Mentors and Makers: The Artists of Westmont College

MENTORS AND MAKERS: The Artists of Westmont College, at Sullivan Goss Gallery.

MENTORS AND MAKERS: The Artists of Westmont College, at Sullivan Goss Gallery.

As part of its continuing commitment to exhibit the work of talented emerging artists alongside important established and historically significant artists, Sullivan Goss Gallery hosts an exhibition of works by the art department faculty of Westmont College. Mentors and Makers: The Artists of Westmont College opens on Dec. 6 with a 1st Thursday Reception from 5-8 p.m. The exhibition remains on view through Jan. 20.

The art department at Westmont College has always had an outsized influence on the art scene of the region. But tucked away in its bucolic Montecito campus, it can be easy to overlook how much concentrated talent is found there. “Currently, Westmont’s arts faculty consists of some of the most intriguing, adventurous, and distinct artists working in and around Santa Barbara, though their work is making waves over a much larger area,” says Curator Nathan Vonk.

Featured artists include:

Scott Anderson received his M.F.A. in illustration from The University of Hartford, and an M.A. in illustration from Syracuse University. His illustration work has appeared in numerous publications, including The Wall Street Journal, LA Weekly, The Village Voice, Variety, The Hollywood Reporter, and many others. He has also created numerous book covers for the popular “Who Is” series from the Grosset & Dunlap division of Penguin Books. His work has been awarded and recognized by Communication Arts, American Illustration, the Society of Illustrators New York, the Society of Illustrators Los Angeles, and in multiple volumes of Spectrum. A gallery painter as well, Anderson exhibits his figurative work annually with Sullivan Goss Gallery.

Scott Anderson, Wave 2, 2017, 7 x 11," oil on canvas, on view at Sullivan Goss Gallery.

Scott Anderson, Wave 2, 2017, 7 x 11,” oil on canvas, on view at Sullivan Goss Gallery.

James Daly focuses on figurative work and classical methods in various genres. Most recently his art has been an exploration of movement, visual memory, and experience in the outdoors. Daly is a graduate of Westmont and UCSB with degrees in Studio art and a Masters in Education. For the last eleven years he has developed a classically based curriculum that follows atelier-style art education for Providence Upperschool and more recently joined Westmont as an adjunct instructor.

James Daly, Haskell's Sunset, 2018, 6 x 8 inches, oil on board, on view at Sullivan Goss Gallery.

James Daly, Haskell’s Sunset, 2018, 6 x 8 inches, oil on board, on view at Sullivan Goss Gallery.

Nathan Huff earned his M.F.A. in Drawing and Painting, from California State University Long Beach, and also studied at Watts Atelier School of Art. Huff creates drawing and painting installations that function as freewheeling narratives: personal stories that explore the gaps between visual perception and modes of representation. Huff’s solo museum and gallery exhibitions have been featured at UCR Culver and Sweeney Galleries (Riverside), Los Angeles at D.E.N. Contemporary (West Hollywood), New Media Gallery (Ventura) Minthorne Gallery, (Oregon), and Gallerie View (Salambo, Tunisia.)

Nathan Huff, Skies and Schisms 5, 2018, 22 x 30 inches, gouache on paper, on board, on view at Sullivan Goss Gallery.

Nathan Huff, Skies and Schisms 5, 2018, 22 x 30 inches, gouache on paper, on board, on view at Sullivan Goss Gallery.

Sommer Roman was born and raised in California. She received her BA from UC Santa Cruz in 2004, and her MFA from UC Santa Barbara in 2014. She maintains a multi-disciplinary practice spanning sculpture, painting, and drawing and teaches part-time at California Polytechnic University (Cal Poly) & Westmont College in Santa Barbara. Some of her recent projects & exhibits include: Left Coast; Recent Acquisitions of Contemporary Art, a group exhibit at the Santa Barbara Museum of Art; Out of the Great Wide Open, a group exhibit at the Museum of Contemporary Art Santa Barbara; Artist Residency & culminating solo exhibition, Passage at UC Santa Barbara; Artist Residency at The Squire Foundation, and most recently, In the Woods, Perpetual Youth, a solo exhibit at Ventura College.

Sommer Roman, Sighting no. 542, 2018, 55 x 20 x 26 inches, reclaimed fabric, clothing, pillows, feathers, paint, on view at Sullivan Goss Gallery.

Sommer Roman, Sighting no. 542, 2018, 55 x 20 x 26 inches, reclaimed fabric, clothing, pillows, feathers, paint, on view at Sullivan Goss Gallery.

Chris Rupp received his BA from Westmont College and an MFA from Azusa Pacific University. While trained primarily as a sculptor, Rupp does not limit his art making to traditional sculptural mediums or even three-dimensional forms. From graphite drawings, to molded plastic, or the use of unconventional store bought materials. His work has been exhibited at the Inland Empire Museum of Art, Biola University, Westmont Ridley-Tree Museum of Art, San Luis Obispo Museum of Art, The Channing Peake Gallery, and the Santa Barbara Arts Fund.

Chris Rupp, Dreamers Welcome, 2018, 18 x 30 inches, acrylic enamel paint on coir door mat, on board, on view at Sullivan Goss Gallery.

Chris Rupp, Dreamers Welcome, 2018, 18 x 30 inches, acrylic enamel paint on coir door mat, on board, on view at Sullivan Goss Gallery.

Meagan Sterling has an M.A. and an M.F.A. in Printmaking from the University of Wisconsin, Madison. Her work has been displayed in many juried and group exhibitions, from Denver and Peoria to Seattle and Spokane. She says, “The paradox of daily life as safe and comfortable, juxtaposed with its polar opposite—defense against life’s uncertainties—appears to bully the American Dream itself. My art explores images of post World War II Americana where energy and resources were often used to advance comfort and promise safety and well being.”

Meagan Stirling, Everlasting Arms 5, 2018, 16 x 16 inches, Drypoint and Monoprint, on view at Sullivan Goss Gallery.

Meagan Stirling, Everlasting Arms 5, 2018, 16 x 16 inches, Drypoint and Monoprint, on view at Sullivan Goss Gallery.

Sullivan Goss – An American Gallery, is located at 11 E. Anapamu St. in downtown Santa Barbara.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on December 2, 2018.

Local Lowdown: Flock Soars into Lotusland

Put a Bird on It!

This spring, the otherworldly dreaminess of Lotusland transforms into a real-world call for awareness as FLOCK: Birds on the Brink comes to the garden. 

Story by Leslie Dinaberg

Inspired by the interdependency of bird species to plant species, and to the human race, this contemporary art exhibit celebrates the daily presence of birds in our gardens and communities while illustrating the critical impact of wild bird populations on our ecosystems and our own well-being. Guest curator Nancy Gifford (the same talented dynamo who brought the buzz-worthy bee-themed SWARM to the venue in 2013 and GONE in 2012) and the Lotusland team gathered artworks and commissioned installations from more than 30 local and international artists, which are displayed in the pavilion and—for the first time—throughout the garden.

“It should be quite a provocative and visceral experience,” says Gifford, who hopes to inspire action from all those who encounter FLOCK. “This year, we are covering the issues about birds…it’s about the interrelatedness of species and how important birds are.” She continues, “Plus there’s a tremendous amount of great artists worldwide who work with birds and the bird theme. It’s amazing.”

The exhibit, which opened on February 28 and runs through May 23, is amazing. Approaching the Pavilion Gallery, visitors duck beneath a courtyard “ceiling” of empty black cages titled Silent Spring, their doors open in wait for the return of songbirds long extinct. Upon entering, one quickly encounters the foreboding David Hochbaum blackbird Murmuration installation hovering over Laurie Hogin’s splashy Darwinian landscapes, Robyn Geddes’s moody color field birds, a burning crow by local artist Keith Puccinelli and embellished taxidermy specimens from New Zealand artist Karley Feaver.

Then there are various mechanical devices by Jane Edden, Juan Fontanive and Norman Reed, as well as a “chick bar” diorama by Michael Long. Next is the “nest” room full of surprises by Esther Traugot, Gayle Stevens, Philip Koplin, Liza Myers, Maria Rendon and the mesmerizing video Bobe’s Legend by Macedonian artist Robert Gligorov. Visitors then go through the pavilion into the main gallery, which features large-scale haunting bird works by Fatemeh Burnes. A robotic wing chair by Alan Macy flaps to the beat of a “bird dance” video by Robin Bisio that encircles an aviary centerpiece installation full of musical and avian surprises.

FLOCK also expands beyond the Pavilion Gallery to include six outdoor installations hidden throughout the gardens. Expect to encounter a Murder of Crows in the newly restored blue garden, Gary Smith’s human-scale nests, R.T. Livingston’s camouflaged Sitting Ducks: Hiding in Plain Sight by the lotus pool, a larger-than-life caged topiary peacock by Joe Shelton and a birdbath sound machine by Carlos Padilla and Pod Nest by Luis Velazquez in the pavilion courtyard. Other participating artists include Sharon Beals, Penelope Gottlieb, James Hodgson, Nathan Huff, Pamela Larsson-Toscher, Anne Luther, Kaoru Mansour, Cheryl Medow, Tom Mielko and Susan Tibbles.

FLOCK: Birds on the Brink is on view at Lotusland from Saturday, February 28 through Saturday, May 23. Visitors may see the exhibit as part of a docent-guided tour offered at 10 a.m. and 1:30 p.m., Wednesday through Saturday. Reservations are required. For reservations, call 805/969-9990 or visit lotusland.org for more information.

Originally published in Santa Barbara Seasons Magazine, Spring 2015.