Cocktail Corner: Seasonal Sips & Bites at Finch & Fork

In the Pines, photo by Michael Sharp, courtesy Finch & Fork.

In the Pines, photo by Michael Sharp, courtesy Finch & Fork.

A spirited toast to all things alcoholic! by Leslie Dinaberg

We got the chance to taste Finch & Fork’s seasonal cocktail menu and the late fall/early winter dinner menu, both of which are delicious!

Lead Bartender George Piperis‘s new cocktails embrace the season with sensational sippers like the Daughter of Man with copper & kings brandy, honey crisp apple, black currant, honey and eucalyptus bitters, and the Captain Jack Sparrow with jack daniels rye, chairman’s forgotten cask rum, roasted banana and blackstrap and tobacco bitters. Christmas is definitely in the air with the In the Pines cocktail, made with death’s door gin, cardamaro, cocchi torino and pine pollen, and you can’t help but smile when you taste the frothy and tasty You Got Chocolate in My Peanut Butter, made with peanut butter–washed toki japanese whisky, tempus fugit créme de cacao and peanut butter foam. The little girl in me loved Barbie’s Bath Bomb, garnished with Barbie-sized shoes and made with Hangar One vodka, rhubarb, grapefruit, and a pouf of tarragon air. So fun!

Finch & Fork's Barbie Bath Bomb, courtesy photo.

Finch & Fork’s Barbie Bath Bomb, courtesy photo.

All those great cocktails helped up work up an appetite, and Executive Chef Peter Cham‘s tasty selections fit the bill to a tee. Among our favorites were the Sweet Potato Baba Ganoush, a surprising mashup of sweet and savory served with incredible housemade bread and pickled veggies. The Harissa Buffalo Wings are another favorite starter, along with hearty Mushroom Soup made with puffed​ rice, black truffle powder and chives (so aromatic and lovely!).

The Burrata & Roasted Squash with pumpkin seed pesto, pomegranate, vadovan honey and rye croutons is a mouthwatering, original variation on one of our favorite cheese dishes. As for mains, the Fresh Ricotta Cavatelli with pork cheek ragout, poblano sofrito and aged manchego is fabulous. You also can’t go wrong with the Sea Scallops. This season’s version sits on a brown butter cauliflower puree, with romanesco, pickled kumquat and crispy capers. And even better yet, a  portion of the proceeds from the scallops is donated to No Kid Hungry, a movement of teachers, chefs, community leaders, parents, lawmakers and CEOs with a shared belief: no kid in America should go hungry.

Finch & Fork Sweet Potato Babaganoush, courtesy photo.

Finch & Fork Sweet Potato Babaganoush, courtesy photo.

Speaking of hunger, Finch & Fork is offering yet another way to make your taste buds sing, when Chef Cham offers a special CHAMily Holiday DinnerGather around the table for an evening that takes you back to his Cambodian roots. The multi-course, family-style dinner features traditional Cambodian cuisine, like Prahok Ktiss and Noum Prajok, served alongside truly great company. The CHAMily Dinner is Saturday, December 8 at 7 p.m. Reservations can be made for $55 per person, which includes a welcome drink from lead bartender George Piperis. Optional wine and beer pairings are available. 

Call 805/879-9100 to make your reservation. Seating is limited. Finch & Fork is located at 31 W. Carrillo St. in the Kimpton Canary

Daughter of Man, photo courtesy Finch & Fork.

Daughter of Man, photo courtesy Finch & Fork.

Harissa Wings, photo courtesy Finch & Fork.

Harissa Wings, photo courtesy Finch & Fork.

Chocolate in my Peanut Butter, photo courtesy Finch & Fork.

Chocolate in my Peanut Butter, photo courtesy Finch & Fork.

Finch & Fork Scallops, courtesy photo.

Finch & Fork Scallops, courtesy photo.

Finch in the Pines, photo by Kevin Claiborne, courtesy Finch & Fork.

Finch in the Pines, photo by Kevin Claiborne, courtesy Finch & Fork.

Finch & Fork's Burrata and Cauliflower, courtesy photo.

Finch & Fork’s Burrata and Cauliflower, courtesy photo.

In the Pines, photo by Michael Sharp, courtesy Finch & Fork.

In the Pines, photo by Michael Sharp, courtesy Finch & Fork.

Finch & Fork's Black Pepper Cavatelli, courtesy photo.

Finch & Fork’s Black Pepper Cavatelli, courtesy photo.

Finch & Fork's Daily Special Board, photo by Leslie Dinaberg.

Finch & Fork’s Daily Special Board, photo by Leslie Dinaberg.

Cheers! Click here for more Cocktail Corner columns.

Leslie Dinaberg

When she’s not busy working as the editor of Santa Barbara SEASONS, Cocktail Corner author Leslie Dinaberg writes magazine articles, newspaper columns and grocery lists. When it comes to cocktails, Leslie believes variety is the spice of life. Send your suggestions to Leslie@sbseasons.com.

Originally published in Santa Barbara Seasons on November 30, 2018.

Mentors and Makers: The Artists of Westmont College

MENTORS AND MAKERS: The Artists of Westmont College, at Sullivan Goss Gallery.

MENTORS AND MAKERS: The Artists of Westmont College, at Sullivan Goss Gallery.

As part of its continuing commitment to exhibit the work of talented emerging artists alongside important established and historically significant artists, Sullivan Goss Gallery hosts an exhibition of works by the art department faculty of Westmont College. Mentors and Makers: The Artists of Westmont College opens on Dec. 6 with a 1st Thursday Reception from 5-8 p.m. The exhibition remains on view through Jan. 20.

The art department at Westmont College has always had an outsized influence on the art scene of the region. But tucked away in its bucolic Montecito campus, it can be easy to overlook how much concentrated talent is found there. “Currently, Westmont’s arts faculty consists of some of the most intriguing, adventurous, and distinct artists working in and around Santa Barbara, though their work is making waves over a much larger area,” says Curator Nathan Vonk.

Featured artists include:

Scott Anderson received his M.F.A. in illustration from The University of Hartford, and an M.A. in illustration from Syracuse University. His illustration work has appeared in numerous publications, including The Wall Street Journal, LA Weekly, The Village Voice, Variety, The Hollywood Reporter, and many others. He has also created numerous book covers for the popular “Who Is” series from the Grosset & Dunlap division of Penguin Books. His work has been awarded and recognized by Communication Arts, American Illustration, the Society of Illustrators New York, the Society of Illustrators Los Angeles, and in multiple volumes of Spectrum. A gallery painter as well, Anderson exhibits his figurative work annually with Sullivan Goss Gallery.

Scott Anderson, Wave 2, 2017, 7 x 11," oil on canvas, on view at Sullivan Goss Gallery.

Scott Anderson, Wave 2, 2017, 7 x 11,” oil on canvas, on view at Sullivan Goss Gallery.

James Daly focuses on figurative work and classical methods in various genres. Most recently his art has been an exploration of movement, visual memory, and experience in the outdoors. Daly is a graduate of Westmont and UCSB with degrees in Studio art and a Masters in Education. For the last eleven years he has developed a classically based curriculum that follows atelier-style art education for Providence Upperschool and more recently joined Westmont as an adjunct instructor.

James Daly, Haskell's Sunset, 2018, 6 x 8 inches, oil on board, on view at Sullivan Goss Gallery.

James Daly, Haskell’s Sunset, 2018, 6 x 8 inches, oil on board, on view at Sullivan Goss Gallery.

Nathan Huff earned his M.F.A. in Drawing and Painting, from California State University Long Beach, and also studied at Watts Atelier School of Art. Huff creates drawing and painting installations that function as freewheeling narratives: personal stories that explore the gaps between visual perception and modes of representation. Huff’s solo museum and gallery exhibitions have been featured at UCR Culver and Sweeney Galleries (Riverside), Los Angeles at D.E.N. Contemporary (West Hollywood), New Media Gallery (Ventura) Minthorne Gallery, (Oregon), and Gallerie View (Salambo, Tunisia.)

Nathan Huff, Skies and Schisms 5, 2018, 22 x 30 inches, gouache on paper, on board, on view at Sullivan Goss Gallery.

Nathan Huff, Skies and Schisms 5, 2018, 22 x 30 inches, gouache on paper, on board, on view at Sullivan Goss Gallery.

Sommer Roman was born and raised in California. She received her BA from UC Santa Cruz in 2004, and her MFA from UC Santa Barbara in 2014. She maintains a multi-disciplinary practice spanning sculpture, painting, and drawing and teaches part-time at California Polytechnic University (Cal Poly) & Westmont College in Santa Barbara. Some of her recent projects & exhibits include: Left Coast; Recent Acquisitions of Contemporary Art, a group exhibit at the Santa Barbara Museum of Art; Out of the Great Wide Open, a group exhibit at the Museum of Contemporary Art Santa Barbara; Artist Residency & culminating solo exhibition, Passage at UC Santa Barbara; Artist Residency at The Squire Foundation, and most recently, In the Woods, Perpetual Youth, a solo exhibit at Ventura College.

Sommer Roman, Sighting no. 542, 2018, 55 x 20 x 26 inches, reclaimed fabric, clothing, pillows, feathers, paint, on view at Sullivan Goss Gallery.

Sommer Roman, Sighting no. 542, 2018, 55 x 20 x 26 inches, reclaimed fabric, clothing, pillows, feathers, paint, on view at Sullivan Goss Gallery.

Chris Rupp received his BA from Westmont College and an MFA from Azusa Pacific University. While trained primarily as a sculptor, Rupp does not limit his art making to traditional sculptural mediums or even three-dimensional forms. From graphite drawings, to molded plastic, or the use of unconventional store bought materials. His work has been exhibited at the Inland Empire Museum of Art, Biola University, Westmont Ridley-Tree Museum of Art, San Luis Obispo Museum of Art, The Channing Peake Gallery, and the Santa Barbara Arts Fund.

Chris Rupp, Dreamers Welcome, 2018, 18 x 30 inches, acrylic enamel paint on coir door mat, on board, on view at Sullivan Goss Gallery.

Chris Rupp, Dreamers Welcome, 2018, 18 x 30 inches, acrylic enamel paint on coir door mat, on board, on view at Sullivan Goss Gallery.

Meagan Sterling has an M.A. and an M.F.A. in Printmaking from the University of Wisconsin, Madison. Her work has been displayed in many juried and group exhibitions, from Denver and Peoria to Seattle and Spokane. She says, “The paradox of daily life as safe and comfortable, juxtaposed with its polar opposite—defense against life’s uncertainties—appears to bully the American Dream itself. My art explores images of post World War II Americana where energy and resources were often used to advance comfort and promise safety and well being.”

Meagan Stirling, Everlasting Arms 5, 2018, 16 x 16 inches, Drypoint and Monoprint, on view at Sullivan Goss Gallery.

Meagan Stirling, Everlasting Arms 5, 2018, 16 x 16 inches, Drypoint and Monoprint, on view at Sullivan Goss Gallery.

Sullivan Goss – An American Gallery, is located at 11 E. Anapamu St. in downtown Santa Barbara.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on December 2, 2018.