A Standing Ovation for The Silver Bough

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough culinary team, photo by Joel Schmelzer.

By Leslie Dinaberg

Like its Irish mythological legend, The Silver Bough—the entry into the Celtic otherworld, believed to offer everlasting youth, beauty, health and joy, and a rich paradise of delights, where food was ever abundant and where travelers were treated as kings and queens—is an impressive bounty of elegantly prepared food and dramatic culinary theatrics. This intimate, eight-seat tasting menu fine dining experience is one of the most ambitious restaurant endeavors I’ve ever experienced.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

From the moment you enter the Montecito Inn, the new home of The Silver Bough, you are transported into an exquisite, magical world of high-class indulgence. The evening starts in the lobby lounge, where a personal concierge offers you specialty libations or champagne from a custom-made bar cart.  

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

Promptly at 7 p.m. (there’s only one seating per night, Thursdays-Sundays), you are escorted in a dark, theatrically anointed room, with an intricately designed Silver Bough-themed table as the focal point. Handcrafted and modeled after a voluminous Ginkgo tree, completed with painted brass butterflies and a glass top, the table—as well as the dishes, silverware, candelabras and serving pieces—was custom designed by award-winning American artist Michael Aram. Here the overture for the journey officially begins, with the host acting as narrator, guiding guests through the story of The Silver Bough and correspondingly gorgeous canapes that are almost too beautiful to eat—but I force myself, to the delight of my taste buds.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

At the end of the canape courses, a curtain I didn’t notice before is dramatically opened, revealing the main stage, a 16-foot, kitchen-facing Brazilian Quartzite chef’s counter, with Owner/Executive Chef Phillip Frankland Lee and his team of chefs there to greet us. There are from three to five executive-level chefs at your service on any given night. 

The Silver Bough, photo by Joel Schmelzer.

Owner/Executive Chef Phillip Frankland Lee at The Silver Bough, photo by Joel Schmelzer.

Each chapter in the main room starts out with an introduction of the ingredients. Act 1, the seafood chapter, previews a platter of moving King Crab legs, live spiny lobster, sea urchin, caviar and more.

The theme—that guests are to be treated royally—is impressively executed, as we watch Chef Lee and his team prepare each dish as if it were a precious work of art. Indeed, this meal is probably museum worthy. With the precision of a jeweler, Chef Lee adds gold leaf to the Sturgeon Caviar, which sits atop a gorgeous concoction of Lobster Gelee, Hazelnut Cream and Smoked Eel.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

And, in a dramatic dance that takes place for each of the 18 courses, the chefs have mastered  impressive choreography to ensure that each dish gets to each patron (along with thoughtfully selected wine or nonalcoholic beverage pairings) at precisely the same moment. Additional seafood dishes, each more incredible than the next, include Live Spiny Lobster Tartare, topped with local Sea Urchin and puffed quinoa; Pommes Souffle stuffed with Lobster innards whipped with Crème Fraiche, and topped with Sea Urchin and Carnations; and Vermillion Crudo. The Act 1 finale, which includes almost every ingredient used in the seafood chapter, is a delicious preparation of lightly grilled King Crab in sea urchin emulsion, with sourdough bread crumbs and caviar.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

Act 2, an equally impressive series of land-based courses, is again introduced with a peek at the ingredients, including Kings Pigeon from Flying H Ranch in Carpinteria, Olive Wagyu Ribeye, pasture-raised venison, caviar and an abundance of truffles.

Dishes include Kings Pigeon Breast with Pistachio Crust; a Liver Tartlette with a tasty Mini-Parker House Roll; a Kings Pigeon Leg. Both the Aged Venison Saddle with brown butter Roasted Chestnuts and the Venison Tenderloin with butter roasted Chantrelles smell every bit as terrific as they taste. In fact, the whole dining room is designed for amazing aromatics. Despite the huge number of courses, each one continued to dazzle both my eyes and my nose. 

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

While I hesitate to choose a favorite in a menu so filled with delights, perhaps with most memorable dishes were the two made with Legendary Olive Wagyu Ribeye. According to Chef Lee, the Silver Bough is only restaurant in the world to have this beef, and it’s no wonder. Billed as “the rarest steak on the planet,” it currently retails for more than $200 a pound and is sourced via Santa Barbara resident Ethan Lowry, co-owner of the online meat seller Crowd Cow. 

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

A mouthwatering cheese course of Andazul Goat’s Milk Blue with Fried Sourdough, Warm honey and Black Truffle bridges the savory and the sweet worlds with amazing flavors. 

The Act 3 finale, the domain of talented Pastry Chef Margarita Kallas-Lee, who is married to Chef Frankland Lee, begins with a Citrus vanilla Tea emulsion combining blood orange sorbet with basil blossoms and black lime. Additional jewel box-worthy dessert courses include the Strawberry Duck Liver Mousse, a Chamomile Custard with Shaved Truffles, Candied Bee Pollen and 24k Gold Leaf, and literally, a jewel box of Mignardises, comprised of a Kalamansi Pate de Fruit, a Blood Orange Pate de Fruit, a Strawberry-Creme Fraiche Bon Bon and a Tarragon-Buttermilk Bon Bon.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

Not quite ready to end such an enchanted evening, the chefs invite us to continue to imbibe and enjoy after-dinner drinks and aperitifs with the team, which was quite fun and the perfect capper to an amazing culinary experience.  

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

The all-inclusive tasting menu has a ticket price of $550/person, with a non-alcoholic specialty pairing available for $450/person (both inclusive of tax and gratuity). Obviously, this price point isn’t something most of us can indulge in every day, but I’m hopeful that a one-of-a-kind, gastronomic, theatrical experience like this will find its audience. 

For more information, visit silverboughmontecito.com 

Originally published in Santa Barbara Seasons on March 1, 2019.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough opening culinary team, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

The Silver Bough, photo by Joel Schmelzer.

Les Ballets Trockadero de Monte Carlo

Les Ballets Trockadero de Monte Carlo, photo by Zoran Jelen.

Les Ballets Trockadero de Monte Carlo, photo by Zoran Jelen.

Dancing the very fine line between high art and high camp, the internationally-beloved Les Ballets Trockadero de Monte Carlo bring their brilliant pointe work and vibrant drag costumes to the Granada Theatre (1214 State St., Santa Barbara) on Sunday, January 27 at 7 p.m.

Les Ballets Trockadero de Monte Carlo, photo by Zoran Jelen.

Les Ballets Trockadero de Monte Carlo, photo by Zoran Jelen.

Presented by UCSB Arts & LecturesLes Ballets Trockadero de Monte Carlo was founded in 1974 in New York City on the heels of the Stonewall riots, Les Ballets Trockadero de Monte Carlo (also affectionately called “The Trocks”)  is a company of professional male dancers performing the full range of the ballet and modern dance repertoire, including classical and original works in faithful renditions of the manners and conceits of those dance styles. The comedy is achieved by incorporating and exaggerating the foibles, accidents and underlying incongruities of serious dance. The fact that men dance all the parts—heavy bodies delicately balancing on toes as swans, sylphs, water sprites, romantic princesses, or angst-ridden Victorian ladies—enhances, rather than mocks, the spirit of dance as an art form, delighting and amusing the most knowledgeable, as well as novices, in the audiences.

“The funniest night you will ever have at the ballet,” writes The Sunday Times (U.K). 

The Trocks’ numerous tours have been both popular and critical successes—the company’s annual schedules have included six tours to Australia and New Zealand, 25 to Japan (where annual visits have created a nation-wide cult following and a fan club), 10 to South America, three to South Africa and 55 tours of Europe. In the United States, the company has become a regular part of the college and university circuit, in addition to frequent presentations in all of the 50 states. The company has appeared in more than 35 countries and more than 500 cities worldwide since its founding.

Les Ballets Trockadero de Monte Carlo, photo by Zoran Jelen.

Les Ballets Trockadero de Monte Carlo, photo by Zoran Jelen.

For tickets or more information, call UCSB Arts & Lectures at 805/893-3535 or purchase online at www.ArtsAndLectures.UCSB.eduTickets are also available through The Granada Theatre at 805/899-2222 or granadasb.org.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 24, 2019.

The Christmas Revels: An Irish Celebration of the Winter Solstice

The Christmas Revels, Dec. 22-23 at the Lobero Theatre.

The Christmas Revels, Dec. 22-23 at the Lobero Theatre.

One of Santa Barbara’s favorite holiday traditions for the whole family is the annual Christmas Revels musical production. This year’s story, An Irish Celebration of the Winter Solstice, is a joyous theatrical production celebrating the spirit and strength of the Irish emigrants who came to America in the early 1900’s to build new lives in a new land. At sea over the holidays, these strangers bond over spinning stories, singing songs, and sharing seasonal traditions; friendships are formed, romance blossoms.

The Christmas Revels, Dec. 22-23 at the Lobero Theatre.

The Christmas Revels, Dec. 22-23 at the Lobero Theatre.

Joining the Revels Company are accomplished guest artists, including award-winning actors and Irish dancers as well as vocal soloists, a brass ensemble and a string and wind quintet.

The Christmas Revels is an exciting and heartwarming entertainment experience for every age and a favorite Santa Barbara holiday tradition created by and for our community for the past 11 years. The show takes place at the Lobero Theatre (33 E. Canon Perdido St., Santa Barbara) Dec. 22 at 2:30 p.m. and 7:30 p.m. and Dec. 23 at 2:30 p.m. For more information or to purchase tickets, click here.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on December 16, 2018.

“Storm Reading” Celebration

Storm Reading, courtesy photo.

Storm Reading, courtesy photo.

When Access Theatre’s pioneering play Storm Reading debuted at the Lobero in 1988, it was a ground-breaking piece of theater, which went on to inspire audiences in show after show worldwide for nearly a decade. Part of what made this play so extraordinary is the central character, Neil Marcus, who played himself during the play’s six-year run. Marcus lives with a very visible disability and works hard to represent life in a realistic way that is not focused on the fear of being different.

“The world says ‘You are a spastic quadriplegic.’ I say I’m a dancer. There’s a new movement happening in the world. People are beginning to realize they are more than what they’ve been told they are. The flame is fanned. The fire spreads. Every moment is a new moment to do what’s never been done before,” says Marcus in Storm Reading.

Storm Reading, courtesy photo.

Storm Reading, courtesy photo.

Now a new generation has the opportunity to familiarize itself with the show, when Cottage Rehabilitation Hospital Foundation hosts “Celebrating Storm Reading,” an evening with the acclaimed Access Theatre cast (Neil Marcus, Matthew Ingersoll and Kathryn Voice) and Director/Producer Rod Lathim. Along with special guest Anthony Edwards, the cast and creators will return to the Lobero Theatre to take a look back at the impact the play had on audiences and at the sustaining message that art holds the transformative power to heal body and mind. Selected scenes from the show will be staged and scenes from the television version will be screened.

“This year is the 30th anniversary of the debut of Storm Reading,” says Lathim, founder and artistic director of the award-winning theatre company, Access Theatre, from 1979-1996. “Storm Reading was unique because it was created here in Santa Barbara and went on to tour internationally.”

Storm Reading, courtesy photo.

Storm Reading, courtesy photo.

Storm Reading went on to tour through 20 states in the USA, as well as Canada and England over six years, and it garnered recognition from several luminaries in the entertainment world. Maria Shriver interviewed Marcus on The Today Show, and Linda Wertheimer featured him on National Public Radio’s “All Things Considered.” Storm Reading was performed as part of the NBC TV Special “From the Heart” at the Kennedy Center with Access Theatre Honorary Board Member Michael Douglas.

Don’t miss “Celebrating Storm Reading” at the Lobero Theatre (33 E. Canon Perdido St., Santa Barbara) on Friday, September 21 at 7 p.m. A VIP reception begins at 5:30 pm. For tickets and more information, visit cottagehealth.org/crhevent.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on September 19, 2018.

The Invisible Hand

Ensemble Theatre's production of The Invisible Hand, April 12-29. Courtesy photo.

Ensemble Theatre’s production of The Invisible Hand, April 12-29. Courtesy photo.

Ensemble Theatre Company (ETC) (in a co-production with the English Theatre Frankfurt) presents a witty and provocative new thriller, The Invisible Hand, written by Ayad Akhtar (Disgraced) and directed by Jonathan Fox. The Invisible Hand begins previews on Thursday, April 12, opens on Saturday, April 14, and runs through Sunday, April 29 at The New Vic, 33 W. Victoria St. in Santa Barbara. The production will then transfer to the English Theatre Frankfurt on May 9.

Set in Pakistan, American investment banker Nick Bright is kidnapped by an extremist organization and held for a $10 million ransom. When his company refuses to meet the terrorists’ demands, Bright convinces his captors that he can manipulate the stock market to meet his own ransom. Capitalism intersects with Islamic fanaticism in a race against time in this heart-pounding thriller by the Pulitzer-Prize winning playwright, novelist, and screenwriter Akhtar.

John Tufts and Mujahid Abdul-Rashid in ETC's production of "The Invisible Hand," photo by David Bazemore.

John Tufts and Mujahid Abdul-Rashid in ETC’s production of “The Invisible Hand,” photo by David Bazemore.

“Pulitzer Prize winner Ayad Akhtar is one of the most compelling writers working today and we are so fortunate to be presenting this high-voltage thriller,” says Ensemble Theatre Company Artistic Director Jonathan Fox. “Our subscribers and audiences are in for quite the ride as money and religious devotion collide with devastating consequences.  We’re delighted that it brings a great cast to Santa Barbara, and to once again partner with the English Theatre of Frankfurt.”

John Tufts, who wowed area audiences in ETC’s 2016 production of I Am My Own Wife (a production that transferred to Laguna Playhouse), returns to Santa Barbara to play the role of Nick Bright. He recently played multiple roles in an acclaimed New York production of Pride and Prejudice. Jameal Ali, who plays the volatile Pakistani kidnapper Bashir, starred in the original New York production.  Rounding out the cast are Mujahid Abdul-Rashid and Sarang Sharma.

There are several special events and promotions associated with the production:

  • Book Club, April 18, 5:30 – 6:30 p.m.: Scripts are now available for checkout at the Santa Barbara Public Library, 40 E. Anapamu St. Join other theatre-goers for a lively discussion about the play from a literary and dramatic perspective. FREE! 
  • Pre-Show Talk, April 18 & 25,  at 7:15 p.m.: Join guests in the courtyard of The New Vic for an informative and insightful discussion about the play before you see it, sure to enhance your theatrical experience.
  • Martini Night, April  20, at 7:15 p.m., performance at 8 p.m.: Free to ticket holders. Come early to enjoy a complimentary martini and mingle before the show.
  • Talk Back, April 26: Meet the cast after the show and discuss the production.

Tickets are available here.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on April 11, 2018.

UCSB Arts Walk

UCSB’s Department of MusicDepartment of Theater and DanceDepartment of ArtCollege of Creative StudiesArt, Design & Architecture MuseumMultiCultural Center and Library to host an open house of visual & performing arts

UCSB presents the inaugural UCSB Arts Walk on Wednesday, April 11, from 4:30-8 p.m. at various locations across the campus. The event gives students, faculty, staff and community members the opportunity to visit galleries and studios, watch preview performances and behind-the-scenes rehearsals, and participate in programming designed to highlight the artistic creativity and talent of the UCSB community. Best of all, everything is free of charge.

The Art, Design, & Architecture Museum has several exhibitions on display, including Chiura Obata: An American Modern, UCSB Campus Architecture: Design and Social Change, Jane Gottlieb Photographs France, and Keith Puccinelli. In addition, the museum hosts a Kitchell Architecture and Design lecture at 6 p.m., featuring UCSB Associate Campus Architect, Dennis Whelan. Whelan recounts the history of UC Santa Barbara campus planning and design, in conjunction with the Museum’s exhibition.

Image by Jane Gottlieb, currently on view at UCSB Art, Design & Architecture Museum.

Image by Jane Gottlieb, currently on view at UCSB Art, Design & Architecture Museum.

Highlights from the Department of Music include an open rehearsal of a faculty duet featuring cellist Jennifer Kloetzel and pianist Robert Koenig, plus performances by members of the Chamber Choir, Music of India Ensemble, Flute Choir, Jazz Combos, Middle East Ensemble, Chamber Players, Clarinet Choir, Gamelan Ensemble, and more. Guests can interact directly with performers during Q&A sessions following several of the events, such as a performance of scenes from UCSB Opera Theatre’s February production of Mozart’s The Marriage of Figaro and composition graduate student Brandon J. Rolle’s electro-acoustic music exhibition.

The Department of Theater and Dance also presents a wide variety of performances, open rehearsals, and exhibitions, including an open rehearsal for the department’s upcoming production of Cabaret (May 25-June 3), as well as performances by UCSB Dance BFA students in outdoor spaces surrounding the Theater and Dance buildings. The UCSB Dance Company and Freshmen Dance Company presents a special concert in the Old Ballet Studio (HSSB), while exhibitions showcasing puppets and work by UCSB Design students are also on display. Interactive playwright showcase stations will give guests the unique opportunity to work with student playwrights to compose novelty pieces on the spot.

On view from the Department of Art are multiple exhibitions of student work in the Art Building #534 and at the Red Barn Project Space in the Old Gym, Building #479, (near the bus loop by the Pollock Theater). Highlights include an exhibit of senior artwork in the GlassBox Gallery in Arts 1328, and from 7 p.m. on, Windows—a sampler of videos from Maya Gurantz’s “Intermediate Digital Video” class projected from the second story windows of Arts 2220, overlooking the bike path. In the Red Barn Project Space, UCSB Womanhouse Collective presents SHE-DEN, an intersectional, multi-media group exhibit exploring the place of women in contemporary art and culture.

The MultiCultural Center’s lounge features an exhibition by UCSB graduate student Andrew Morrison, entitled “Indian Heritage,” a Native American art exhibition that compliments his film, Great Walls of Indian Heritage. This exhibit speaks to all walks of life, its genesis is from the red road, and the American Indian Student Association inspires its vitality. The exhibit is on display in the MultiCultural Center Lounge through June 15, with an opening reception on April 12 at 6 p.m.

The College of Creative Studies (CCS), which is celebrating its 50th Anniversary during the current academic year, offers a glimpse into the work of the College’s Art, Music Composition, and Writing and Literature students in the CCS Gallery and the Old Little Theater. An exhibition of student artwork fills the CCS Gallery, while the Old Little Theater’s programming includes performances of Music Composition students’ original pieces as well as readings from Writing & Literature students and faculty.

Event link: https://www.library.ucsb.edu/artswalk

Directions and parking information: https://www.library.ucsb.edu/directions-parking

Campus map: http://www.aw.id.ucsb.edu/maps/ucsbmap.html

Leslie Dinaberg

Originally published in Santa Barbara Seasons on April 9, 2018.

 

Compañía Nacional de Danza

Compañía Nacional de Danza, photo by Jesús Vallinas.

Compañía Nacional de Danza, photo by Jesús Vallinas.

The illustrious Compañía Nacional de Danza (CND), Spain’s national dance company, returns to Santa Barbara with a work that is a statement of its compelling artistic direction. Presented by UCSB Arts & Lectures for two nights—March 6-7, both at 8 p.m. at The Granada Theatre (1214 State St.)—Johan Inger’s Carmen is a visionary retelling of mythic and universal elements of passion and violence.

This contemporary presentation of Carmen, a classic opera first performed in 1875, had its debut in 2015 and won the coveted Benois de la Danse prize for choreography in 2016. It tells the tale through the eyes of a child, with its heroine a courageous and modern woman, the mountains of Ronda reimagined as poor suburbs, the military now senior executives and the bullfighter recast as a movie star.

This Santa Barbara premiere marks one of only three cities in the U.S. presenting this magnificent story ballet.

Compañía Nacional de Danza, photo by Jesús Vallinas.

Compañía Nacional de Danza, photo by Jesús Vallinas.

When Inger was asked to create a new version of Carmen, himself being Swedish and Carmen a piece with a strong Spanish nature, he faced a challenge. But it was also a great opportunity. He strips tale to its most fundamental themes, introducing the perspective of a child to reveal the universal appeal of the story.

“There is a certain mystery within this character,” explains Inger. “It could be any kid; it could be Don José when he was a boy, and it could be a young Michaela or Carmen and José’s unborn child. It could even be ourselves, with our very first goodness wounded due to a violent experience that, though brief, has had a negative impact in our lives and our ability to interact with others forever.”

For tickets and more information, call UCSB Arts & Lectures at 805/893-3535 or visit ArtsAndLectures.UCSB.edu, or contact The Granada Theatre at 805/899-2222 or granadasb.org.

In addition to the performances on Tuesday and Wednesday nights, the company also presents, in collaboration with Gustafson Dance, a Community Dance Class with Compañía Nacional de Danza on Monday, March 5, from 5:30-7:30 p.m. at Gustafson Dance, 2285 Las Positas Rd. Observers are welcome. Call 805/563-3262 to register. 

Leslie Dinaberg

Originally published in Santa Barbara Seasons on March 2, 2018.

PuppetPalooza Kick-Off Fundraiser

Come play with the puppets this weekend when PuppetPalooza Central—Museum and Theatre  celebrates their opening with a fundraiser extravaganza on Saturday, January 27, from 4-7 p.m. in Paseo Nuevo.

The festivities  honor Santa Barbara’s beloved anchorman John Palminteri and the KEYT News Channel 3 team for going above and beyond with their coverage of the Thomas Fire and aftermath in Santa Barbara County. A special  “John Palminteri Puppet” will perform live with “The Palm.”

The Muppets will headline the Puppetpalooza Festival on Mar. 2 at the Marjorie Luke Theatre. Courtesy photo.

The Muppets will headline the Puppetpalooza Festival on Mar. 2 at the Marjorie Luke Theatre. Courtesy photo.

Guests also will enjoy a showcase of the puppetry attractions coming to PuppetPalooza, as well as live performances, and and light bites and beverages.

“We hope our joyous festival filled with music, puppets, families and fun can bring renewed hope and laughter to our entire community after a winter season that has been difficult for everyone and tragic for too many,” states festival creator Mitchell Kriegman. “Honoring those in our community who have been reporting about our tireless first responders and informing all of us about these pressing events seemed like the best way to kick off our festival.”

Featured at the fundraiser, and on display throughout the season at PuppetPalooza Central, is noted puppeteer—and Vice Chair and Director of Dance of the UCSB Theater and Dance Department—Christina McCarthy and her handcrafted puppets. 

The Paseo Nuevo headquarters also features the regional debut screenings of Handmade Puppet Dreams presented by Heather Henson, the daughter of legendary puppeteer Jim Henson. Handmade Puppet Dreams is a traveling film series that promotes independent artists exploring their handmade craft specifically for the screen. 

Fundraiser tickets are $25 and are available for purchase online here or at PuppetPalooza Central in Paseo Nuevo (301 Paseo Nuevo). For more information, visit puppetpaloozasb.com.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on January 25, 2018.

Val Kilmer Presents Cinema Twain LIVE

Val Kilmer as "Citizen Twain," courtesy photo.

Val Kilmer as “Citizen Twain,” courtesy photo.

Val Kilmer will be at the Lobero Theatre this Friday night (Jun. 30) at 8 p.m. to present a screening of his play about Mark Twain. The one-man show, Citizen Twain, played to sold-out houses at several performing arts venues in Los Angeles.

Kilmer transforms himself into Twain in a comedic and moving performance based on the life of the man, Samuel Clemens, and of course his writings as Mark Twain. From his thoughts on politics (including his famous disdain for the U.S. Congress), to his family and ultimately his faith and God, Twain spins a series of yarns with his timeless satire and incomparable wit.

Kilmer will conduct a question and answer period with the audience following the screening.

The Lobero Theatre is located at 33 E. Canon Perdido St.

Special meet and greet tickets are still on sale at the Lobero Box Office and here.

—Leslie Dinaberg

Originally published in Santa Barbara Seasons on June 28, 2017.

Cavalia’s Odysseo is One Wild Ride

Odyesseo "Freedom," photo by Jak Wonderly.

Odyesseo “Freedom,” photo by Jak Wonderly.

If you’re looking for a perfect way to entertain the whole family this holiday season, Cavalia‘s new Odysseo show is just the ticket.

Odyesseo "The Fairies," photo by Pascal Ratthe.

Odyesseo “The Fairies,” photo by Pascal Ratthe.

This magical spectacle blends jaw-dropping equestrian artistry with Cirque du Soleil level acrobatics and music, as well as beautiful costumes and incredible set design. It’s really quite a magical experience, and well worth the drive to Irvine, where it’s playing through January 8 (under a giant White Big Top at the junction of the I-405 & the SR-133).

Odyesseo "Finale," photo by Lynne Glazze.

Odyesseo “Finale,” photo by Lynne Glazze.

The production is so unique that it’s hard to describe. “Odysseo marries the equestrian arts, stage arts and high-tech theatrical effects at never-before-seen levels. A veritable revolution in live performance, Odysseo comprises a list of superlatives: the world’s largest touring production and traveling big top, the biggest stage, the most beautiful visual effects, and the largest number of horses at liberty,” according to the promoters.

For once, they aren’t exaggerating in the least.

Odyesseo "Carosello," photo by Dan Harper.

Odyesseo “Carosello,” photo by Dan Harper.

The 65 horses and 48 artists who star in the show take you on a journey into a dreamy world of the planet’s most unforgettable landscapes. This is a show you won’t soon forget. For tickets and information visit www.cavalia.net/Irvine‎.

—Leslie Dinaberg

Odyesseo "The Angels," photo by Andrew Miller.

Odyesseo “The Angels,” photo by Andrew Miller.

Originally published in Santa Barbara Seasons on December 4, 2016.