Electrifying Your Home in Santa Barbara: How to Flip the Switch Away From Natural Gas

Credit: Courtesy

The road to zero carbon is being paved by elected officials, builders, and activists. And an increasingly important part of the journey is getting rid of gas furnaces, water heaters, ranges, and other appliances and replacing them with electric alternatives that make buildings safer, more efficient, and more environmentally friendly ​— ​especially as more renewable power is added to the grid.

Last summer, the Santa Barbara City Council voted unanimously to enact a new building ordinance (known as a “reach code”) prohibiting natural gas infrastructure in newly constructed buildings (with the exception of restaurants and applications where there isn’t yet a viable electric alternative to gas). There are also many rebates and incentives available for existing homes to make the switch to electric.

Heat pumps, which control household climates by extracting and moving the heat in the air, are extremely energy-efficient. According to the Department of Energy, installing an air-source heat pump can cut your electric bill in half, and heat pumps are generally considered more comfortable than traditional heating and cooling. “The other big advantage that heat pumps offer in our warming climate is that they can provide both heating and cooling in your home, so they can essentially be used to replace both a furnace and an air conditioner,” said Michael Chiacos, energy and climate program director at CEC.

If you’re considering a new furnace or installing air conditioning in your home, TECH Clean California is currently offering up to $3,000 per unit rebate on central heat pumps or mini-split heat pumps. That same group also has a $1,000-$3,100-per-unit rebate on heat-pump water heaters. Other vendors offer incentives for air sealing, insulation and ductwork, whole house fans, smart thermostats, and electric backup power units (see switchison.org/incentives for more information).

Heat induction cooktops are another innovation that has come a long way in recent years. Unlike traditional electric stoves that heat with coils, induction cooktops use magnets to transfer heat directly to the pan through the process of induction. These ranges heat up faster (they can bring water to a boil in half the time of gas), allow you to cook at very specific temperatures, and are safer. Induction burners only heat the pan and not the cooktop surface, which means the rest of the stove remains cool when it’s on. Without an open flame, people are less likely to burn themselves or accidentally start kitchen fires.

“I am a total covert,” said Dennis Allen, founder of Allen Construction. He’s been cooking on a five-element magnetic induction cooktop for more than a decade. “It is fabulous,” he said. “It’s so responsive, and it is so good for the environment because it’s about double the efficiency of natural gas, because natural gas is heating all of the air around the pot and this power only heats the pot.” He also likes that it’s safer to cook with his granddaughter because she won’t get burned by the cooktop.

If you’re interested in trying before buying, many vendors offer portable models to take home and test. The Santa Barbara Public Library’s Library of Things also has an induction cooktop you can check out.

As more and more information comes out that electric homes are safer and healthier to live in, they are also becoming more practical and affordable, especially with the various incentives. There are some federal incentives for solar installation that are expiring soon, so the time to act is now, said Chiacos.

“Having an all-electric home with solar is definitely the way to go, because then you are using your locally generated sunshine to run your house, and hopefully power your car, too,” he said.

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Vintage Vogue at Indian Pink on State Street

Longtime Santa Barbara Wholesaler Takes a Voyage into Retail

Credit: Leslie Dinaberg

Boho chic meets vintage flair at Tamara and JP Cajuste’s colorful new Indian Pink store (indianpinkpillows.com), a home furnishing haven stocked to the rafters with an inventive assortment of goods.

Pillows made from exotic textiles from around the world are the mothership that launched the couple’s wholesale enterprise in 2007, and there is certainly a vibrant collection of these one-of-a-kind creations. But with the new store (their first) comes a plethora of new merchandise, including tablecloths, napkins, upcycled lampshades, throw rugs, and a variety of vintage furniture covered in the same gorgeous fabrics that first inspired Tamara when she traveled the world as an American Airlines flight attendant.

“We take 19th-century old-fashioned chairs and couches from France and England, so they’re really well-made, and then have them reupholstered in a pretty fabric,” says Tamara. With supply chains still a mess from the pandemic, “the fact that you can get something that is repurposed and beautiful and available is a big asset,” she explains.

During lockdown, she even created a new line of super-comfortable yet still fashion-forward dresses (with pockets!), pajamas, and reversible robes ​— ​all of which are on colorful display at the store. “I wanted to have something cute to match my house to put on,” she laughs. “I had no idea they would be so popular.”

These days, Tamara sources her fabrics from four different vendors in Rajasthan and Shahpur, India. She relies primarily on instinct to make her selections. “I just fall in love with certain things when I see them,” she laughed. “I could never be an interior designer, because I can’t do modern things. I can only do what I do and what I like.”

Credit: Leslie Dinaberg

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Divine Design at Lonetree in Victoria Court

Michelle Beamer’s Retail Showroom Is a Beautiful New Space for Inspiration

Credit: Leslie Dinaberg

Being in the right place at the right time is often the key to success.

As the principal designer at MB Interiors and a faculty member of the interior design department at Santa Barbara City College, Michelle Beamer had long toyed with the idea of opening a retail showroom. Lonetree (lonetreesb.com), her stunning new space stocked with upscale yet comfortable home furnishings, lighting, art, and accessories, comes on the scene just as the downtown Arts District is seeing a renaissance in home design shops and services.

Credit: Leslie Dinaberg

Cleverly merchandised as a series of vignettes and “rooms” combined with a spacious, courtyard-facing design studio, Lonetree is actually based on Beamer’s master’s thesis at the Corcoran School of the Arts and Design in Washington, D.C. The plan included having ever-changing curated vignettes where clients could sit on furniture and touch fabrics and envision what it would be like to live with them. Check. She also envisioned storytelling design opportunities such as the Santa Barbara Museum of Art–inspired Van Gogh desk display now on view. Check. And she wanted to be able to provide a space for community engagement such as 1st Thursday parties ​— ​featuring a recent raffle to benefit CALM (Child Abuse Listening Mediation) ​— ​and collaborations with community groups like Jane Chapman’s Communal Table gatherings (communaltablesb.com). Check.

Not to mention, a beautiful space for her to create, work with her team, and meet clients. Checkmate.

A Nebraska native, Beamer says the name Lonetree is a nod to her hometown. “When I was doing research, I found out about traders in the 1800s traveling by boat along the Missouri River to bring their goods to market,” she said. “The trader was told that once he glimpsed the lone tree on the hill ​— ​there weren’t a lot of trees in Nebraska ​— ​he knew they were close to the right place to sell their goods.”

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Destination Downtown for Design: New Santa Barbara Arts District Home & Design Collective Brings Biz to State Street

Credit: Irene Ramirez; orangeladybird.com

Downtown Santa Barbara has cemented its place as a design destination, and several businesses have banded together to form the new Santa Barbara Arts District Home & Design Collective. The cooperative marketing efforts by six businesses within walking distance of each other ​— ​all located on the 1200 and 1300 blocks of State Street ​— ​is quickly making an impact.

“You can park once and shop easily,” said Michelle Beamer, owner of Lonetree. “The community is very supportive. We’re always talking each other up. Stephanie Payne-Campbell at Domecíl sends people over here all the time. We’re really reaching out to designers too, and they’re sending people over. Even people from out of town. We’ve given maps to people from hotels and things like that, too.”

This appealingly illustrated map (by graphic designer Irene Ramirez; orangeladybird.com) guides shoppers to visit:

Domecíl:  This shop showcases items for the home that highlight both traditional and contemporary craft, including fiber arts, ceramics, woodwork, fine art, and original bespoke, small-batch clothing. (Victoria Court #7, 1221 State St.; domecil.com)

Lonetree:  This showroom for interior designer Michelle Beamer of MB Interiors features furniture, art, and new and vintage home decor items. (Victoria Court #24, 1221 State St.; lonetreesb.com)

Sofa U Love:  Choose from more than 1,000 fabrics and dozens of sofa styles to customize or reupholster couches, chairs, ottomans, and other furniture. (1227 State St.; sofaulove.com)

Celadon House:  This full-service interior design studio and furniture/decor showroom serves residential, hospitality, and commercial design needs. (1224 State St.; celadonhouse.com)

Indian Pink:  This home and lifestyle boutique features reimagined vintage furniture, tabletop accessories, lighting, art, handmade pajamas, robes and bathrobes, and a gorgeous assortment of pillows. (1307 State St.; indianpinkpillows.com)

Maune Contemporary:  This new gallery specializes in limited-edition fine art prints and unique works by renowned international artists whose work has been exhibited and is in the collections of museums worldwide. (1309 State St.; maune.com)

Santa Barbara Independent, May 19-25, 2002. ON THE COVER: Madame Ganna Walska, taken c. 1958. Photo by J.R. Eyerman/Lotusland Archives. Design by Ava Talehakimi.

Originally published in the May 19-25 issue issue of the Santa Barbara Independent. To see the story as it originally appeared click here.

Where Palate Meets Palette Artist — Christina LoCascio ‘01

Part of being an artist is bringing pieces of yourself into your work, but painter Christina LoCascio ‘01, whose work is featured in “Gauchos Gone Grape,” takes this connection to a new level. She is truly living her creative life among the vines, painting with wine as a medium and working exclusively with wines from her family’s Larner Winery in Santa Barbara’s Ballard Canyon, where LoCascio, her winemaker husband Michael Larner, and their children Steven (10) and Sienna (8) make their home. 

When LoCascio began experimenting with wine painting in 2002 she couldn’t find any information about how to do it. “That was before Instagram or Facebook. Now if you search the hashtag #wineart there’s a bunch of artists that are painting with wine, but I feel like what makes what I’m doing special is that it’s such a part of my life.” 

Double majoring in communication and art, LoCascio got her first real exposure to the world of wine in her junior year as an intern for Touring & Tasting Magazine. “It was my 21st birthday and they sent me home with a bottle of wine.” That job also had her researching and writing about wineries and grapes and very quickly she was hooked. 

After graduation she worked in the wine industry in Temecula for a short time, until 2002, when Sunstone Winery scion Bion Rice lured her back to Santa Barbara wine country with an offer to work at Artiste Winery, a new venture featuring art-inspired blends that perfectly combined LoCascio’s interests in wine and art. 

The idea for painting with wine grew out of classes she would host for wine club members at Artiste that used wine in a similar fashion to watercolor. 

Those first few paintings led to a group exhibition in Santa Barbara and then an offer to create wine labels for Artiste. “The exposure of working at the tasting room, having my art on display and then having my art on the wine bottles was great for me,” says LoCascio, who went on to have nine shows at Artiste. 

She continues to show her work at the tasting room gallery, although she stopped working there in 2008, when the family opened Larner Winery. They now have a tasting room in Los Olivos, where LoCascio’s art is on display. “From the very beginning, I was drawn to wine and all the wonderful things about it and how it combined art and science and history and so many things,” she says. 

Wine remains a consistent media for her work — the many shades of red comprise her color palette and she uses white wine to “lift” color in a similar way that watercolorists use water to soften their paint. And while wine is a frequent subject, she also delves into figurative art and architectural paintings. “I think that in the time that I’ve been painting with wine my art has evolved and it continues to change. I have gone through a lot of different types of things,” says LoCascio, who has recently begun experimenting with leaves as well as the fermentation process of the wine itself. Exploding wine bottles and incorporating spills into female forms are some of her other recent artistic explorations. 

Of course, when harvest calls, the paintbrush comes down and it’s all hands on deck for the family business. “We’re really busy, but I’ve come to realize that that’s all part of the process. So, when we’re bringing in grapes and doing the punch down and I’m helping with the wine, and watching the fermentations, it’s just kind of part of it and it all inspires me to think of different ideas,” she says. 

“I think the act of being in the winery making the wine is inspiring for the art, too.” 

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

Shoe Designs That Step Up the Sustainability 

Environmentally friendly practices and fashion come together at della terra (dellaterrashoes.com), a new footwear brand from Designer Emily Landsman ’05. Prior to its launch in June, the new brand hit the ground running, winning four Global Footwear Awards for Landsman’s initial designs using vegan and recycled materials to create a PETA certified line of shoes that don’t sacrifice style or comfort. 

“My time in the art studio program at UC Santa Barbara had a huge impact on my career as an eco-footwear designer, especially Kip Fulbeck’s mentorship that allowed me the opportunity to explore the intersection between art, fashion and the digital world. It was Fulbeck’s teachings that ensured we all examined our position in the business and art landscape, bringing awareness of identity politics to the forefront of my mind,” says Landsman, who is the founder and CEO of della terra. 

“A lot of my inspiration also comes from UCSB’s surrounding areas and amazing backdrops, which granted me the chance to explore a design thinking process that I have continued to apply to each and every project I have worked on since my time at the school,” Landsman says. “While I spent a large chunk of my career in major cities like New York and Boston, Santa Barbara’s landscape has continued to be a constant presence in my work. della terra translates to ‘of the land’ and UCSB’s surrounding area is a very large part of that inspiration behind the name. Being able to merge this while contributing positively to the planet will continue to always be my initiative as a designer and business owner.” 

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

Elevated Reflections of Life — Artist Yumiko Glover MA ’17

Elevated Reflections of Life, UC Santa Barbara Magazine, Fall/Winter 2021.

Born and raised in Hiroshima, Japan, cover artist Yumiko Glover MA ‘17 took a circuitous route to finally following her passion. 

“When I was applying for college in Japan I didn’t have a mentor to support me,” Glover recalls. “I wanted to go to art school and of course, my parents worried that it was ‘non job promising.’ So, I gave up and I majored in something else.” But the desire stuck with her. She took as many art classes as she could while working in the import-export business for more than a decade before returning to school to follow her dreams of becoming an artist. She completed a bachelor of fine arts degree at the University of Hawai’i at Mānoa in 2011 and then came to UC Santa Barbara to complete her masters in fine arts in 2017. 

“I was not a good student in Japan in college because I was not really interested in the field. But when I went back to school, I was very serious,” laughs Glover, who is now a visiting lecturer in the UC Santa Barbara Department of Art, as well as a graphic designer and fine artist who has her work in collections at the Honolulu Museum of Art and on view at LAX, among other venues. 

Over the years her style has evolved, but current events continue to influence her art. 

Her “Unfold” series was inspired by President Barack Obama’s visit to Hiroshima in 2016. The first sitting president to visit the city destroyed by an American atomic bomb during World War II, Obama brought origami paper cranes that he folded himself. “Crane origami is a symbol for peace, wishing the best for others, and healing for challenging times,” says Glover. 

Working on the premise that with each fold they make in an origami crane, people are thinking about others’ wellness or sending them good wishes, Glover drew geometric forms and combined them in different ways to create elements. “I thought that matched well with what we are going through in the pandemic,” she says. 

Her ongoing series “Transience” also fits in thematically. “Living through the pandemic completely shifted everybody’s life, including myself, especially my perspective on approaching art,” says Glover. 

“Transience comes from the Japanese term, mono no aware, which means the transience of life that is the aesthetics of impermanence — nothing lasts forever but there is preciousness to it. I created new paintings during the pandemic; one inspired by the cherry blossom season. As you know the cherry blossom has an intense and precious life and death cycle, which is mirrored by the impermanence of our nature and material world that we took for granted for so long.” 

She continues, “During the pandemic, as everything that we thought would last forever became uncertain and our perspectives about life, including the subjects for the magazine — education, economy, mental health, work and environment — everything has changed and also affected me and the way I think, so when I received the concept of the magazine design, I could apply those ideas that I was going through during the pandemic to the design.”  

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.

 

A New Way to See UCSB — Introducing UC Santa Barbara Magazine

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

I am the managing editor of a brand new publication, UC Santa Barbara Magazine.  A  glossy print publication and website offering a birds-eye view of the spectacular seaside university. From the people, programs, scholarly pursuits and trends that make UC Santa Barbara a world-class institution, to the sports, arts and culture, natural environment and vibrant students and vital alumni communities that enrich our campus experiences, UC Santa Barbara Magazine offers insight into the rich complexity of the university and its impact on the larger world around it.

Read the entire magazine online here. In addition, here are links to some of the stories I wrote.

Wheels of Fun

The Short List: The Beat Goes On

Elevated Reflections of Life — Artist Yumiko Glover MA ’17

Bringing Diverse Perspectives to the White House

Shoe Designs That Step Up the Sustainability 

Where Palate Meets Palette — Artist Christina LoCascio ’01

The Short List: The Beat Goes On (UC Santa Barbara Magazine)

DJ Darla Bea, photo by Paul Wellman.

“Like any of your senses — the act of listening to a song can conjure up feelings and, in this case, a love of your college days,” says Darla Bea ‘03 . As Stevie Wonder once said, “Music, at its essence, is what gives us memories. And the longer a song has existed in our lives, the more memories we have of it.” 

Sporting slews of rave reviews from national wedding websites and voted Santa Barbara’s favorite DJ for six years in a row, Bea has made a career out of homing in on the visceral, emotional connection that tunes play in our lives. “Rock it Properly,” her weekly radio show that’s been running on KCSB since 2007, is a meticulously researched round-up of fun facts and musical magic. 

When last year’s All Gaucho Reunion had to go virtual, Bea helped to make it memorable by creating seven different GauchoBeats playlists, curated by decade, from 1939 to the present. From Bill Haley & His Comets’ “(We’re Gonna) Rock Around the Clock” and The Beach Boys’ “Good Vibrations,” to Chumbawamba’s “Tubthumping” and Walk the Moon’s “Shut Up and Dance,” these Spotify playlists of feel-good tunes (alumni.ucsb.edu/events/all-gaucho-reunion#gauchobeats) brought some much-needed positivity during some rather grim days. 

Of her time at UC Santa Barbara, Bea says, “The magic and music were always a thing that drew me out to hear bands play in Isla Vista and at UCSB, and of course I knew I was going to get an excellent education. I just wanted to be part of that.” 

A Santa Barbara native who lived at home during college, she says, “I did not have a car, had a bus pass. I spent a lot of time on campus in the library and the bookstore. I loved looking at all the media out there; it was a really good bookstore. And every once in a while I’d have to call my dad to get me because I missed the last bus.” 

Known for her colorful wigs, kicky costumes and eclectic mixes, Bea still comes to campus every Sunday to host her radio show, and says one of her goals is to, “expand your narrow way of thinking about music. The world is a lot smaller when you can grasp a culture, or an era, through their music.” 

UC Santa Barbara Magazine, Winter 2021

UC Santa Barbara Magazine, Winter 2021

Originally published in the Fall/Winter 2021 issue of UC Santa Barbara Magazine. Cover illustration by Yumiko Glover. To see the story as it originally appeared click  here.