“The delineated characteristics of Jo Merit’s paintings and the fine craftmanship of Douglas Dafoe’s geometric wood wall sculptures drive the title of the show,” writes Ziegler. “Complementing their precise line work, we have Katarzyna Kociomyk’s lush boats at rest on the water and Charlie Patton’s large and small expressive paintings.”
Join the artists for the reception on Friday, March 16, from 5-8 p.m. The artists will speak about their work at 6 p.m.
The show remains on view through May 13.
Charlie Patton, “Misty Copeland Two Slippers,” oil on canvas.
Jo Merit, “At The Dark End Of The Street,” acrylic on canvas.
Katarzyna Kociomyk, “Cast In Bronze,” oil on canvas.
Douglas Dafoe, “untitled,” wood with copper paint.
“We are a world in flux. In this consistent state of change, finding a path to calm is almost impossible. It takes effort to keeping ourselves upright and moving forward, while this drift and unknowingness takes all our energy. We all feel now as if in constant motion both physically and emotionally. For Marian Crostic, finding that peace comes at the waters edge,” states event organizer Crista Dix.
Tidal Impressions #1 by Marian Crostic.
Crostic’s series is an abstract vision of the waters edge, the organic connection between liquid and solid. This high contrast work belies its softness, with striking emphasis on the graphic and non-linear patterns in nature.
Marian Crostic made the career change from the fashion world to photography over a decade ago. Turning her creativity from fabrics towards imagery, this group of photographs fundamentally started taking shape and vision on her morning walks along Venice Beach. Meditative in nature the series is about importance of seeing ones own environment with a present, reflective and introspective eye.
Come from 5 to 8 p.m. on Friday March 16for an informal talk with Crostic about this beautiful work.
For more information about Sea Change, wall space creative and Marian Crostic or to see a portfolio of works please contact wall space gallery at 805/232-5428 or email@example.com.
Heroes photo, courtesy Santa Barbara Summer Solstice.
The 2018 Summer Solstice Parade & Festival theme is HEROES, which is certainly an apt choice for our community right now.
The organizers state, “we are so grateful and beyond moved by our local heroes and all of the beauty that has been shown by hundreds of emergency professionals and firefighters who have come to Santa Barbara and Ventura Counties to fight the Thomas Fire that has wreaked havoc on our area. Now with the recent mudslides in Montecito we are again finding heroes everywhere: in our neighbors, our community businesses and growing within ourselves.”
The theme was selected from more than 100 suggestions.
Organizers are now accepting artwork submissions for the 2018 Poster & T-shirt Contest. The deadline for submissions is Thursday, February 15, at 5 p.m.
The artist selected will win a $500 prize.
Submit up to three images (jpeg format, 72 dpi) by email, with titles, to firstname.lastname@example.org.
Don’t forget to include your name, address and phone number, as well as the email headline “2018 Poster & T-shirt Contest.”
Works are encouraged to support the Solstice 2018 theme: “Heroes,” though all artwork submitted will be considered.
The 2018 Santa Barbara International Film Festival (SBIFF) offers 200+ films representing 58 countries, 45 World premieres, and 53 U.S. premieres, along with tributes with the year’s top talent, panel discussions, and free community education and outreach programs.
Below is the list of world premiere features at the 2018 SBIFF.
Large crowds flocked to the 5×5 exhibition in 2014, photo courtesy Westmont College.
An update from Westmont College : Small works of art from several hundred artists from around the country will be auctioned during “5X5: Celebrating Westmont College’s 80th Anniversary” at the Westmont Ridley-Tree Museum of Art. The online auction will begin Thursday, Jan. 11, at westmontmuseum.org and last until Jan. 26 at 5 p.m. However, due to the destruction in the local community from mudslides, an opening reception will be delayed until Thursday, Jan. 18, from 4-6 p.m. The opening reception, which includes coffee and cake, is free and open to the public. This is the largest fundraiser of the year for the museum.
The online auction kicks off with an opening reception on Thursday, Jan. 11, from 4-6 p.m., and bidding will continue until Jan. 26 at 5 p.m. The opening reception, which includes refreshments, is free and open to the public.(Event delayed due to flooding) All proceeds from the event will go towards the museum.Artists were invited to create a unique work of art on a five-inch square piece of paper which they received and returned to the museum by mail.
The exhibition features renowned artists Christo, Charles Arnoldi and Chris Raschka along with local luminaries Tony Askew, Mary Heebner, Penelope Gottlieb, Dane Goodman, Richard Aber and author T.C. Boyle.
In the past, the auction has raised upwards of $20,000 for the museum.
“We have been looking forward to bringing the 5×5 exhibition back and Westmont’s 80th Anniversary is the perfect way to celebrate,” says Judy Larson, R. Anthony Askew professor of art history and museum director. “It’s a great opportunity to support the museum’s programs, meet new artists and connect with old friends.”
For more information, visit westmontmuseum.org or contact the museum at 805/565-6162. Westmont Ridley-Tree Museum of Art is located at 955 La Paz Rd. It is free and is open to the public Monday through Friday from 10 a.m. to 4 p.m. and 11 a.m. to 5 p.m. on Saturdays. It is closed Sundays and college holidays.
Image: Chiura Obata, Grand Canyon, May 15, 1940, Watercolor on silk, Amber and Richard Sakai Collection, courtesy UCSB ADA&A Museum.
UCSB Art Design & Architecture Museum has three terrific winter exhibits opening this month. Chiura Obata: An American Modern is on view Jan. 13-April 29 and features the work of Chiura Obata, one of the most significant Japanese American artists of the last century. Also on view during that same time period is Jane Gottlieb Photographs France, featuring thevibrantly colored, energetic cibachrome vision of Jane Gottlieb, a local artist whose work has been exhibited widely and featured in Santa Barbara Seasons.
The opening reception for all shows takes place on Jan. 12, from 5:30–7:30 p.m. at UCSB Art Design & Architecture Museum, 552 University Rd., UCSB.
About Chiura Obata
Born in Okayama, Japan, and working primarily in California, Obata emigrated to the U.S. in 1903 and embarked on a seven-decade career that saw not only the growth of an international American art but also xenophobic laws and the mass incarceration of Americans of Japanese descent during World War II. Obata emerged as a leading figure in Northern California’s art scene, serving as an influential art professor at the University of California Berkeley for 22 years, and as a founding director of art schools at the Tanforan Assembly Center in California and the Topaz Relocation Center in Utah during the Japanese American Internment (1942–45).
Chiura Obata: An American Modern surveys Obata’s rich and varied oeuvre, featuring more than 150 superb works of art, many of which have never been on public display. Drawing from private and public collections, the retrospective showcases representative works from every decade of Obata’s career and presents them under thematic groupings in a loosely chronological order.
The many smaller, never-shown works in this retrospective illustrate Obata’s tireless pursuit of better techniques and devoted appreciation of the detail of everyday life.
“With a prodigious and expansive oeuvre, Obata’s seemingly effortless mastery of, and productive engagement with, diverse techniques, styles, and traditions defy the seemingly incompatible categorizations of what we have come to define as ‘American/European’ and ‘Japanese/Asian’ art,” says Professor ShiPu Wang, curator of the exhibition. “Obata’s faith in the power of art, his devotion to preserving the myriad grandeur of what he called ‘Great Nature,’ and his compelling personal story as an immigrant and an American all make Obata and his art as relevant to our contemporary moment as ever.”
Jane Gottlieb, Brancusi Head, 2017, photo-based art, archival dye sublimation print on aluminum, 40 x 60 in.
About Jane Gottlieb
Jane Gottlieb is a photographer living in Southern California, where she was born and raised. In her early 20s she made her first trip by herself as a young professional to Paris. The images she took then, and in many subsequent trips, have been a touchstone of her life’s work. She has returned to them again and again in the last decades, changing them progressively to meet her vision of France as the technology available to her has advanced.
Gottlieb’s vision of France is not like anyone else’s. It is riotous in color, hyper-vibrant in energy, and deeply Californian, shot through with a purely Mexican palette. When she discovered the possibility of hand painting cibachrome prints she had the tools to change the world to match her vision. Printing from her library of color slides, she could brighten them up and give them a new exciting life. The possibility of saturated, unrealistic color was released from Pandora’s box, not to cause trouble but to irritate the eye like a grain of sand in an oyster, producing pearls of perception.
The exhibition includes 20 works by Gottlieb, which survey both the development of her techniques and the specific motifs she has concentrated on in France. The photographs range in date from the late 1970s to the mid 1990s, and the prints from the early 1980s to the present. In addition, the exhibition includes, by way of contrast, late 19th-century photographs and postcards, which express the typical way photographers and visitors have viewed France, and highlight the originality of Gottlieb’s images.
With the cibachromes and then her digital prints, the power of Gottlieb’s vision has been widely recognized. Her work has been exhibited internationally and locally, from Basel, Lisbon, London, Paris, Rome, and Milan, to New York City and Denver, and in Los Angeles and Santa Barbara. Gottlieb’s work resonates across a broad range of viewers and interests.
Keith Puccinelli, Chesire Cat, 1998, ink on paper, 6 x 4 in.
About Keith Puccinelli
To announce the extraordinary gift of works and an archive by Keith Puccinelli as well as the recent establishment of The Frances Garvin and Keith Julius Puccinelli Endowed Fund, the AD&A Museum is mounting a celebratory exhibition. Featuring Keith Puccinelli’s work and selections from the couple’s personal collection, this exhibition is a modest installation in anticipation of a larger, forthcoming presentation of this incredible donation. Including a selection of Keith Puccinelli’s drawings, sculptures, sketchbooks, graphic designs and art by local and international folk artists, this installation underscores how this couple, recently deceased, lived an inspired, creative life.
Admission to UCSB Art, Design & Architecture is always free. The Museum is closed Mondays and Tuesdays and open to the public from noon-5 p.m. daily, except Thursdays, when it is open from noon to 8 p.m.
Tuesday, November 28 is designated as #GivingTuesday, when those who are able are urged to make donations to support local nonprofits. Now entering its sixth year, #GivingTuesday is a global day of giving—as a counterpoint to Black Friday and Cyber Monday buying—that celebrates and supports giving and philanthropy and is fueled by the power of social media and collaboration.
Here’s something to consider when you make those donations: not only is art good for the soul, it’s good for the wallet.
Did you know that Santa Barbara County’s nonprofit arts and cultural organizations comprise a $200 million industry? According to a recent national study—Arts & Economic Prosperity 5, conducted by Americans for the Arts—which collected data from 250 regional partners, including Santa Barbara County, this number supports the equivalent of 5,857 local jobs and generates approximately generates $20 million in local and state tax revenue.
As Randy Cohen, Vice President of Americans for the Arts stated, in a recent presentation at the Santa Barbara County Arts Symposium, “When you invest in the arts you are not investing in a frill, you are investing in a healthier Santa Barbara.”
“Art is not the cherry on top of the split, it’s one of the bananas,” said Keynote Speaker and Mayor of New Orleans Mitch Landrieu, sharing how the arts revitalized New Orleans post-Katrina.
According to the Americans for the Arts study section on Santa Barbara County:
Nonprofit arts and cultural event attendees spend an average of $28.25 per person (excluding the cost of admission).
Event-related spending by arts and cultural audiences totaled $72.3 million (excluding the cost of admission).
And if those numbers don’t grab you, there are some heartfelt stats that support the arts. According to another Americans for the Arts survey by Ipsos Public Affairs, an overwhelming majority of Americans believe that the arts improve the quality of our personal lives and our communities.
63% believe the arts “lift me up beyond everyday experiences.”
73% say the arts are a “positive experience in a troubled world.”
64% feel “pure pleasure to experience and participate in the arts.”
67% percent believe “the arts unify our communities regardless of age, race and ethnicity.”
62% agree that the arts “help me understand other cultures better”
For more information about the Giving Tuesday initiative and to search participating nonprofits in the Santa Barbara area, visit www.givingtuesday.org.
Noted for his landscape painting and contributions to the background illustration and styling of classic Disney animated films like Sleeping Beautyand Lady and the Tramp, Eyvind Earle is also famous for his Christmas and holiday greeting cards, creating over 800 designs between 1938 and 1995.
The Elverhoj exhibition showcases serigraphs and paintings that are the basis of Earle’s famous greeting cards. This is a special opportunity for collectors as limited edition serigraphs will be available for purchase.
“I never planned to be involved with Christmas card designing,” said Earle. “It simply happened as a means of survival. To me, every day is Christmas. Every creation is divine. Cover the ugliest run-down shack with snow, and it becomes a magic vision of purity.”
For a ten year period between 1968-1978 Earle resided in Solvang. “The imagery derived from themes of the Santa Ynez Valley are unmistakable in many of Earle’s paintings and serigraphs,” says Elverhoj Executive Director Esther Jacobsen Bates. “He found inspiration in the natural beauty of the CA Central Coast.”
Elverhøj Museum of History & Art is open Wednesday through Sunday from 11 a.m. to 4 p.m. There is no charge for admission; suggested donation is $5. More information can be found at www.elverhoj.org or by calling 805/686-1211.
The Eyvind Earle exhibition is on view from November 18 through January 28.
Willson Wine bottles of pinot noir, with labels by Slingshot Artists, available at the Wine & Art Fundraiser, photo by Leslie Dinaberg.
Based in Carpinteria, the pinots produced by the Willson Family are bottled with special labels from SlingShot artists—and all of the proceeds benefit the SlingShot art program.
The Willson’s daughter Mylie was born with Down syndrome and received services from Alpha Resource of Santa Barbara, thus inspiring the family to produce their wines so generously, says Sue Dumm, Artist Representative/Community Liaison for SlingShot. In addition to being available for tasting and purchase at the Wine & Art fundraiser, SlingShot is now part of First Thursday festivities in downtown Santa Barbara, where each month the public can come see and buy art on the walls, as well as taste and purchase Willson pinot, says Dumm.
Dumm gave me my first tour of the gallery for this story, but it definitely won’t be my last visit!
Another Willson Wine bottle of pinot noir, with label by a Slingshot Artist, available at the Wine & Art Fundraiser, photo by Leslie Dinaberg.
Just a few steps a way from our office at Santa Barbara Seasons, SlingShot is a working art studio and gallery which supports 34 different Santa Barbara artists. Since 1980, Alpha Resource Center has promoted artists with developmental disabilities through participation in gallery and juried art shows, and this gallery is an expansion of the art studio program. Many of the artists are recognized for their talent and have developed dedicated collectors. SlingShot gives the artists greater visibility and access to the rich local art world. It also gives our community better access to their work. As a working studio, visitors are able to meet the artists and view the art as it is created.
According to the Mission Statement, “Alpha Resource Center is a multi-faceted service center providing support and information for families of children with developmental disabilities of all ages, teen and adult recreation, and life skills training for adults. Today Alpha serves over 2,200 families. Alpha also owns and operates three thrift stores which support our services.”
I hope to see you there! Cheers! Click here for more cocktail corner columns.
When she’s not busy working as the editor of Santa Barbara SEASONS, Cocktail Corner author Leslie Dinaberg writes magazine articles, newspaper columns and grocery lists. When it comes to cocktails, Leslie considers herself a “goal-oriented drinker.”
Maps are available at the Arts Fund Gallery (205-C Santa Barbara St.) to take a free, self-guided tour.
Artwork currently in the Funk Zone Public Art Program includes:
(Pictured at top) Silver Spoon #125, The Import by Leslie Lewis Sigler
123 Santa Barbara St.
Leslie Lewis Sigler is a still-life painter who explores the histories and lifespans of silver family heirlooms, their ability to reflect our own personal life stories and family histories, and the way they continue to connect us to one another. By composing portraits of these objects, she studies the character evident in their inherent design and ever-changing patina. Each singular object’s form, condition, and character transform an otherwise functional object into something rich with history and artistic beauty, with the power to reflect our own life stories and family histories in the process.
Thank you to The Squire Foundation for funding this project. Special thanks to PPG Paints for materials and Max Torres and Manuel Unzueta for lending their time and expertise.
Hexad by Ken Bortolazzo, 116 Yanonali St., courtesy photo.
Hexad by Ken Bortolazzo
116 Yanonali St.
“Hexad” is titled for the six identical interlocking pieces that make up the sculpture. Bortolazzo’s early passion for complex puzzles evolved through his interest in Minimalism, Op Art, and Kinetic sculpture. Having spent the last 30 years working almost exclusively with stainless steel, he has created two main bodies of work, his Optikinetics that he currently pursues and before that his puzzle series. These puzzle works involve interlocking geometric shapes that exploit the radiance of burnished steel. From his studio in Santa Barbara, Bortolazzo has developed a national reputation in contemporary sculpture.
The Arts Fund thanks its amazingly supportive board member Joanne Holderman for funding this project. Special thanks to Sullivan Goss and Allen Strubing for lending his time and expertise.
Totally Awesome by Chadillac Green, 132 Santa Barbara St., courtesy photo.
Totally Awesome by Chadillac Green
132 Santa Barbara St.
“Totally Awesome” is inspired by Green’s memories of growing up in the 80s and early 90s, drawing from the work of Patrick Nagel and the motifs and imagery of daily life at the time. Green began his early days spray painting in the streets of Kansas, Missouri, and continues his love of creating as a “wizard of arts” through his work as a local tattoo artist, DJ, painter, and mural artist in Santa Barbara.
The Arts Fund thanks MichaelKate Interiors, the City of Santa Barbara and the Santa Barbara County Office of Arts and Culture for funding this project. Special thanks to Milpas Rentals for the equipment, PPG Paints for materials, and Martin Diaz and Shane Tuthill for lending their time and expertise.
East of Yesterday by Ruth Ellen Hoag, 10 E. Yanonali St., courtesy photo.
East of Yesterday by Ruth Ellen Hoag
10 E. Yanonali St.
“I was given the challenge to depict the history of the Funk Zone through current day. Hours were spent combing through the Gledhill Library, talking to long-time residents and businesses in the area. Never the glamorous part of town, little visual information was available. It was warehouses, boats and fishermen, airplanes, surfboards, skateboards and artists. Today, it remains an area for craftsmen and artists, plus tourists, food, wine, beer and the beach. Little by little it all became visible to me, and I’ve painted it as I see it. We live in the moment, as those portrayed along the lower portion of the murals, unaware of those who came before, those who walked the same streets.” —Ruth Ellen Hoag
The Arts Fund thanks Yanonali Partners, LLC and Santa Barbara Beautiful for funding this project. Special thanks to Milpas Rentals for the equipment, Impact Hub for hosting, and Gregory Beeman, Manuel Unzueta and John Hood for lending their time and expertise.
Tengoku by Michael Irwin, 205 Santa Barbara St., courtesy photo.
Tengoku by Michael Irwin
205 Santa Barbara St.
“‘Tengoku’ (Sky Country) is a combination of three of the many motifs that I’ve worked in. The atmospheric sky and clouds, the field, is from my meditational seascape series, the painted pole from my squeegee works and lastly, the tubular rectangular element is from my abstract illusionistic series. The three components come together to create an intersection of whimsy and possibilities ~ hopefully optimistic and a portal accessible to all.” —Michael Irwin
This project was funded by The Arts Fund. The Arts Fund thanks to Art Essentials and PPG Paints for Materials, Milpas Rentals for the equipment and Max Torres and Shane Tuthill for lending their time and expertise.
Birds of a Feather by Luis Velazquez, 205 Santa Barbara St., courtesy photo.
Birds of a Feather by Luis Velazquez
205 Santa Barbara St.
“I was born and raised in the state of Jalisco, Mexico. My mother is a seamstress and my father a farm worker. One of my earliest recollections, from when I was six years old, is that of gathering flower petals to extract their pigment and color the walls of my home. I often got into trouble with my mother for picking flowers from her plants and cutting down branches from our lemon trees to make slingshot frames to terrorize local birds. For this particular piece, I was inspired by the many caged birds my mother kept when I was growing up and one of my favorite places to visit: the colorful city of Guanajuato, Mexico. The artwork I create is a combination of recollections of my past mixed with my present experiences. Bright colors and raw materials are hallmarks of my childhood memories and culture. My daily life is filled with unexpected, spontaneous, and sometimes random events. My work reflects this in my choice of materials and subject matter, mainly inspired by nature and social issues.” —Luis Velazquez
Dark Waves Covering My Eyes by Danny Meza, 219 Gray Ave., courtesy photo.
Dark Waves Covering My Eyes by Danny Meza
219 Gray Ave.
“The best way I can describe this piece without talking about death is to say that this person is lost. Although it may be hard to see it, there is a person being caught in mysteriously dark waves, it wasn’t water, so it might not have been in the ocean. Sometimes as an artist, I don’t know what my paintings are about or always understand them but I always have a sense of what’s going on, like it’s telling me a story, fictional or non-fictional. In this case, what I see here is a person has no idea how they got there, so I imagine that they are frightened. As they look around to find out what’s going on, their insides start to glow bright like lights. The light from the left eye shines so bright it cuts a hole through a wave covering their eyes, finally being able to see that they are not going home after this.” —Danny Meza
This project was funded by The Arts Fund.
Previously Completed Projects
Long Days, Short Year by R. Nelson Parrish, 121 Santa Barbara St., courtesy photo.
Long Days, Short Year by R. Nelson Parrish
121 Santa Barbara St.
Long Days, Short Year is a translation of color, motion and the passion for the hustle. Inspired by Minimalist artists, Santa Barbara light and geography, and the history of national parks, the pieces pull threads from disparate dialogues to weave an abstract narrative designed to engage and inspire. The first of the artist’s career, the mural was created solely using Montana Cans spray paint, purposefully to connect and challenge the discourse surrounding “street art.”
The Arts Fund thanks Mesa Lane partners for funding this project and being early supporters of the program. Special thanks to Milpas Rentals for the equipment.
Hurry Home by Phoebe Brunner, 127 Gray Ave., courtesy photo.
Hurry Home by Phoebe Brunner
127 Gray Ave.
“My mural, Hurry Home, is a personal fairy tale. The little red house, perched atop a giant tree stump, springs out of a tequila plantation. Many years ago, I lived in Guadalajara. While driving to and from Santa Barbara, I’d pass through the little town of Tequila, in Jalisco, Mexico. The infinite rows upon rows of magical blue tequila plants have stayed in my imagination. The little house seems like the perfect place to enjoy the view. So climb the ladder and Hurry Home. By creating an alternative view to traditional landscape painting, my re-conceived landscapes of the American West and the coast of California, simultaneously real and surreal, invite the viewer to experience our surroundings with a new perspective and to lose oneself in an environment of nature enhanced and unexpected. Through the interplay of light and space, unorthodox colors, patterns and movement, a symbolic narrative with a mystical presence arises. Primal emotions and instinctive, intuitive forces from within the human psyche are accessed through awareness of our natural world. Derived from, but not documentations of specific places, these views are “re-imaginings”. The viewer is led to wonder where these landscapes exist—with a longing to visit, and at the same time search in their own subconscious to find a personal location.” —Phoebe Brunner
The Arts Fund thanks Santa Barbara Beautiful for funding this project. Special thanks to Joseph Garred for being an early supporter of the program.
Los Angeles based artist Tofer Chin creates geometric paintings, sculptures, and photographs that interpret his observations of urban and natural landscapes. He investigates images and patterns in locations around the world and represents them as minimalist forms and patterns. In addition to his gallery-scale works, he also paints large outdoor murals around the world, as well as site specific sculptural installations.
“Shift No. 1 is a continuous investigation of view through a keyhole perspective while shifting one’s view away from the familiar by opening up a new architectural dimension of color and emotion.” —Tofer Chin
The Arts Fund thanks Mesa Lane partners for funding this project and being early supporters of the program. Special thanks to Milpas Rentals for the equipment.
Variable Door Style by Chad Avery, 121 Helena Ave., courtesy photo.
Variable Door Style by Chad Avery
121 Helena Ave.
“Over millennia, the door has become an inescapable icon of the human condition, simultaneously welcoming and reticent, able to bring you in or take you out. The mere outline of a door can trigger a variety of impressions limited only by the number of viewers. We are free to go as far as our minds can take us, or to go nowhere. Accordingly, a abstraction does not end at physical and mental boundaries, but extends beyond these dimensions into the realm of infinite possibility. Abstraction is a gate, and what lies on the other side is for everyone to discover for themselves.”—Chad Avery