a geologist, so I know that this could happen, and I couldn’t believe that this happened.… Geology in action is really a lot for humans to absorb.”

Grace’s firm and contractors Giffin & Crane, who were both part of the original build team in 2004, came back on board to reconstruct two decimated structures — a garage and guest house — as well as the expansive gardens. Thanks to strict county regulations to build the main house two feet above base flood elevation, no mud got inside, although every single item in the antique-filled main house had to be removed and cleaned because of toxic contaminants from the firefighters’ boots.

While the Bianchi’s had excellent insurance, the $900,000 allocated for mud removal wasn’t nearly enough to get rid of it all. “I told them that’s all we’re spending, and then I’m making friends with the rest of the mud,” said Bianchi when they got the $1.6 million estimate to complete the rest of the job. She challenged Grace to figure out something to do with the mud.

“It was like, ‘When given lemons, make lemonade;’ this was, ‘Given mud, make mountains,’” laughed Grace. They created mounds along the property line, designed a new hill near the duck pond, and utilized all the boulders, which would have been even more expensive to move than the mud.

“Now our favorite part of the whole garden is the hill that was the result of the extra mud,” said Bianchi. “Margie designed steps up to it, and, where it was flat before, there’s now a beautiful view.”

About 95 percent of the plants had to be replaced — “what a silver lining,” said Bianchi — and now the 28-foot tall hill features sycamore trees and poppies. “Everything I put in the ground grew lightning fast; those trees just shot up,” said Grace. “She has bobcats; she has all kinds of birds, raptors all the way down to the couple of geese and hummingbirds. It is an extraordinary piece of property. I don’t know whether the good juju is part of the property or whether Penny brings that, but her roses even bloom in the shade; it’s just magical. Things just bounce back. Everything that gets put in the ground, you kind of have to stand back; it grows so fast it’ll knock you over.”

Bianchi is pleased with the rebirth. “Some of my friends still think that we’re strange for wanting to be here,” she said. “But we love it here, and we don’t feel worried about it happening again at all.”

Originally published in the Santa Barbara Independent on May 14, 2020. Click here to see the story as it appeared in print.

Top Shelf — Works From Local Authors

Top Shelf — Works by Local Authors, originally published in Santa Barbara Seasons, Fall 2010.

Top Shelf — Works by Local Authors, originally published in Santa Barbara Seasons, Fall 2010.

THIS FALL’S HARVEST from our homegrown authors is every bit as interesting and eclectic as Santa Barbara Farmers’ Markets. Here’s a peek at what some of our local scribes will have on the bookstore shelves this season.

Travel back in time with Joan Tapper to a time when it was possible to tour The Wild West on 5 Bits a Day (Thames & Hudson). Part travel guide, part historical journey, this clever tome invites readers to climb onboard a horse or a stagecoach and enter the world of colorful characters like Wyatt Earp and Buffalo Bill Cody. The book is written like an 1880 guide to traveling, eating,
drinking and surviving in frontier America, but with a fast-paced style to
satisfy today’s readers.

 While Tapper’s book is rooted in the past, former Santa Barbara Writers Conference director Marcia Meier’s  book, Navigating the Rough Waters of Today’s Publishing World: Critical Advice for Writers from Industry Insiders (Quill Driver), casts its view firmly toward the future, setting an investigative reporter’s eye on the book publishing industry, now “going through a revolution unlike anything since Gutenberg.” Meier interviews some of the top figures in the industry to provide an insider’s gaze into the crystal ball of the future of books.

Celeste Varner, owner of the charming yarn and fiber store Loop & Leaf recently published Shibui Baby (Shibui Knits), a so-cute-it’s-hardto-resist book of sweet, yet practical, baby patterns for knitters, designed especially to work well with the unique fiber and texture combinations in the Shibui Knits (Japanese translation: “elegant with a touch of bitterness”) lines of yarn.

Top Shelf — Works by Local Authors, originally published in Santa Barbara Seasons, Fall 2010.

Top Shelf — Works by Local Authors, originally published in Santa Barbara Seasons, Fall 2010.

Architects Russell Shubin and Robin Donaldson, whose partnership comprises the award-winning Shubin + Donaldson Architects, explore the inspirations and influences behind a number of local dwellings in their gorgeously glossy book Live + Work: Modern Homes and Offices: The Southern California Architecture of Shubin + Donaldson  (ORO Editions), which showcases modern homes in Montecito, the Riviera and Toro Canyon, among others.

Inspiration often springs from unexpected sources, an idea psychotherapist Jennifer Freed explores with affectionate humor and surprising depth in her book Lessons from Stanley the Cat: Nine Lives of Everyday Wisdom  (Penguin Group). Freed, who is best known locally as a marriage and family counselor, professor at Pacifica Graduate Institute and co-founder of the teen program AHA! (Academy of the Healing Arts), “translates” her beloved feline companion’s wit and wisdom into life lessons such as “Trust your instincts and stay away from people or creatures who smell like bad things or bad moods” and “Walk proud in the body you have and all will find you appealing,” then elaborates on these simple ideas with a professional’s insight and wisdom.

Dr. Maria Chesley Fisk, an educational consultant who specializes in training adults to work with children, takes almost the opposite approach of Dr. Freed. Fisk’s book Teach Your Kids to Think: Simple Tools You Can Use Every Day (That’s Good Thinking) dissects the complexities of the latest research on intelligence and converts it into a series of easy-to-use tools for parents to use in everyday conversations with their children.

Local artist Cathy Feldman of Blue Point Books has designed the book as a fast read for busy parents, while Fisk has stuffed it full of immediately useful takeaway tips on how to converse with your child, and at the same time, strategically develop their analytical, creative, social/emotional and practical thinking skills.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Get Up Close and Personal with Architecture

Brian Hofer points out details on the Architectural Foundation tour. Photo by Leslie Dinaberg.

Brian Hofer points out details on the
Architectural Foundation tour. Photo by Leslie Dinaberg.

To experience Santa Barbara architecture in all its glory, there’s nothing like strolling through town with an expert by your side to point out the rich history and international artistic influences that aren’t readily visible to the untrained eye.

Every weekend, trained docents from Architectural Foundation of Santa Barbara (www.afsb.org/tours_m.html, 805/965-6307) take both locals and tourists on walking journeys through the hidden courtyards, secret fountains and original adobes of downtown, focusing on architectural styles, significant and historic buildings, aesthetics and landscape history, as well as details like handmade tiles, wrought iron, stonework, balconies, doorways, archways and plantings.

The Sabado (Saturday) Tour starts in front of city hall and takes guests on a tour of De la Guerra Plaza, historic De la Guerra Adobe, El Paseo, Hill-Carrillo AdobeMeridian Studios, Lobero Theatre and more. The Domingo (Sunday) Tour, which starts at the Central Library, focuses on historic art and architecture of downtown Santa Barbara as it was reborn after the 1925 earthquake, including the library and its famous murals, La Arcada Court, the historic Arlington, The Granada and other architectural delights. You’ll also learn about Santa Barbara’s architectural history and how the Women’s League and Pearl Chase forced us to maintain architectural integrity, beautiful public park spaces and rich landscapes. Both tours start at 10 a.m. and last about 1-1 /2  hours. The foundation asks for a $10 donation per person, and proceeds go toward scholarships and other community programs.

Walking Wednesdays with Santa Barbara Walks is a clever new way to get some after-work exercise and experience the beauty of our local environment. The group, which is a project of COAST (Coalition for Sustainable Transportation, 805/875-3562), meets at 5:30 p.m. on the fourth Wednesday of every month and features a different theme and location each time. One walk included a tour through the upper eastside with architect Anthony Grumbine of Harrison Design Associates, beginning with a walkthrough of the historic Winsor Soule Hodges Residence (currently The Fielding Institute), a 1920s Spanish colonial revival estate, which was once the most expensive home built in Santa Barbara. The expedition also journeyed through a wonderful variety of architecture styles, including a Francis Underhill stripped classicism design, a Richard Neutra mid-century modern, French Norman and Dutch colonial, as well as the many architectural hybrids. Previous walks included an art walk with Ellen Durham, an architectural tour of El Andaluz with Jeff Shelton, trees of Santa Barbara with Bob Muller and a historical tour with Brian Hofer. Walking Wednesdays are free; visit www.coastsantabarbara.org/category/santa-barbarawalks/ for information on monthly locations and themes.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Limited Edition/Limitless Talent

Limited Edition, Limitless Talent. Originally published in Santa Barbara Seasons Magazine Fall 2010.

Limited Edition, Limitless Talent. Originally published in Santa Barbara Seasons Magazine Fall 2010.

THE DEDICATED ALLIANCE of artists who form Santa Barbara Printmakers have come up with a clever way to promote the local art scene and support Santa Barbara Arts Collaborative direct-to-artist grants at the same time. Beginning in October, a monthly series of limited edition prints will be available
for purchase, starting with the work of Santa Barbara’s Nicole Strasburg (www.sullivangoss.com/nicole_strasburg), who is known for her minimalist approach to the landscape, weaving naturalistic imagery with abstract sensibilities.

While painting is Strasburg’s primary medium, printmaking is a constant diversion. “Experimenting with other mediums, including printmaking,
is a great tool to explore design and composition with the belief that all paths lead back to a richer understanding of painting,” she says.

November’s featured artist is Pamela Zwehl-Burke (www.pamelazwehlburke.com), who says her work “manifests in a variety of scales, formats and materials, but the intention and subject is for the most part commonplace visual experience re-seen and re-excerpted: animal, vegetable,
mineral and their stories.” Seeing is as much the subject as the seen for this German-educated artist, who makes her home in Santa Ynez.

Other participating artists include Marie Schoeff, Carolyn Hubbs, Nina de Creeft Ward, Teresa Zepeda, Valori Fussell, Dug Uyesaka, Libby Smith, Rafael Perea
de la Cabada, Michael Jameson, Nina Warner and Stephanie Dotson.

This limited edition print series is now available through Santa Barbara Arts
Collaborative (traceyamorris@yahoo.com, www.sbartscollaborative.org), a group of artists and arts supporters committed to sustaining and growing all forms of art in Santa Barbara by providing focused support of individual artists
and arts organizations that contribute to the unique cultural ecology of the community.

Purchase all 13 prints for $550, or one each month for $50, with a bonus print by Carolyn Hubbs available on December 15.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Fall Artfully Back to School

Santa Barbara Seasons, Local Lowdown, Fall 2010

Santa Barbara Seasons, Local Lowdown, Fall 2010

Back to School Get Creative!

There’s nothing quite like the creative inspiration found in the inviting smell of a fresh package of crayons or the satisfying sound you get from cracking the spine of a brand new notebook.

Whether you’re going back to school or simply back to work after Labor Day, why not lift your spirits—and expand your vocabulary—with something new, like fair trade messenger bags by Handmade Expressions, available from Folio (4437 Hollister Ave., 805/964-6800). The rules of geometry take on a whole new meaning with this Areaware Strida bike from Imagine (11 W. Canon Perdido St., 805/899-3700) which magically folds down to just the right size to stow, while the lessons of ingenuity are literally right at your fingertips with this bright diary and notebook from Upstairs at Pierre Lafond (516 San Ysidro Rd., Montecito, 805/565-1502).

Santa Barbara Seasons, Local Lowdown, Fall 2010

Santa Barbara Seasons, Local Lowdown, Fall 2010

See below for information about the rest of our finds from Folio, Imagine, Upstairs at Pierre Lafond, UCSB (University Center, 805/893-8321), Westmont College (955 La Paz Rd., Montecito, 805/565-6064) and SBCC (721 Cliff Dr., 805/730-4047).

Clockwise from top: hand woven jute and cotton Handmade Expressions messenger bags from Folio; recycled packaging material diary and notebook from Upstairs at Pierre Lafond; foldable Areaware Strida bike from Imagine; Forgotten Shanghai “Desk in a Bag” from Folio; and Cavallini & Co. Can o Clips clothespins and Chipiola curlicue paper clips from Folio.

Bike folds up and fits in knapsack.

PHOTOS: JULIA MEHLER, AREAWARE STRIDA BIKE COURTESY OF IMAGINE/AREAWARE

Santa Barbara Seasons, Local Lowdown, Fall 2010

Santa Barbara Seasons, Local Lowdown, Fall 2010

A is for All-Ages Education

BACK-TO-SCHOOL TIME isn’t just for kids. Santa Barbara offers a plethora of educational opportunities for learners of all ages. Do you have a passion for plants? UCCE and Botanic Garden offers a master gardener training program this fall (mgsantab@ucdavis.edu). Participants learn about sustainable landscapes, identifying and managing pests, soil and plant nutrition, plant management practices and diagnosing plant problems, then apply their knowledge to assist schools, parks, retirement communities and Botanic Garden with various garden projects.

Why not indulge your artistic impulses and support the environment with a Saturday morning workshop at Art From Scrap (302 E. Cota St., 805/884-0459, www.artfromscrap.org). Almost every Saturday from 10 a.m. to noon, local artists like Dug Uyesaka, Holly Mackay and Bill McVicar lead workshops for children and adults to explore their creativity, all at the bargain price of $6, supplies included.

Want to learn more about art? Santa Barbara Museum of Art (1130 State St., 805/963-4364, www.sbmuseart.org) offers docent-led tours of special exhibitions Tuesday through Sunday at noon and an overview of the collection at 1 p.m. (free to members or with paid admission).

Want to learn to dance the tango, shape up with fitness classes, explore your musical side or teach your dog to stay off the couch? Santa Barbara Parks and Recreation (www.sbparksandrecreation.com/) offers low-cost classes in all of these things and more.

Don’t see anything that tickles your fancy here? Check out Santa Barbara City College Adult Education (http://omni.sbcc.edu/adulted/) and UCSB Extension (www.extension.ucsb.edu/), both of which offer hundreds of classes for lifelong learners.

—Leslie Dinaberg

Top–bottom: Covent Garden Newgate alarm clock and Acme Pens Studio Crayon Retractable Ballpoint Pens designed by Adrian Olabuenaga, all from Imagine; Illustrator’s Sketchbook and “The Game” youth hat from UCSB Bookstore; embroidered hat from Westmont College Bookstore; zippered hoodie from SBCC Bookstore; floral laptop case by Pylones will hold up to a 17” laptop, from Imagine; and Toms Shoes in brown plaid—for every pair of shoes purchased, this company gives new pair of shoes to a child in need—from Westmont College Bookstore.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Editor’s Letter Fall 2010 (Santa Barbara Seasons Magazine)

Santa Barbara Seasons Editor's Letter Fall 2010. Photo by Tracy Smith Reed.

Santa Barbara Seasons Editor’s Letter Fall 2010. Photo by Tracy Smith Reed.

 Winter is an etching, Spring is a watercolor, Summer an oil painting and Autumn a mosaic of them all. –Stanley Horowitz

FORGET JANUARY 1. As any parent will tell you, fall is when the New Year really begins. The kids go back to school and their structured autumn schedules, while mom and dad toast their newfound freedom with at least as much as gusto as the days of Auld Lang Syne.

Fall is also a great time for celebrating the beauty of seasonal changes. Our (slightly) cooler weather offers a perfect opportunity for taking long walks and appreciating the remarkable bounty of art and architecture available just about everywhere you look in Santa Barbara.

Even though I’m lucky enough to have been a resident for most of my life, while working on this issue, I was pleased to discover new and interesting details about our town while taking both the Architectural Foundation of Santa Barbara walking tours through the traditional local landmarks and a Walking Wednesdays with Santa Barbara Walks trek through the impressive variety of architectural styles, not to mention landscaping inspiration, found on the upper eastside (“Get Up Close and Personal with Architecture,” pg. 24).

I also had the pleasure of spending some time in the whimsical world of Ablitt House, and I can’t imagine a better cover subject for our seventh annual art and architecture issue. We provide an intimate peek into this bright symphony of colors, tiles, curves and angles conducted by homegrown architect Jeff Shelton, a true visionary who has refreshed and reinvented the look and feel of Santa Barbara’s architecture while continuing to pay homage to our Mediterranean roots (“Art + Architecture + Ablitt,” pg. 60).

Yet another fascinating and fanciful brick in the architecture of our city can be found in the exuberant mosaic bursts of colors in Dan Chyrnko’s creative art installations. I had the dual pleasure of joining Dan at his creekside studio, where he shared some of the inspirations and stories behind his mosaics, and then sharing some of our conversation with you (“Mosaic Master,” pg. 104).

We also take you inside the homes of contemporary art collectors Jacquelyn Klein-Brown, Geoffrey and Laura Wyatt, and Tim Walsh and Mike Healy to share some of the fascinating artistic treasures—and their hunters and gathers—hiding behind closed doors in the 805 area code (“Contemporary Art Lives Here,” pg. 50). We were impressed and inspired by their collections, and we think you will be too.

Our cultural journey then meanders in a completely different—but still quintessentially local—direction to the historic backcountry’s iconic Cold Spring Tavern, where the acoustic pairing of Tom Ball and Kenny Sultan under the oak trees is a favorite part of the weekend ritual for foodies, bikers and, most of all, local music aficionados (“Roadhouse Blues,” pg. 56).

All of us at Santa Barbara Seasons get a huge kick out of capturing and sharing the unique, quirky, fun, classic and otherwise notable aspects of Santa Barbara life for your enjoyment, and it has a been particular delight for me to fill in as editor for this issue while editor Rebekah Altman has been extremely busy with an amazing production of her own—a precious baby girl. My advice to her (and to all of us, really) is to savor every moment of this season, because in what feels like the blink of an eye, she’ll be right there with the rest of us, toasting fall’s return back to school.

Cheers to a wonderful autumn!

Leslie Dinaberg

EDITOR PRO TEMPORE

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

City Spring Activities: Mother’s Day Treats

Mother's Day Treats, originally published in the spring 2010 issue of Santa Barbara Seasons Magazine.

Mother’s Day Treats, originally published in the spring 2010 issue of Santa Barbara Seasons Magazine.

It can be challenging to come up with a sensational way to celebrate the woman who birthed you, clothed you, fed you, nagged you and dragged you to get you on the path to where you are today—all in the name of motherly love, of course.

This Mother’s Day is your turn to put her on a pedestal for a change. Here are some of our favorite mom-worthy ways to honor yours.

Whisk your mother off to the charming secret garden of Enchante Cottage Spa in Solvang. This sweet white cottage was converted into a mini-day spa where guests are greeted with tea and homemade scones before being pampered with pedicures, deep tissue or hot stone massages and other princess-like treats. Owner Deborah Paxton also serves a delicious lunch with advance reservations.

Why send flowers when you can treat mom to a “First Bloom” tour of Rose Story Farm in Carpinteria? Owners Danielle and Bill Hahn have 18,000 stunning rose plants in 150 different varieties. Don’t miss the White Tranquility Garden with more than 1,000 white roses grown together with white companion plants. Call in advance to make reservations for tours, which take place every Wednesday and Saturday.

The roses are also in bloom at the A.C. Postel Memorial Rose Garden. Just across the street from Mission Santa Barbara, this is a great spot to toss a frisbee, have a picnic or just relax with mom on her special day.

Treat your mom like the Queen Mum with high tea at the ocean-view Bella Vista at Four Seasons Biltmore Resort. Traditional British treats like finger sandwiches, miniature pastries, teacakes and scones are served with an assortment of teas or a “spot of sherry.”

Andersen’s Danish Bakery & Restaurant brings a touch of Copenhagen to the traditional English tea service. Marzipan is a specialty and we recommend the Sarah Bernhardt, a marzipan cookie dipped in dark Ghirardelli chocolate.

Enchante Cottage Spa, 385 Alisal Rd., Solvang, 805/693-1231, http://www.enchantecottagespa.com

Rose Story Farm, 5950 Casitas Pass Rd., Carpinteria, 805/566-4885,
www.rosestoryfarm.com

A.C. Postel Memorial Rose Garden, Los Olivos and Laguna streets, Santa Barbara, 805/564-5418

Four Seasons Biltmore Resort, 1260 Channel Dr., Montecito, 805/565-8237,
www.fourseasons.com/santabarbara

Andersen’s, 1106 State St., Santa Barbara,
805/962-5085, www.andersenssantabarbara.com

Santa Barbara Seasons Spring 2010 cover Originally published in the spring 2010 issue of Santa Barbara Seasons. To read the story as it appeared in print, click here: Sea_SP10_074

Igniting a Love of Art

Originally published in the spring 2010 issue of Santa Barbara SEASONS magazine.

Originally published in the spring 2010 issue of Santa Barbara SEASONS magazine.

“The arts support learning in academic subject areas by helping children develop higher-level thinking skills like imagination, problem solving and collaboration.”
—Kathy Koury

VISITORS COME FROM far and wide to feast their eyes on the beautiful chalk creations that come to life at I Madonnari, the Italian street painting festival held each Memorial Day
weekend at Santa Barbara Mission. But not all are aware that this signature event is the primary fundraiser for Children’s Creative Project (CCP), Santa Barbara County Education Office’s nonprofit arts education program.

From its humble beginnings in 1972 as a volunteer-led after-school art program at Franklin
Elementary, each school year CCP now provides more than 60,000 students in 110 schools in Santa Barbara and San Luis Obispo counties with performances by touring artists and another 30,000 students with resident artist workshops and hands-on instruction.

Originally published in the spring 2010 issue of Santa Barbara SEASONS magazine.

Originally published in the spring 2010 issue of Santa Barbara SEASONS magazine.

“What’s really important to me is that these world class performers are made available to the kids and that they get to have a real theater experience.”

— Dian Pulverman

It’s a unique partnership that brings young people together with professional artists, who band together with educators through public support, grants and fundraising from a variety of sources to offer students an array of art experiences.

“We want people to appreciate that it’s important for children to experience the joy and inspiration that you can find working in the arts or seeing professional artists perform,” says Kathy Koury, a former dancer who was one of the original volunteers teaching at Franklin in the 1970s and has stayed involved with CCP since its formal inception as a nonprofit in 1974, taking over as executive director in 1977.

Koury is modest about her accomplishments, crediting much of the program’s success to the support of William J. Cirone, Superintendent, Santa Barbara County Education Office. She will, however, admit with some pride that since 1981, in collaboration with UCSB Arts & Lectures and Santa Barbara Bowl Foundation Education Outreach, CCP has produced major performance events for local children every school year. For example, last fall approximately 5,500 children saw the Yamato Wadaiko Drummers of Japan perform at Santa Barbara Bowl, and during the 2008/09 school year, Alvin Ailey American Dance Theater performed at Arlington Theatre for thousands of assembled school children. This is often the students’ first exposure to a live professional performance in a quality venue.

“It was my dream to bring Wynton Marsalis and Lincoln Center Jazz Orchestra to Santa Barbara,” says Koury, who did so in 2002. “(He is) so great in the way he communicates with children about music. He can break it down into some of its basic elements and has such an interesting way of doing that by bringing in music history and using his orchestra to illustrate the points he is trying to make.”

Originally published in the spring 2010 issue of Santa Barbara SEASONS magazine.

Originally published in the spring 2010 issue of Santa Barbara SEASONS magazine.

Other notable performances include Valerie Huston Dance Theater, Soweto Street Beat, Bella Lewitzky Dance Company, Korean Classical Music and Dance Company, Claddagh Dance Company, Mariachi Festival and Jane Goodall.

“What’s really important to me is that these world-class performers are made available to the kids and that they get to have a real theater experience,” says Board Vice President Dian Pulverman, who works year-round to plan I Madonnari, along with Board President Phil Morreale; staff members Koury, Diane Elsner, Lisa Soldo and Marilyn Zellet; and board members Karyn Yule, Micheline Hughes, Tracy Beard, Beverly Clay, Jan Clevinger, Cynthia DiMatteo, Maura Harding, Bryan Kerner, Kristen Nostrand, Christi Vior and Robin Yardi.

Prior to joining the board in 2004, Pulverman was part of CCP’s Cultural Arts Network, where representatives from local schools (primarily parent volunteers) meet to coordinate performances, plan assemblies and decide on traveling artists. CCP does much of the advance legwork, screening hundreds of different touring groups, pre-negotiating fees and providing an arts catalog of 180 different touring groups that offer educational and cultural performances and often provide study guides to tie their performances into the curriculum. Schools then work together to “block book” discounted performances, which are further discounted by an “arts credit” that each public school receives annually from CCP.

CCP also produces a touring artist showcase onstage at Crane School, where artists are invited to perform short demonstrations.

“The showcase was a fabulous way for us to be introduced to the schools in the Santa Barbara area,” says Phil Gold, a member of The Perfect Gentlemen, a vocal quartet. “The theater was just the right size, allowing the artists to make eye contact with people in the audience.”

Not only do local children benefit, but artists ranging from BOXTALES, State Street Ballet, Abalaye African Dance Ensemble, Konrad Kono and Dancing Drum to Santa Barbara Symphony, VocalPoint, PCPA and Branden Aroyan also gain from their connection to CCP.

“Part of our mission is to provide work for artists,” says Koury. “The way we look at it is we try to hire professional artists so they have their own career as professional artists but then part-time they can teach and interact with children.”

With financial support from CCP, these artists work in residence teaching in classrooms (this part of the program is coordinated by Shelley Triggs), perform at assemblies and, in the case of storyteller Michael Katz, do both. Katz has been affiliated with CCP for decades, beginning with teaching juggling at Open Alternative School. He now works with about 20 local elementary schools each year. “It’s really quite remarkable,” he says. “Every kid in the school basically knows who I am, which is a really beautiful aspect—that kids become so familiar, they grow up believing that a storyteller is part of a school. That will be something that, as adults, they will value—a person who tells a good story is valuable and the lessons in stories are valuable.”

As an artist in residence, he works in classrooms for about four days at a time. “Each kid will get up in front of the class at least once—for some classrooms, what they really need to learn about is listening, and in another classroom, it’s about vocal projection, and in another classroom, it may be shyness about physical movement,” he says.

Anything to do with art is “a very positive time in a child’s school day. It encourages them to come to school, to stay in school, and it’s non-judgmental. It’s an area where they can excel when they might not excel in some academic area,” explains Koury. “Plus the arts
support learning in academic subject areas and help children develop higher level thinking skills like imagination, problem solving, sequencing patterns, reflection and revision, and collaboration. These are incredibly important life skills, and they are so easily learned and
experienced—children learn these by doing the arts.”

Santa Barbara Seasons Spring 2010 coverOriginally published in the spring 2010 issue of Santa Barbara Seasons Magazine.

To read the story as it originally appeared in print click here: Spring 2010 childrens creative project

Citizen Scientists: Santa Barbara Channelkeeper

Left–right: A diver maps eelgrass habitat as part of Channelkeeper’s Marine Monitoring and Restoration Program. Watershed program director Ben Pitterle collects data on water pollution levels. Photos courtesy Santa Barbara Channelkeeper, originally published in Santa Barbara Seasons, Summer 2009.

Left–right: A diver maps eelgrass habitat as part of Channelkeeper’s Marine Monitoring and Restoration Program. Watershed program director Ben Pitterle collects data on water pollution levels. Photos courtesy Santa Barbara Channelkeeper, originally published in Santa Barbara Seasons, Summer 2009.

PEOPLE SAY WE’RE ONE OF THE best-kept secrets in town,” says Kira Redmond, executive director of Santa Barbara Channelkeeper. She may be right—but not for long.

Started as an Environmental Defense Center program in 1999, Channelkeeper is now an independent nonprofit, as well as part of one of the fastest growing grassroots environmental movements in the world: International Waterkeeper Alliance.

With just six and a half staff members, buttressed by an army of citizen scientist
volunteers, Channelkeeper works to protect and restore the Santa Barbara Channel and watersheds in a variety of ways, including water quality monitoring, education and community outreach, political advocacy and marine habitat restoration. Perhaps what is most unique about Channelkeeper is that its volunteers work out in the field.

“The field work is kind of what sets us apart,” says Redmond. “We work closely with groups like Environmental Defense Center, Surfrider and Heal the Ocean, but they are advocacy and public education focused. We work with them on a lot of issues, but as far as being out in the field and identifying pollution problems in the creeks or doing habitat monitoring in the channel, there really aren’t other environmental nonprofits that do that.”

Grassroots programs such as “Grunion Greeters” (where volunteers monitor grunion behavior on local beaches during spawning season) and “Stream Teams” (a volunteer-based water quality-monitoring program at the Goleta Slough watershed and the Ventura River) fall under the leadership of Ben Pitterle, watershed programs director.

The grunion program, which is part of a larger study being conducted at Pepperdine University, “is one of the best family-oriented volunteer opportunities I think we have,” says Pitterle. “I did Carpinteria State Beach last summer, and it’s really cool because of the campers. There are just all kinds of kids out playing. It’s fun, a family fun event. I think this is going to be our fifth or sixth year coordinating for this region . . .We get a lot of people who don’t otherwise participate in some of our water quality volunteer opportunities, so
it’s a good way to reach out to a broader group of people—especially kids.”

The “Stream Team,” operating since 2001, has a core group of volunteers. “We go out once a month to collect water samples,” Pitterle explains. “We do that with a few different purposes. One is to collect a baseline of water data to monitor over time to see if things are getting better or worse. Another reason is it’s a great way to reach out to the public, educate and to reach out to the public, educate and train them about watersheds, and help them to become environmental stewards themselves. The third is that looking at
the data helps us identify actual problems, and then we can relay that information to
different public agencies who are responsible for regulating water problems to try to get them fixed.”

Working with public agencies is a big part of what Channelkeeper does. When
budget cuts forced the county to stop its marine monitoring program this past fall,
Channelkeeper rallied its supporters and pitched in thousands of dollars to continue
this important warning service system for surfers, swimmers and beachgoers at 12 county beaches. Santa Barbara city officials also helped pick up the slack by testing at four additional locations.

In addition to partnering with county and city officials, Channelkeeper works closely with researchers at UCSB and Channel Islands Marine Sanctuary, and is collaborating with the state to implement a Marine Life Protection Act that will create a network of marine protected areas or underwater parks along the entire California coast.

“In the work that we do in the field, we work with agencies that don’t have the resources to be everywhere themselves,” says Redmond. “For instance, the city of Santa Barbara has two code enforcement staff. So they’re out there like we are, looking at businesses that might have a high potential to pollute and checking up on them. But they can’t
be everywhere at once, so with budget cuts our role is becoming increasingly important. We have really good relationships with people at these agencies, Basically, they’re grateful to us for helping them do their jobs.”

For more information about Santa Barbara Channelkeeper, call 805/563-3377 or visit www.sbck.org.
n Santa Barbara Seasons Summer 2009.

Originally published in Santa Barbara Seasons Summer 2009. Click below to read the story as it appeared in print.

SB Seasons Summer 2009