A Passion for Business Innovation

The Manzo-McKaig Melting Pot 

By Leslie Dinaberg

Courtesy Montecito Magazine

Courtesy Montecito Magazine

Like many immigrant families, the Manzo-McKaig patriarch came to the U.S. to pursue the American Dream.

Mission accomplished. From the Italian Store to the Pan-American Market chain, Enrico’s Deli and Casa Flores Tortillas, to their current successes in entrepreneurial ventures, hard work—and a love of food and family—run deep in the Manzo-McKaig gene pool.

Luigi Manzo came to the United States from Italy shortly after World War I, and together with his wife Luigina, opened the Italian Store, on February 1, 1929, according to a 1956 story in the Santa Barbara News-Press (“Store Will Give Birthday Orchids”). The imported food market was the first of its type in Santa Barbara, says Manzo’s granddaughter, Louise McKaig, The original Italian Store was located at 10 E. Cota St., the historic building that now houses the Palace Restaurant.

In the early days, Luigi and Luigina operated the store themselves. “Specialty and imported groceries and their own make of salumi and sausage brought popularity to the store. With a small truck they delivered orders as far as Santa Paula, Camarillo, Oxnard and Carpinteria,” according to the Santa Barbara News-Press.

“My Grandma always told me she came through Ellis Island [also from Italy] when she was nine,” says Louise. “She said that her father and his brother went to work in the coal mines in Oklahoma.” According to the 1930 U.S. Census records, Luigina arrived in this country in 1915, and classified herself as an “unpaid worker, member of the family” at the “Family Grocery Store” in Santa Barbara.

The Manzo’s son Enrico “Pete” (Louise’s father) also began working at the store at the tender age of seven. “His first job was dusting, straightening shelves, and stacking the bulk eggs into cartons,” says Pete’s wife Dorothy “Dottie” Manzo. “Pete was still in high-school when his father, Luigi Manzo, got sick and handed Pete the keys to the store. ”

Courtesy Montecito Magazine

Courtesy Montecito Magazine

In 1947, the family moved the store to larger quarters at 802 Chapala St. (now the back side of Paseo Nuevo Mall). Enrico graduated from Santa Barbara High School in 1948, and served as an Army medic during the Korean War. He formally took over the management of the store when he completed his military service in 1953.

He also came back to home to his sweetheart, Dorothy “Dottie” Flores. “She was an elevator girl at the Granada Theatre,” says Louise. Shortly after Enrico’s return from the war, the couple was married at St. Raphael’s Church in Goleta in 1954. “Seven days after we married, Pete put an apron on me and taught me to use the cash register,” recalls Dottie. “I was the head checker and was in charge of training the other checkers. I also prepared the figures for bookkeepers and accountants.”

The Manzo family grew quickly. Michael, Louise and then Louis were born—all three siblings still reside in Santa Barbara. Michael is an architect and Louis and Louise are both real estate agents. Dottie also lives in town and enjoys lots of family time.

The business grew too. In 1955 the store more than doubled its floor space. “At that time there weren’t very many grocery stores in Santa Barbara,” says Dottie.

Unheard of for the time, Enrico also built a 14,000-square-foot paved parking lot in the rear of the Chapala store. “My father was always so innovative,” says Louise. “We were one of the first stores to have a parking lot, which made it easier for people to buy more groceries since they didn’t have to carry them as far.”

Courtesy Montecito Magazine

Courtesy Montecito Magazine

“I remember we were probably all under ten years old and during the Fiesta Parade one year … our dad gave all of us kids a refrigerated chest full of drinks and sodas and told us to make sure the parking lot was used by customers only, and that we could sell drinks to parade goers in the meantime and keep all the profit from the soda sales for ourselves, says Michael.

“That was probably our first taste of running a business without our parents,” says Louise.

According to the Santa Barbara News-Press report, at that point the Italian Store had 15 employees—including six butchers in the meat department—and stocked more than 5,000 grocery items.

In 1956, they changed the store’s name to Pan American Market, which quickly became a chain of five stores (co-owned with Jack Woolsey), including one on Milpas Street, where Chapala Market is now, one on upper State Street where Bev Mo is now, one in Carpinteria, and one on the Mesa. “Jack was a partner for a while when we opened our second store on the Mesa, where Lazy Acres is now,” says Dottie.

Enrico continued to be creative and pioneering with his stores—which featured state-of-the-art checkout equipment, modernized frozen-food departments and other innovations to make shopping easier. He was also always cutting edge with his marketing strategies.

One such promotion delighted local children. “We had a store in Carpinteria,” says Louise, “and my dad had this friend who was a helicopter pilot fly over the store dressed as Santa for Christmas.” Helicopter Santa also visited the Mesa store, according to Dottie.

This kind of attention-getting stunt wasn’t being done at that time; it was unheard of, Louise says.

“Pete was always coming up with new innovative business ideas, something inherited by our daughter Louise,” says Dottie. “We had special events, guests, or prizes for customers throughout the year especially for holidays and special occasions.”

“One year, my dad brought Engineer Bill, the famous kids TV show host, to our Pan American Market in Carpinteria and publicized it to bring new customers. Engineer Bill would be my kids’ generation’s version of Mr. Rogers,” explains Louise. “Sometimes Dad would hire a photographer to take family photos for customers wanting a keepsake. Creating an experience is an important approach to running a successful business. I’ve tried to follow in my father’s footsteps by implementing a lot of his teachings into my business like by selling a good product but also a good experience. On Mother’s Day he would have orchids given to all the mothers who were shopping at the store.”

Courtesy Montecito Magazine

Courtesy Montecito Magazine

“Growing up, my brothers, Mike and Louis and I spent a lot of time at the grocery stores. Most of the employees were like aunts and uncles to us,” recalls Louise.

“I remember bagging groceries for customers, stocking shelves, unloading cases of food off delivery trucks and miscellaneous repairs around the stores, ” says Louis.

“There were a lot of good characters and we had a lot of fun times,” says Michael.

“One time there was a butcher who wasn’t very nice to us. My dad suggested we give him ‘Happy Pills.’ So the next time he wasn’t being nice, my brothers and I made a little jar with M&Ms and wrote ‘Happy Pills’ on it,” says Louise.

“After that he was a lot nicer to us,” adds Michael.

The family business ethos was backed up with innovative business strategies. For example, the Pan-American Market was also one of the first grocery stores to have a full service deli on the premises, says Louise. A portion of the Chapala Street store eventually became Enrico’s Deli, which was beloved for its Enrico sandwich with Enrico sauce. “It was olive oil with really finely chopped celery and parsley and salt and pepper and garlic and a few other things—it was just really good,” recalls Louise. “It had just enough strength that you probably didn’t want to go on your first date to Enrico’s, but it was so good! Plus, we used really good Italian meats.”

“Enrico’s Deli was a success because we had great food and quick lunches,” says Louis. “The fast food chains were not in Santa Barbara yet, and for customers that wanted a reasonably priced, quick, hot lunch, such as a meatball, roast beef, turkey or pastrami sandwich on a French roll, Enrico’s was the place to be.”

The folks at the website cartastypepad.com also remember Enrico’s Deli and the Italian Market fondly, writing: “They sold salami, salciccie, cotechini alla vaniglia, etc, as well as ‘delicacies’ of every sort. Many people remember… the extraordinary sandwiches that were made to order, and no matter how long the line was, it was worth the wait.  The deli cases were full of cheeses, olives, and meats.  The shelves were still stocked with “delicacies” that were hard to find anywhere else – authentic Italian food in colorful packages and tins, and treats from other places, too … France, Germany, Spain …The air was heavy and rich with possibilities. It seemed like the whole city was sad when they closed their doors.”

Of course, the Manzo business doors didn’t stay closed for long.

“My father would retire and then decide ‘I’m too young to retire, I’m not retired,'” laughs Louise. “And then he’d start something again.”

“We sold the stores because we wanted to go into our next businesses,” says Dottie.

That next business was Casa Flores, a brand of tortillas.

“When my dad went into the tortilla business, tortillas weren’t produced and distributed at the level that my father envisioned,” says Louise. “My dad’s idea for Casa Flores Tortillas was to make tortillas the most popular substitute to the American bread industry.”

Prior to that, people either manufactured flour tortillas or they manufactured corn tortillas, she explains. “But this was the first time they were both under same roof. … His goal was to have people think of tortillas like bread.”

“For Casa Flores Tortillas the boys were our route managers, in charge of the trucks and routes while Louise and I ran the day-to-day of the business, accounting, payroll, human resources, scheduling of over a hundred employees, and the office side of things. The main office headquarters were located on Laguna Street,” says Dottie.

“Our family set a lot of standards in the food industry like seeing tortillas in every store with their own section, ‘food best by’ dates, and tortilla delivery schedules that matched the bread schedules, ” says Louise. “These are expected these days but before my dad thought of these things it was relatively unheard of.”

She continues, “He was very smart. He gave people things that no one else was getting. For example, Hidden Valley Ranch Dressing was new then, and he sold a lot of that. One of the first distributors was a family friend. When our family opened the first Enrico’s Deli, people could design their sandwich with a quarter pound of meat, their choice of bread, their choice of toppings, a salad choice plus a side green salad with Ranch dressing. As a child I remember lines out the door every day at lunchtime. The new deli and the new salad dressing were a very big hit in Santa Barbara.”

According to a 1975 story in the Santa Barbara News-Press (“Fiscal Front: Tortillas Abound at Casa Flores”), the wholesale Casa Flores Food Factory, located at 526 Laguna St. (now Santa Barbara Paint Depot), had a million dollar gross per year, turning out 30-40,000 dozen tortillas a day, with a daily fleet of 30 trucks taking tortillas to stores and restaurants between San Diego and Paso Robles. The company was eventually purchased by Mission Foods, which is now the number one tortilla company in the United States.

But back in the day, Louise would travel to various supermarkets and food trade shows to demonstrate how to make quesadillas and other things with the tortillas.

She explains, “At that time, bread was at the center of the American meal, but my dad wanted people to think of tortillas like bread was at the time. As part of our campaign I would travel doing food demonstrations in various grocery stores, which was a new concept but has become a common marketing strategy today.”

She continues, “My father employed a chemist and they would experiment with new formulas to make tortillas but also new ways to use them. … In those days, tortillas were typically fried, which is not as healthy, so I started steaming tortillas at trade shows and it became a big hit. I was running our tortilla booth at a big Smith’s Food King trade show in Salt Lake City and every day we had a long line of people wanting to taste our new healthier method of ‘steaming tortillas.’ This man kept coming up to me saying, ‘You’re more popular than Miss America!’ I finally asked ‘who is that guy?’ It turned out to be Dee Smith of Smith’s Food King, and Miss America was actually there hosting another booth that wasn’t as popular as ours. That impressed Dee Smith. I made so many quesadillas that week and I had so many people lining up to try our ‘steamed tortilla’ quesadillas that I remember making them in my dreams.”

“I love that my grandpa actually came up with the idea and was the first to do a honey wheat tortilla, no one was doing that back then,” says Louise’s son, Samuel McKaig. “It my mom’s idea to have a little bee on the front of the package.”

He continues, “I think something that added to the company was it wasn’t just my grandpa, [the kids] were always running it for him. The kids ran the operations and the corporate side of things and my grandma did the accounting and the payroll. So it was always a family thing.”

“We learned a lot doing that,” says Louise. “Even just the mind set of you either are building skills and what you don’t know how to do you learn to do because you just keep building on your knowledge, and surround yourself with knowledgeable people too.”

Louise—an agent with Village Properties—says her family grew up having family meetings about the businesses. This is a tradition she’s continued with her own family, which includes her high school sweetheart husband Bruce McKaig, a retired Santa Barbara County Firefighter. The couple actually met when they were students at La Colina Junior High. Louise says she still teases Bruce that he’s not really a native Santa Barbaran because he didn’t move to town till he was six months old. They have two sons, Samuel and Ian, and a daughter, Shelby McKaig Rowe.

“My brother and I started in media and film, so we were doing commercials and helping Louise with her marketing,” says Samuel. “My grandfather was always trying to come up with innovative things and that was something he passed on to us, our business meeting family dinners,” he laughs.

In addition to business, the kitchen is also at the heart of this family. “Another thing that we’ve duplicated from my childhood is that we lived three generations together,” says Louise. “So my grandmother would be cooking and we had our chores for how everything would run smoothly, because my mom was working full time. At some point my Uncle Joe came to live with us too. … Now my husband’s mom lives with us. And now with me working full time and my husband retired we sort of switch off making meals.”

“And we all cook different meals,” adds Samuel. “I married a French person, so we got some different cuisine in there. She cooks a lot.”

Along with the international cuisines of the various family businesses, Louise also had another business coordinating internal programs for travelers who came to Santa Barbara. “I learned all kinds of different skills doing that, ” she says. “You have to, especially when someone can’t communicate in your own language.”

The family legacy of creativity and always working to improve oneself continues to live on in Santa Barbara. “That was something he (Grandpa Enrico) was always teaching (my mother) and he was trying to teach me is being innovative and coming up with the next thing that no one has done before,” says Samuel. “He taught that to Louise and that’s what she uses in her real estate and that’s what she taught me… being creative and pushing the limits.”

“My parents and grandparents taught me that if you work hard, provide the best products and great service your customers and clients will keep coming back,” says Louis.

“Dad taught us to treat our employees and coworkers the way you want to be treated. He always made sure that everyone in the company was taken care of,” says Michael.

“As a kid I had learned so much about business and being an entrepreneur from working with my dad. My dad taught me that a successful business is created by long-time personal relationships, by always giving a customized experience, and by providing a better service to your clients than they can get anywhere else. I think these values have always been at the core of our family’s businesses from my grandfather’s first Italian Store in the 1920s to my real estate business and my children’s businesses. He taught by example that to make a business successful you need people to want to work for you. He helped our employees from top to bottom feel like they were an essential part of a team.”

Originally published in Montecito Magazine, Spring-Summer 2015.

La Primavera Fiesta Kick Off

El Presidente Cas Stimson (center) celebrating at La Primavera, photo by Fritz Olenberger

El Presidente Cas Stimson (center) celebrating at La Primavera, photo by Fritz Olenberger

Last weekend was the official kick off for the 2015 Fiesta season, La Primavera, where El Presidente Cas Stimson unveiled the official Fiesta theme, poster design, and pin.

The theme, Fiesta Romántica, states Stimson, “recalls the time in the early 19th century when people met at parties filled with music and dance… that lasted for days! During this charming era, young men wooed their ladies with music and song under the moonlight. Old Spanish Days continues this romance of people coming together in celebration with their best friends and spouses. As has been the case with many visitors and residents of Santa Barbara, my wife Kathy and I met during Fiesta 25 years ago.”

La Primavera was held at the historic El Paseo Restaurant. Here’s a look at the event, featuring photos by Fritz Olenberger.

The 2015 Old Spanish Days poster,  photo by Fritz Olenberger

The 2015 Old Spanish Days poster, photo by Fritz Olenberger

Celebrating at La Primavera, photo by Fritz Olenberger

Celebrating at La Primavera, photo by Fritz Olenberger

Celebrating at La Primavera, photo by Fritz Olenberger

Erin Graffy de Garcia, celebrating at La Primavera, photo by Fritz Olenberger

2015 Spirit of Fiesta Alexandra Freres celebrating at La Primavera, photo by Fritz Olenberger

2015 Spirit of Fiesta Alexandra Freres celebrating at La Primavera, photo by Fritz Olenberger

—Leslie Dinaberg

Originally published in Santa Barbara Seasons Magazine on May 13, 2015.

Cocktail Corner: Celebrate Prohibition Repeal Day

Photo Courtesy Repeal Day SB Facebook Page

Photo Courtesy Repeal Day SB Facebook Page

A spirited toast to all things alcoholic! By Leslie Dinaberg

Prohibition Repeal Day returns to Santa Barbara this week (Friday, December 5) to celebrate the end of Prohibition in 1933, more than 80 years ago! This year the event coincides with the annual Downtown Holiday Parade on State Street, which sounds like a winning combination to me.

Joe Andrieu and Ted Mills, two Santa Barbarians who both love cocktails and Constitutional history, turned this unsung moment in history into a lively gathering of history buffs and cocktail aficionados.

Here’s the scoop from the organizers:

This year, on Friday, December 5, Repeal Day Santa Barbara hosts a multiple location celebration in downtown Santa Barbara from 5 p.m. to late in the evening. Revelers in vintage garb can expect to find fellow celebrants at all locations, all of which will be offering deals to those dressed to the nines. Hosts Andrieu and Mills will be touring all locations to raise a glass and honor the passing of the 21st amendment to the Constitution, ending 13 years of Prohibiiton.

Photo Courtesy Repeal Day SB Facebook Page

Photo Courtesy Repeal Day SB Facebook Page

Repeal Day Santa Barbara is organized as a self-guided tour, with maps provided at each of the featured bars: Milk & Honey (30 W. Anapamu St.), Finch & Fork (31. W. Carrillo St.), Pickle Room (126 E. Canon Perdido St.), Blue Agave (20 E. Cota St.), Roy (7 W. Carrillo St.), La Arcada Bistro (1112 State St.)  and Wildcat Lounge (15 W. Ortega St.). Each bar will offer deals for those in vintage costume, specialty cocktails, and more.  Hat shop Goorin Bros. (802 State St.), the event’s sponsor, also will provide an evening of fun.

Other events this evening include an Prohibition-themed Art Show, curated by Michael Long, at Roy; a Romantic Rock fashion show at Wildcat; special tastings of Amaro at Milk & Honey and Irish Whiskey at La Arcada,

A ticketed afterparty will also be held at the latter location at 10 p.m.

Mills and Andrieu designed the event so anyone can join in at any time with real-time updates and special deals through Twitter and Facebook, and at repealdaysb.com.

Photo Courtesy Repeal Day SB Facebook Page

Photo Courtesy Repeal Day SB Facebook Page

“Prohibition was a constitutional mistake that created thirteen years of widespread lawlessness,” explains Andrieu. “We celebrate the anniversary of its repeal to help us all remember both the errors and the corrections our country is capable of.” The two organizers believe that such an important event relating to our freedoms should be recognized and celebrated.

Nationwide prohibition began on January 16, 1920 with the 18th amendment to the U.S. Constitution, which outlawed the manufacture, sale, transportation, import and export of intoxicating liquors. It lasted until its repeal with the ratification of the 21st amendment on December 5, 1933.

Santa Barbara played a special role during the dry years of Prohibition. Its long coastline and various inlets—plus numerous caves on the Channel Islands—made it one of the top areas on the West Coast for rum runners importing illegal spirits.

Tickets for all tastings and the after party are available online at repealdaysb.com.

Cheers!

Click here for more cocktail corner columns. Originally published in Santa Barbara Seasons on December 5, 2014.

Leslie Dinaberg

Leslie Dinaberg

When she’s not busy working as the editor of Santa Barbara SEASONS, Cocktail Corner author Leslie Dinaberg writes magazine articles, newspaper columns and grocery lists. When it comes to cocktails, Leslie considers herself a “goal-oriented drinker.”

Don’t Miss Fiesta’s Wildest Party

Celebracion de la DignatariosAs longtime locals know, Celebración de Los Dignatarios—Fiesta’s wildest party at the Santa Barbara Zoo—is the hot place to dance the night away alongside lions, snow leopards, elephants and elected officials!

With live entertainment, dancing to King Bee (a personal favorite), mariachis, margaritas and tempting treats from more than 20 local restaurants, not to mention loads of lovely señors and señoritas in beautiful costumes, this is without a doubt one of the best places for party animals to strut their stuff.

Need further convincing? Celebración de Los Dignatarios is also a joint fundraiser for Old Spanish Days and Santa Barbara Zoo. And it’s this Thursday night, July 31, from 5–10 p.m. Santa Barbara Zoo, 500 Niños Dr. 805/962-8101, oldspanishdays-fiesta.org.

Courtesy of Old Spanish Days

Courtesy of Old Spanish Days

Buy tickets at local Albertsons, at the Santa Barbara Zoo or online.

You can park at Fess Parker’s DoubleTree Resort and catch the Dignatarios shuttle in the parking lot.

Hope to see you there!

—Leslie Dinaberg

Originally published in Santa Barbara SEASONS on July 30, 2014.

Opa! Santa Barbara Greek Festival Time!

Santa Barbara Greek Festival, Photograph by Nell Campbell

Santa Barbara Greek Festival, Photograph by Nell Campbell

Go Greek for the weekend of July 26–27 at the Santa Barbara Greek Festival.

Baklava, gyros and moussaka galore! This delicious annual event showcases the best bounty from Greece, including the sights, sounds and tastes of the Mediterranean land. The notes of the bouzouki coupled with the alluring performers dancing throughout the park bring you right into Greek culture.

There’s even free shuttle service from the parking lot of Sansum Clinic at 1317 W. Pueblo St. to take you to the festivities at Oak Park, 300 W. Alamar Ave. The event is Saturday and Sunday from 11 a.m.–7 p.m.

For more information call 805/683-4492,  or visit santabarbaragreekfestival.com.

 

Click here to read a 2012 feature about the Santa Barbara Greek Festival by Cheri Rae.

—Leslie Dinaberg

Originally published in Santa Barbara SEASONS on July 22, 2014.

If these walls could talk: The hallowed history of La Casa de Maria’s stone house

Photo courtesy immaculateheartcenter.org.

Photo courtesy immaculateheartcenter.org.

In the Montecito hills, off of El Bosque Road, sits a bastion of peace and serenity in today’s busy world. Heading up the oak tree-lined driveway to the grand stone house at the center of La Casa de Maria, one can’t help but be overcome with feelings of calm and tranquility, as if driving into the distance brought one back to a quieter, simpler time.

This property was originally part of the San Ysidro Ranch, owned by Taylor Goodrich and John Harleigh Johnston. Richard Hogue, of Montana, purchased 20 acres of the ranch in 1886, and named it El Prado Rancho (the meadow). At the time there was an orange orchard on the property, but a few years later Hogue obtained road access and water rights and created the first lemon orchard in the area. Some of those old lemon trees can still be seen in front of the stone estate house that now resides on the property.

In 1924, Hogue sold the property to Emmor J. Miley, a building contactor and one of the pioneers in Kern County oil development. As an oilman, Miley made a sizeable fortune, some of which he planned to show off in his new estate.

Renaming the property Rancho El Bosque (the woodlands), Miley hired architectural designer Mary Craig to design a showpiece house.

Craig was the widow of architect James Osborne Craig, who succumbed to tuberculosis in 1922 at the age of 33. In his short career Mr. Craig played a large role in the development of Spanish Colonial architecture in Santa Barbara, including designs for El Paseo downtown and the Bernard Hoffmann House on the Riviera. Though she did not have any formal design training, Mary had worked at her husband’s side and took over his practice when he died, going on to become a notable architect in her own right, designing Plaza Rubio, the group of cottages below the Santa Barbara Mission; the W.C. Logan Building arcade (222 E. Carrillo Street); the Anacapa Annex to El Paseo; and many private homes in the area.

The 13,000 square-foot Miley home, which remains mostly intact today, features hand-carved teak ceilings, nine distinctive Italian stone fireplace mantels, and courtyard tiles from Spain and Czechoslovakia. It was Miley who put in the monkey tree and star pine tree that now highlight the entrance to the property, and most notably, it was Miley who commissioned hand hewn stone quarried from the fields and banks of nearby San Ysidro Creek for the house and walls around the estate.

“ Mr. Miley used to come up every weekend to see how the work was progressing,” recalls Mary Skewes-Cox, daughter of Mary and James Osborne Craig. “We would go to church on Sunday morning and then from church we went to the Miley’s. They were living in a house on the property and we would go and have breakfast with them and then my mother would go over the work with Mr. Miley. I was just a little girl at the time,” says Skewes-Cox, who is now 87.

“I remember driving around the property. They quarried all that stone for the house on the property. But all of the stonework came right off of that land,” she says.

According to Maria Herold of the Montecito History Committee, “You will see in the inside hall that there are vertical striations of stone. On the inside staircase is where you can see it best. This is a very time-consuming and therefore very expensive treatment of stone that you don’t really need to do, but they went to all the trouble of doing this very special treatment. And of course, the outside is spectacular because of the way the stone is cut. It’s a masterpiece.”

“The beautiful stonework in which the local sandstone was quarried from the place and cut by hand was not done by any particular firm of stone masons, Instead it was done by individuals and very fine stone masons engaged by (building contractors) Snook and Kenyon,” according to a 1985 letter from John de Blois Wack, who later purchased the property.

Pamela Skewes-Cox, the granddaughter of Mary and James Osborne Craig, is working on a book about their lives, along with co-author Robert Sweeney, an architectural historian. In researching Mary Craig, Skewes-Cox found that “she wasn’t outspoken and she didn’t advertise herself in an aggressive way at all, she sort of just kept her nose to the grindstone and she met people and she was very social and people liked her. But it was unusual for a woman in that time to be professionally-oriented.”

She continues, “My mother remembers going up to property with her mother to discuss building this very, very elegant house. They had no lack of money at the time that they were discussing the design and she had free reign to do this elaborate and very expensive home and they were not nervous about it at all because they had money and money to spend and they really wanted a showplace.”

Unfortunately, Miley ran into financial difficulties with the stock market crash and the onset of the Great Depression in 1929, and he was forced to sell the estate before his dream house was completed.

“He literally had to just stop construction,” says Pamela Skewes-Cox. “Fortunately Mary Craig had a mechanic’s lien on the property which meant that if Miley forfeited she and her draftsman, Ralph Armitage, owned the property until they were paid for their work.”

In 1932 John and Ethel de Blois Wack purchased the estate for $100,000.  John was a successful Wall Street investor who had come to the area to raise horses and play polo at the Bartlett field in Montecito and the Fleischmann fields in Carpinteria. He later became president of the Santa Barbara Polo Association. His father was the co-founder of Field and Stream magazine and as a young man he was an editor there. John and Ethel were both avid aviators who flew their private plane all over North America, often checking in on their cattle operation in Arizona.

Soon after the purchase, the Wack’s hired architect Chester L. Carjola to finish the estate house. There has been some debate over how “finished” the house was at this point.

Pamela Skewes-Cox would like to set the record straight. “We have determined by looking at the drawings, my co-author and I, that the great majority of the house was completed, even though the Miley’s had not moved in yet. The working drawings that were done later for Mr. Wack by the architect Carjola, those show basically a finished house and you can see on the drawing where it says unfinished. We studied those pretty carefully and so a great deal of the detail, even the ceilings, were conceived by Mary Craig with Mr. Miley’s input. A lot of people say, ‘well it wasn’t finished and Carjola finished it.’ It’s Mary Craig’s house, there’ s absolutely no hesitancy in my saying that.”

Mr. de Blois Wack’s 1985 letter also states, “it is my feeling that Mrs. Craig should be looked upon as the architect.”

“Mary Craig wasn’t asked by the Wack’s to finish it, for whatever reason, but she was friends with the Wack’s,” says Pamela Skewes-Cox.

When the house was completed in 1933, the property included a swimming pool and tennis courts, as well as additional structures, including a little cottage for Mr. Wack’s mother, Mrs. Lillian Wack, which is now called Santa Teresita; the Browning house for Mr. Wack’s piano accompanist and his family; a garage, stables, and a gardener’s cottage later named the Bayberry House. There was also a large studio called the study, which has since burned, where Mrs. Wack, an accomplished artist, painted portraits in oil.

The Wack’s plunged into the local social scene with gusto and became known for their parties. They were music aficionados—Mr. Wack had even done some professional singing—and one of the wings looking out on the rear court was used as a music room with stone walls, high-beamed ceilings and balcony for an orchestra.  Many famous musicians performed at the Wack’s parties, including conductor Leopold Stokowski, who did Walt Disney’s Fantasia;  Ozzie Nelson and his swing band; Victor Trucco, assistant conductor of the Metropolitan Opera, and the great baritone John Charles Thomas, who served for a year as director at the Music Academy of the West.

Mary Skewes-Cox recalls grand parties at the Wack’s house. “I was in my teens when the Wack’s owned it. They had a coming out party for their daughter Ethel and it was a lovely, lovely party with things going on all throughout the house. I remember the tables were set up on the tennis court and there was music and dancing and it was a wonderful party.”

Held in August of 1941, Ethel Wack’s debutante party had 700 guests; the Royal Hawaiian Orchestra played on the tennis court, which was converted into a terrace for dining and dancing; Ozzie Nelson’s band was in the art studio for more dancing; and there was a sit-down dinner for all of the guests.

The estate was also a site for Pearl Chase’s garden tours. In addition to the citrus orchards and spacious lawns, both Miley and Wack had imported many exotic plants. There was also a “sun garden” with rose and camellia bushes, and a “shade garden” with begonias and ferns.

After a decade in the house, Mr. Wack found that his growing numbers of thoroughbred horses didn’t have enough room on the estate, and the grounds were too rocky for his horses, so in 1942 he put the place up for sale and moved to Hope Ranch to open Yolo Breeding Stables on a 42-acre parcel.

Meanwhile, Mother Eucharia, Mother Superior of the Sisters of the Immaculate Heart in Hollywood, asked her cousin, realtor Charles Dunn, to help her find a quiet place for a novitiate, to train their novice nuns. Dunn first looked at the estate ,which later became Marymount School on the Riviera before recommending the Wack estate in Montecito, which the sisters purchased in December of 1942. Because it was during World War II and many estates were up for sale, the sisters were able to purchase the estate for $32,500. On Easter Monday 1943, four sisters moved in, one of them sister Regina McPartlin, and 12 aspiring novices.

They made the upstairs of the main house into a dormitory by dividing the rooms up with freestanding metal frames and curtains, thus the walls and hardwood floors were never marred. “When we stayed in those rooms, because we just had those little cells, we never saw what the whole room looked like. Even though in the morning after we got up and made our beds and got dressed we were supposed to open the cell curtains, when you were in there your curtain was closed. It was really funny because many years later we returned and the cell curtains had all been removed and everything. People were like, ‘Whoa, look at that beautiful ceiling. Was that there when we were here?’ And that was kind of a common experience. All of those teak ceilings,” says Stephanie Glatt, a former novice who is now the director of La Casa de Maria.

“I guess we were busy learning to be nuns and being spiritual and praying and we didn’t spend a lot of time in there. It’s just that it was so strange because everybody felt like the house had been remodeled and it hadn’t, it was just our perception.”

All of the novices (aspiring nuns) and postulants (aspiring novices) had chores assigned to them. Glatt recalls working on the vegetable porch. “There was a big cutting board out there … and of course, we’re supposed to be working in silence. They used to bring the vegetables in newspapers and at that time we’re supposed to be totally sequestered from the world, so we weren’t supposed to read the newspapers. … They would always put the newspapers upside down so we couldn’t read them. It was kind of funny because your eye would catch a part of a headline and you’d kind of try to see what’s going on out there, and then somebody would read the headline and say, ‘Did you see that?’ (Laughs) when we were all supposed to be working in silence.”

The number of postulants and novices continued to increase and under the guidance of Sister Regina the stables were renovated with two dormitories upstairs and two downstairs. A two-story extension was added to the art studio (which burned in 1972) with a recreation and sewing room upstairs and two classrooms downstairs.

The basement entertainment room was transformed into a refectory, where the women would eat all of their meals. “On feast days we decorated tables. Decoration meant the tables, which had blue linoleum tops, and we would get rolls of white butcher paper and roll the roll down and tape it on the underneath side, and then put flowers on. I’m sure every year some group was asked to decorate the tables and every year some group went out and cut poison oak, not knowing it was poison oak because of the lovely color,” laughs Glatt. “They would put it in vases and then someone would go, ‘Oh my god, you got poison oak.’”

The ballroom became a chapel and the musician’s balcony became a choir loft. “You should have heard 90 of us singing in there,” says Glatt. “The choir loft that was pointless because there were 90 of us in the chapel. But the sisters that taught at Mount Carmel lived there and some other visitors would come and they couldn’t fit in the chapel, so they all kind of huddled up there.”

While the aspiring nuns pursued religious life on La Casa’s grounds, the peaceful surroundings were also gaining a reputation in Hollywood. Stars like Irene Dunne, Loretta Young, and Ricardo Montalban came for retreats, holding prayer services in the Novitiate by day, while staying overnight at the Biltmore. In 1955, La Casa de Maria Retreat House formed on the property and became the first retreat center for Catholic married couples.

During the 1960s, there were conflicts between James Francis McIntyre, the Cardinal Archbishop of Los Angeles who oversaw the Immaculate Heart community and the sisters. They eventually shed their habits in 1970 and became the Immaculate Heart Community, an ecumenical group of men and women. Since 1974, the community has operated the Immaculate Heart Center for Spiritual Renewal in the historic old stone house, opening its doors for private retreats for people of all faiths.

With its long and storied history, the grand house still has new stories to tell. “I always feel that somehow that spirit is still there, you know that all those prayers everybody said there weren’t lost,” says Glatt. “It’s like they’re still hanging out.”

=

Special thanks to Pamela Skewes-Cox and Maria Herold of the Montecito History Committee for their assistance in researching this story.

Originally published in Montecito Magazine, Fall 2008.

From Yiddish to Yinglish

YiddishDictionaryOnline.com

YiddishDictionaryOnline.com

When it comes to traditional religion, I’ll readily admit that I’m more Jew-ish than Jewish. You won’t find me in temple unless there’s a Bar mitzvah or a book signing, and I’m certainly not one to pass up an offering of bacon-wrapped shrimp. They’re delish!

But there’s one part of Jewish cultural tradition–besides the latkes–that I have embraced with gusto: the language.

No, I’m not talking Hebrew, which is way too complicated and confusing for the short attention span theater of my brain these days. I get a case of Hanukkah guilt before the gelt every year when need a refresher course on the dreidel symbols.

No, I’m talking Yiddish. And whether you realize it or not, so are you.

You may not be one to just say nu to your kids. (A general word that calls for a reply. It can mean, “So?” “Huh?” “Well?” “What’s up?” or “Hello?” It’s like a verbal grunt, useful in a variety of situations.) And you may not kvetch about your boss. (Which literally means “to press or squeeze,” like a shoe that’s too small, but many people now also use it to mean, “complain, whine or fret.”)

You may not even schmear your bagel. (Which originally referred to a spread of cream cheese on a bagel but has extended to anything that can be spread, and in some cases refers to “an entire set or group of related things”, or the expression “the whole schmear.”) But from schmear to eternity, I’d bet my last bit of gelt (a Yiddish word for money, and for the chocolate coins eaten on Hanukkah by some and year-round by those of us that frequent See’s Candy) that words like glitch?(literally “slip,” “skate,” or “nosedive,” which many people now use to mean “a minor problem or error”) or zaftig (plump, but pleasantly so) have crossed your lips from time to time.

You’re speaking Yiddish and you don’t even know it.

Not to belabor my spiel?  (a long, involved sales pitch), or act like a maven ?(which comes from the Hebrew “mevin,” or “one who understands,” but has evolved to mean a know-it-all, and is often used sarcastically) of Yiddish vocabulary, but I’d bet you also use the words klutz?(which literally means “a block of wood,” but is often used for a dense, clumsy or awkward person) and nebbish (an insignificant, pitiful person; a nonentity) without giving them a second thought.

You’re a Yinglish speaker too.

I really don’t mean to be a noodge (to pester, nag, whine or be a pest or a whiner) about this, but chances are good that even somewhat vulgar Yiddish words like dreck (which means worthless material, especially merchandise) and tush (buttocks, bottom, rear end) have crossed your lips from time to time.

So here’s my Hanukkah gift to you: the next time someone asks you if you speak a second language you can tell them you are fluent in Yinglish and you do know more than bupkis (zero, or nothing) about Yiddish.

Share your Yiddish or Yinglish vocabulary words with Leslie@LeslieDinaberg.com. For more columns visit www.LeslieDinaberg.com. Originally published in the Santa Barbara Daily Sound on December 3, 2010.

Get Up Close and Personal with Architecture

Brian Hofer points out details on the Architectural Foundation tour. Photo by Leslie Dinaberg.

Brian Hofer points out details on the
Architectural Foundation tour. Photo by Leslie Dinaberg.

To experience Santa Barbara architecture in all its glory, there’s nothing like strolling through town with an expert by your side to point out the rich history and international artistic influences that aren’t readily visible to the untrained eye.

Every weekend, trained docents from Architectural Foundation of Santa Barbara (www.afsb.org/tours_m.html, 805/965-6307) take both locals and tourists on walking journeys through the hidden courtyards, secret fountains and original adobes of downtown, focusing on architectural styles, significant and historic buildings, aesthetics and landscape history, as well as details like handmade tiles, wrought iron, stonework, balconies, doorways, archways and plantings.

The Sabado (Saturday) Tour starts in front of city hall and takes guests on a tour of De la Guerra Plaza, historic De la Guerra Adobe, El Paseo, Hill-Carrillo AdobeMeridian Studios, Lobero Theatre and more. The Domingo (Sunday) Tour, which starts at the Central Library, focuses on historic art and architecture of downtown Santa Barbara as it was reborn after the 1925 earthquake, including the library and its famous murals, La Arcada Court, the historic Arlington, The Granada and other architectural delights. You’ll also learn about Santa Barbara’s architectural history and how the Women’s League and Pearl Chase forced us to maintain architectural integrity, beautiful public park spaces and rich landscapes. Both tours start at 10 a.m. and last about 1-1 /2  hours. The foundation asks for a $10 donation per person, and proceeds go toward scholarships and other community programs.

Walking Wednesdays with Santa Barbara Walks is a clever new way to get some after-work exercise and experience the beauty of our local environment. The group, which is a project of COAST (Coalition for Sustainable Transportation, 805/875-3562), meets at 5:30 p.m. on the fourth Wednesday of every month and features a different theme and location each time. One walk included a tour through the upper eastside with architect Anthony Grumbine of Harrison Design Associates, beginning with a walkthrough of the historic Winsor Soule Hodges Residence (currently The Fielding Institute), a 1920s Spanish colonial revival estate, which was once the most expensive home built in Santa Barbara. The expedition also journeyed through a wonderful variety of architecture styles, including a Francis Underhill stripped classicism design, a Richard Neutra mid-century modern, French Norman and Dutch colonial, as well as the many architectural hybrids. Previous walks included an art walk with Ellen Durham, an architectural tour of El Andaluz with Jeff Shelton, trees of Santa Barbara with Bob Muller and a historical tour with Brian Hofer. Walking Wednesdays are free; visit www.coastsantabarbara.org/category/santa-barbarawalks/ for information on monthly locations and themes.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

Cover photo by Jim Bartsch.

Originally published in Santa Barbara Seasons Magazine, Fall 2010. Cover photo by Jim Bartsch.

History in the Making

Boehm Family Photo by V. Smith, courtesy Boehm Group

Boehm Family Photo by V. Smith, courtesy Boehm Group

Eric Boehm & Family

Honoring the past while looking toward the future has been a recurring theme throughout the 92 years of Eric Boehm’s life and his most recent venture, Boehm Biography Group, brings together three generations of his own family-son Steven, 49, and grandson Jeff, 25-to help others preserve their heritage and create meaningful legacies.

Boehm’s brush with history began just before World War II in 1934, when his German-Jewish parents’ prescient concerns about their son’s future stirred them to ship 16-year-old Eric from Hof, Germany, to live with his aunt and uncle in Youngstown, Ohio. “If you have to leave home, my suggestion is the time to leave is when you’re 16 years old, because you are young enough to adapt and old enough to be looking for adventure,” twinkles Eric, as he recalls his early life in America.

By the time his parents and brother had escaped Germany in 1941, Eric had received a B.A. from the College of Wooster and was working on his M.A. from Tufts University’s Fletcher School of Law and Diplomacy. Those diplomatic skills came into play almost immediately, when he served a critical role in helping dissolve the Supreme Command of the Luftwaffe in Germany at the end of World War II. In a life with many high points, this experience stands out as one of the most significant, says Eric, whose work as an intelligence officer and interrogator is detailed in a new book, The Enemy I Knew (Zenith Press, 2009) by Steven Karras.

After leaving the military, Eric continued to work for the U.S. government in Germany as part of the press scrutiny board, reviewing German newspapers to glean information. While there, he met his wife, Inge Pauli. His cocker spaniel puppy played matchmaker for the couple. ” I took him to work with me every once in a while and he would disappear. He kept going upstairs looking and seeing if Fraulein Pauli was there,” laughs Eric. “She had been feeding him.”

The couple married in a double wedding ceremony with Eric’s brother and sister-in-law in Blake Wood, Illinois in 1948 and worked together until Inge died a decade ago. They had four children: two girls that died as children and two sons, Ronald and Steven, who live in Santa Barbara. If not for an encounter with anti-Semitism from a chemical company, Eric might have become a chemist rather than a historian. He was shattered after losing a job he thought was a sure thing. His history professor pulled some strings, and, unbeknownst to Eric at the time, created a job for him at the University of Massachusetts. While completing his doctoral studies at Yale, Eric published a collection of personal accounts of survival in Nazi Germany.

This passion for preserving knowledge led Eric and Inge to found historical bibliography company ABC-CLIO in 1955. The family and the company moved to Santa Barbara in 1960, soon after they spotted the while town en route to Los Angeles for a vacation. “We said you know, this is a nice place. On our way back let’s stop,” says Eric. “Then we took a hotel room by the beach … and one night here turned into two nights and three nights and four nights and while we were here we looked at houses.” The rest, as they say, is history.

Son Ronald now runs what has grown to become an international academic publishing enterprise.

About five years ago, the family founded Boehm Group. “At 87, I was too young to retire, but I was too old to spell bibliography, so I spelled biography,” smiles Eric, who credits his health and longevity mostly to good genetics. “My father died at 98, and I had a great grandfather who died at 98. The name of one of my ancestors is Liverecht, which translates to ‘live right,’-that’s what I try to do.”

In addition to producing individuals’ biographies to preserve family stories and institutional biographies, such as an upcoming coffee table book commemorating the 100th anniversary of Santa Barbara City College, Boehm Group plans to develop an online program that will offer college degrees in biography, explains Jeff, who is responsible for the technical project management.

“I see huge potential and it’s in the family business-plus I get to spend time with my grandfather and my father,” says Jeff, who affectionately calls his “Opa” (German for grandpa) Eric only when they’re in work mode. “I thought that I’d want to spend time doing something on my own, but this is something exciting that they’re starting new and I’m creating it with them.”

“The idea of working together, making it a family enterprise had meaning to me that I enjoyed,” says Eric. “What greater thing could you have than having a grandfather working with his son and grandson? It’s a real joy.”

Originally published in Santa Barbara Magazine In Spring 2010.

Ho Ho Holiday

‘Tis the Season in Santa Barbara

By Leslie Dinaberg

Say bah, humbug to the snow. Our warm-weather winters offer plenty of opportunities to fill your calendar with holiday cheer. Whether you’re looking for glittering lights, glitzy trees and glow-in-the-dark Santa Clauses, or more refined merry making, here are some of our favorite ways to celebrate the season, Santa Barbara style.

Historic Casa del Herrero’s Holiday-Themed Tour

Step back in time to the 1930s and enjoy the ambiance of Casa del Herrero (House of the Blacksmith), one of the finest examples of Spanish Colonial Revival Architecture. Reservations are a must for the special holiday-themed tours featuring classically elegant holiday decorations and special refreshments, alongside this historic landmark Andalusian-style country house and its lavish grounds and gardens.

Wednesdays, Fridays and Saturdays, December 9,11,12,16,18 and 19th at 10 a.m. and 2 p.m. Tickets are $20. Children 10 and over are welcome. For reservations call (805) 565-5653 or email casatour@silcom.com. 1387 East Valley Road, Montecito. www.casadelherrero.com.

Holidays at the Historic Stow House Ranch

The Stow House, dating back to 1873, will be dressed in a full festive array of finery for its annual holiday open house, featuring oodles of decorations both inside and out. Photo opportunities abound with Santa and his rein-goats offering a warm lap to visitors old and young; tours of the beautifully decorated house, where an old-fashioned toy train circles the base of the living room Christmas tree; crafts, including cookie-baking and decorating for the kids and live music.

December 12 and 13. Free admission. Call (805) 681-7216 or email dacia@goletahistory.org for more information. 304 N. Los Carneros Road, Goleta. www.stowhouse.com.

10th Annual Trolley of Lights Tour

Enjoy an incredible show of holiday light artistry when you take this 90-minute trip through town on the Trolley of Lights. Both the young and young-at-heart are sure to enjoy this dazzling display of decorations, as well as the hot apple cider and holiday treats. This tour is a local holiday favorite that always sells out, so make your reservations early.

From mid-December and throughout the month meets at 6:30 p.m. nightly at Stearns Wharf Dolphin Foundation, intersection of State Street and Cabrillo Boulevard. For more information call (805) 965-0353 or visit sbtrolley.com.

Originally published in the winter 2009/10 issue of Santa Barbara Seasons Magazine. See the pdf version here.