Sheltifying Santa Barbara

Architect Jeff Shelton Delights in the Details, photo by Erick Madrid. Originally published in the Santa Barbara Independent on May 20, 2021.

Joy oozes through the walls of every Jeff Shelton project — the delight is in the details. From the Moroccan tile carpets of Pistachio House to the Escher-like staircase of El Jardin, the Suessian shapes of Ablitt House, and the quirky art-covered Vera Cruz building, touches of his fairy dust are sprinkled around town. The artistry and zest for life infused in Jeff Shelton’s buildings are hard to miss.

While there’s some debate about whether Pearl Chase, Bernhard Hoffmann, James Osborne Craig, and the other founding fellows of Santa Barbara’s aesthetic would be toasting Shelton’s evolution of the town’s traditional style or tearing out their hair out by its Spanish-Mediterranean-Moorish roots, there’s no doubt that this native son has made his mark on our town. After almost 30 years of “Sheltifying” Santa Barbara’s cityscape, he
shows no signs of slowing down.

Current projects in the works include residences in Mission Canyon, Carpinteria, and on
Cota Street, as well as the State Street undercrossing project (expect to see vibrantly tiled columns  and fancifully loopy iron fences guiding pedestrians from the beach to downtown), and a tequila bar at the corner of Ortega and State.

“I just try to find good clients,” said Shelton. “It’s no fun with clients that don’t understand the process. I’ve been pretty lucky. Clients are the ones who make it work. They pay for everything, but they also have to have faith in this crazy bunch of people they’re getting into working with.”

Mary Beth Myers, whose Tower House was the first to be rebuilt in Montecito after the 2018 mudslides, had nothing but raves about Shelton and his team. “Jeff’s just a peach — he’s so creative, he has such minimal ego, and is so cooperative,” she said. “After all is said and done, the building process was an absolute joy. They’re just like a group of happy elves.”

From “Sheltifying Santa Barbara,” photos by Erick Madrid and sketches by Jeff Shelton. Originally published in the Santa Barbara Independent on May 20, 2021.

Chief among the Shelton collaborative team — they call themselves a “guild” but have no
financial connection — is Dan Upton, the contractor who (with Leon Olson) offered Shelton a project at 1021 Laguna Street in 1994. They’ve worked together ever since.

“We are problem solvers,” said Upton. “Jeff comes up with these optimistic, fun ways of thinking and fun ways of building and … we are just happy to do the fun things. He sketches, and we say, ‘Make it as fun and interesting as you want, and we’ll figure out how to build it.’”

For a man who specializes in the curvy and colorful, Shelton’s a pretty straight shooter. He loves his town, his team, and his work—and it shows. As for his method of staying true to his artistic vision and navigating his way through Santa Barbara’s notoriously complicated approval process, “I just do what I think is best for each building and each lot,” he explained. “My palette is the code and the site and the city and the people around the
neighborhood. It’s an art, but ultimately nobody cares about all those details in the end. They just want to be able to have a glass of wine comfortably and happily in their house.”

A GUIDE TO THE GUILD
“First the tractors come in, and they grade the site,” explained Shelton of how one client
described the work of his guild, “and then this merry band of artisans show up, and they laugh and they enjoy the work, and it’s like that until they leave.”

It certainly sounds like a joyful process. The Upton Construction team has played a huge part in Shelton’s work, with Matt Metcalfe recently taking over the day-to-day business as founder Dan Upton is mostly retired.

Jeff’s brother’s architectural ironwork, lamps, and other elements from David Shelton Studios are an integral part of Jeff’s buildings. “I just say, ‘Dave, I’m going to do a balcony.’ I don’t even need to draw, and he knows what to do,” laughed Shelton.

Jeff’s wife, Karin Shelton, an accomplished fine artist in her own right, wields her brush on various architectural projects and also helps with the Shelton line of fabrics, tiles, and books. Their daughter Mattie Shelton is part of the team as well, working on the fabrics, tiles, and her own line of unique shelters called Shelton Huts. (Their other daughter, Elena Shelton, works as a doula.)

The “merry band” also includes sculptor/mason Andy Johnson; woodworker David Moseley; window and door specialist Royce Woodbury; lamp shades by Saul Alcaraz of
Santa Barbara Art Glass; ceramicist Linda Hail Godlis; California Pottery & Tile Works; Villa Lagoon TileSpecialty Team Plastering; and artists Richard Wilke, Court Johnson, Katie Upton, and Ben Ciccati, among others.

For about the past 15 years, the group has been meeting at the James Joyce on Tuesday afternoons. “Jeff keeps a really accurate tally of who shows up at James Joyce and when they come,” said Upton. “And at the end of the year, you get a medal if you were there the most frequently or least frequently.”

“I’m a big believer in pubs,” said Shelton. “They should be every half mile, like a community living room that’s a place where people of all ages can meet and hang out.”

Added Upton, “It’s been one of the great pleasures of my life to have this collaboration with Jeff to build the buildings that we have built.”

Originally published in the Santa Barbara Independent on May 20, 2021. To see the story as it originally appeared, click here.

Editor’s Letter Fall 2010 (Santa Barbara Seasons Magazine)

Santa Barbara Seasons Editor's Letter Fall 2010. Photo by Tracy Smith Reed.

Santa Barbara Seasons Editor’s Letter Fall 2010. Photo by Tracy Smith Reed.

 Winter is an etching, Spring is a watercolor, Summer an oil painting and Autumn a mosaic of them all. –Stanley Horowitz

FORGET JANUARY 1. As any parent will tell you, fall is when the New Year really begins. The kids go back to school and their structured autumn schedules, while mom and dad toast their newfound freedom with at least as much as gusto as the days of Auld Lang Syne.

Fall is also a great time for celebrating the beauty of seasonal changes. Our (slightly) cooler weather offers a perfect opportunity for taking long walks and appreciating the remarkable bounty of art and architecture available just about everywhere you look in Santa Barbara.

Even though I’m lucky enough to have been a resident for most of my life, while working on this issue, I was pleased to discover new and interesting details about our town while taking both the Architectural Foundation of Santa Barbara walking tours through the traditional local landmarks and a Walking Wednesdays with Santa Barbara Walks trek through the impressive variety of architectural styles, not to mention landscaping inspiration, found on the upper eastside (“Get Up Close and Personal with Architecture,” pg. 24).

I also had the pleasure of spending some time in the whimsical world of Ablitt House, and I can’t imagine a better cover subject for our seventh annual art and architecture issue. We provide an intimate peek into this bright symphony of colors, tiles, curves and angles conducted by homegrown architect Jeff Shelton, a true visionary who has refreshed and reinvented the look and feel of Santa Barbara’s architecture while continuing to pay homage to our Mediterranean roots (“Art + Architecture + Ablitt,” pg. 60).

Yet another fascinating and fanciful brick in the architecture of our city can be found in the exuberant mosaic bursts of colors in Dan Chyrnko’s creative art installations. I had the dual pleasure of joining Dan at his creekside studio, where he shared some of the inspirations and stories behind his mosaics, and then sharing some of our conversation with you (“Mosaic Master,” pg. 104).

We also take you inside the homes of contemporary art collectors Jacquelyn Klein-Brown, Geoffrey and Laura Wyatt, and Tim Walsh and Mike Healy to share some of the fascinating artistic treasures—and their hunters and gathers—hiding behind closed doors in the 805 area code (“Contemporary Art Lives Here,” pg. 50). We were impressed and inspired by their collections, and we think you will be too.

Our cultural journey then meanders in a completely different—but still quintessentially local—direction to the historic backcountry’s iconic Cold Spring Tavern, where the acoustic pairing of Tom Ball and Kenny Sultan under the oak trees is a favorite part of the weekend ritual for foodies, bikers and, most of all, local music aficionados (“Roadhouse Blues,” pg. 56).

All of us at Santa Barbara Seasons get a huge kick out of capturing and sharing the unique, quirky, fun, classic and otherwise notable aspects of Santa Barbara life for your enjoyment, and it has a been particular delight for me to fill in as editor for this issue while editor Rebekah Altman has been extremely busy with an amazing production of her own—a precious baby girl. My advice to her (and to all of us, really) is to savor every moment of this season, because in what feels like the blink of an eye, she’ll be right there with the rest of us, toasting fall’s return back to school.

Cheers to a wonderful autumn!

Leslie Dinaberg

EDITOR PRO TEMPORE

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.