Westmont Museum Raises Big $ With Small Artworks

 Large crowds flocked to the 5×5 exhibition in 2014, photo courtesy Westmont College.Large crowds flocked to the 5×5 exhibition in 2014, photo courtesy Westmont College.

An update from Westmont College : Small works of art from several hundred artists from around the country will be auctioned during “5X5: Celebrating Westmont College’s 80th Anniversary” at the Westmont Ridley-Tree Museum of Art. The online auction will begin Thursday, Jan. 11, at westmontmuseum.org and last until Jan. 26 at 5 p.m. However, due to the destruction in the local community from mudslides, an opening reception will be delayed until Thursday, Jan. 18, from 4-6 p.m. The opening reception, which includes coffee and cake, is free and open to the public. This is the largest fundraiser of the year for the museum.

Several hundred small works of art from artists from around the country will be auctioned during “5X5: Celebrating Westmont College’s 80th Anniversary” at the Westmont Ridley-Tree Museum of Art from Jan. 11-26.

The online auction kicks off with an opening reception on Thursday, Jan. 11, from 4-6 p.m., and bidding will continue until  Jan. 26 at 5 p.m. The opening reception, which includes refreshments, is free and open to the public.  (Event delayed due to flooding) All proceeds from the event will go towards the museum.Artists were invited to create a unique work of art on a five-inch square piece of paper which they received and returned to the museum by mail.

The exhibition features renowned artists Christo, Charles Arnoldi and Chris Raschka along with local luminaries Tony Askew, Mary Heebner, Penelope Gottlieb, Dane Goodman, Richard Aber and author T.C. Boyle.

In the past, the auction has raised upwards of $20,000 for the museum.

“We have been looking forward to bringing the 5×5 exhibition back and Westmont’s 80th Anniversary is the perfect way to celebrate,” says Judy Larson, R. Anthony Askew professor of art history and museum director. “It’s a great opportunity to support the museum’s programs, meet new artists and connect with old friends.”

For more information, visit westmontmuseum.org or contact the museum at 805/565-6162. Westmont Ridley-Tree Museum of Art is located at 955 La Paz Rd. It is free and is open to the public Monday through Friday from 10 a.m. to 4 p.m. and 11 a.m. to 5 p.m. on Saturdays. It is closed Sundays and college holidays.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 11, 2018.

Local Lowdown: Beyond Borders

Image from UCSB Art, Design & Architecture Museum "The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement," the work of Suzanne Lacy & Pablo Helguera. Photo by Suzanne Lacy.

Image from UCSB Art, Design & Architecture Museum “The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement,” the work of Suzanne Lacy & Pablo Helguera. Photo by Suzanne Lacy.

The Latin America-Southern California Connection: Pacific Standard Time

By Leslie Dinaberg

An ambitious artistic celebration of the vibrant cultural linkages between Southern California and Latin America takes place across the state this fall, from Santa Barbara to San Diego, Santa Monica, Palm Springs and beyond.

Backed by more than $16 million in grants from the Getty Foundation, the series of thematically linked exhibitions—Pacific Standard Time: LA/LA—spans more than 70 institutions, including local exhibitions at Santa Barbara Museum of Art, Museum of Contemporary Art Santa Barbara, Westmont Ridley-Tree Museum of Art, Santa Barbara Historical Museum and UCSB Art, Design & Architecture Museum.

“We’re proud that the Getty is once again making it possible for institutions across Southern California to do justice to a vast and complex subject, with this exploration of the vital traditions of Latin American and Latino art,” says Jim Cuno, president of J. Paul Getty Trust, referring to the 2011-2012 iteration of Pacific Standard Time, a Southern California collaboration that focused on art in Los Angeles from 1945-1980. He continues, “Working together, as we did in the first Pacific Standard Time initiative, can we begin to encompass the richness and dynamism of an art created in multiple countries and on two continents.”

Valeska Soares, Any Moment Now… (Spring), 2014, courtesy Fortes D’Aloia & Gabriel, São Paulo, on view at Santa Barbara Museum of Art.

Among the local Pacific Standard Time highlights is “Valeska Soares: Any Moment Now,” a survey of the New York-based Brazilian artist’s work comprised of unique environmental installations combining sculptures, photography, video, and performances at Santa Barbara Museum of Art (Sept. 17-Dec. 17).

Museum of Contemporary Art Santa Barbara breaks new ground with “Guatemala from 33,000 km: Contemporary Art from 1960-Present,” the first survey of modern and contemporary art from Guatemala, exploring a previously unexamined rich period of artistic production that began during the “long civil war” of the late 1950s and extends to the present day. The three-part exhibition is presented at MCASB’s galleries, Santa Barbara Community Arts Workshop (SBCAW) and Westmont Ridley-Tree Museum of Art at Westmont College (Sept. 17-Dec. 17).

Darío Escobar, Untitled, 1998, Cardboard, plastic, gold leaf, and pigments, 7.875 x 3.5in, Courtesy the Artist. On view as part of "Guatemala from 33,000 km: Contemporary Art, 1960 - Present" at MCA Santa Barbara.

Darío Escobar, Untitled, 1998, Cardboard, plastic, gold leaf, and pigments, 7.875
x 3.5in, Courtesy the Artist. On view as part of “Guatemala from 33,000 km: Contemporary Art, 1960 – Present” at MCA Santa Barbara.

Sacred Art in the Age of Contact at Santa Barbara Historical Museum brings together, for the first time, a diverse body of objects from Santa Barbara-area collections exploring the relationship between art and spirituality in both Chumash and Spanish traditions. Also presented at UCSB Art, Design & Architecture Museum, “Sacred Art” highlights the themes of sacred geography, language, materiality and resistance. It also investigates the mutually transformative interaction between these traditions, which have immediate implications on the ways in which the cultural dynamics of Santa Barbara County are understood today (Sept. 15-Jan. 14).

Also on view at UCSB Art, Design & Architecture Museum is “The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement,” the work of Suzanne Lacy & Pablo Helguera. This exhibition pairs for the first time the work of two leading practitioners of the Social Practice Movement, an art medium that focuses on engagement through human interaction and social discourse. This exhibition juxtaposes key examples of the artists’ works and incorporates installations, photography, drawing and performance, alongside archival documentation that serves to highlight overlapping themes, including immigration, race and social organizing (Sept. 16-Dec. 8).

For more information and a complete list of events and exhibits visit pacificstandardtime.org.

Originally published in the Fall 2017 issue of Santa Barbara Seasons Magazine.

Dug Uyesaka: Long Story Short

A collection of work by Dug Uyesaka will be on view at Westmont Ridley-Tree Museum of Art beginning Oct. 20. Courtesy photo.

A collection of work by Dug Uyesaka will be on view at Westmont Ridley-Tree Museum of Art beginning Oct. 20. Courtesy photo.

The Westmont Ridley-Tree Museum opens its fall season with a diverse collection of art objects and images by Dug Uyesaka, on view from October 20 through January 14 in the museum (955 La Paz Rd.).  A free, opening reception for “Dug Uyesaka: Long Story Short” takes place on Thursday, October 20, from 4-6 p.m. in the museum.

Uyesaka, a third generation Japanese-American, enrolled at UCSB in 1975 and was mentored by art faculty William Dole, Howard Fenton, Bob Thomas and Richard Ross.

"Guided by Voices II" by Dug Uyesaka, courtesy photo.

“Guided by Voices II” by Dug Uyesaka, courtesy photo.

“He is such an integral part of Santa Barbara’s art scene,” says Judy Larsen, R. Anthony Askew professor of art history and museum director. “He is a UCSB art graduate; a frequent exhibitor at art exhibitions around town; and an art teacher at Laguna Blanca School. Our mid-career retrospective of Dug’s work will showcase his amazing oeuvre—from prints to paintings and drawings, from collage to assemblage.” 

"Smoke" by Dug Uyesaka, courtesy photo.

“Smoke” by Dug Uyesaka, courtesy photo.

The Westmont Ridley-Tree Museum of Art is free and open to the public Monday–Friday, from 10 a.m.–4 p.m. and Saturday from 11 a.m.-5 p.m.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on October 13, 2016.