Sip Trip: Tri-Cities, Washington

Sip Trip: Tri-Cities, Washington, originally published in Touring & Tasting, spring/summer 2020.

Explore the Heart of Washington Wine Country

A sojourn to the Tri-Cities (Kennewick, Pasco, Richland and West Richland) is an excellent way to savor the heart of Washington Wine Country and experience a winning combination of sun, water and wine. Whether you want to tour wine country, play outdoors, feast on the local culinary bounty or enjoy a wide variety of cultural pursuits, the Tri-Cities has it all!

DAY 1

10 a.m. Start in Benton City with Washington’s hottest AVA, Red Mountain. Encompassing about 4,000 acres of vineyards, Red Mountain provides grapes to over 175 wineries throughout the Pacific Northwest, consistently earning critical acclaim. With 11 on-mountain wineries and tasting rooms to choose from, you’ll enjoy meeting with vintners during this hands-on experience. For an even more intimate exploration of the Red Mountain Trails, ride from winery to winery on horseback or take a horse-drawn  wagon ride. Redmountainava.com | redmountaintrails.com

DAY 2

9 a.m. Get outside and breathe some fresh air along the sparkling Columbia River. There are fun, outdoor recreation activities for everyone, with stand up paddle board yoga, bike rentals, kayaking and more available. greenielife.comnorthwestpaddleboarding.com

11 a.m. Visit Columbia Gardens Wine and Artisan Village in historic downtown Kennewick for an urban tasting experience at their boutique tasting rooms and wine production facilities.

12:30 p.m. Choose from one of the three charming wineries on Tulip Lane in Richland —J. Bookwalter, Barnard Griffin and Tagaris — for cuisine that’s expertly paired with their wines. bookwalterwines.combarnardgriffin.com | tagariswines.com

3:30 p.m. Indulge in a bit more tasting, with a number of excellent wineries to choose from in Richland and Kennewick, including Goose Ridge Estate Vineyard & Winery, Longship Cellars, Badger Mountain Vineyard & Powers Winery, Kitzke Cellars, Farmhand Winery and Market Vineyards. gooseridge.com | longshipcellars.combadgermtnvineyard.comkitzkecellars.com | farmhandwinery.commarketvineyards.com

6 p.m. Revel in a stunning sunset and a gourmet dinner, as well as all of the luxuries of a 96-foot yacht, on a Water2Wine Cruise along the Columbia River. water2winecruises.com

DAY 3

10 a.m. Enjoy the short drive from the urban Tri-Cities to the small, agricultural community of Prosser. Often recognized as the “Birthplace of Washington Wine,” Prosser has a variety of wineries to visit at the Prosser Wine & Food Park. Vintner’s Village has over 12 wineries, as well as the Winemaker’s Loft, a winery incubator that houses a half-dozen wineries and tasting rooms. gotastewine.com/prosservintners-village.php

2 p.m. Don’t miss the Walter Clore Wine and Culinary Center. Named after Washington wine pioneer Dr. Walter Clore, the Clore Center is a unique wine tasting and education destination that showcases Washington wine’s quality and diversity by offering an in-depth taste of each wine region. theclorecenter.org

There are always loads of special events going on in the Tri-Cities, with entertainment for all ages and interests. May’s Cinco de Mayo celebration is a true cultural experience with traditional music, amazing Mexican cuisine, horse dancing and more. June’s Cool Desert Nights takes car-lovers throughout the Tri-Cities. Every July brings the three-day Tri-City Water Follies boat racing tournament. Labor Day weekend is the Tumbleweed Music Festival, with more than 100 talented performers participating in three days of amazing concerts and events, many of which are free. Check out visittri-cities.com/events to stay up-to-date on all of the local happenings.

VisitTri-Cities.com

Originally published in the spring/summer 2020 issue of Touring & Tasting. Click here to read this story and more! TT-SP20.digital

Santa Barbara’s Rugged Beauty: Photographer George Rose Turns His Lens to Wine Country

Santa Barbara’s Rugged Beauty: Photographer George Rose Turns His Lens to Wine Country, from the Spring/Summer 2020 issue of Touring & Tasting.

One of the things about Santa Barbara County’s wine country that is so unique is the western feeling, says George Rose, whose new large format photography coffee table book, “Wine Country Santa Barbara County,” showcases this bewitching California coastal wine landscape to perfection.

A longtime wine and travel photojournalist, Rose, whose most recent coffee table book was “Vineyard Sonoma County,” has photographed the Santa Barbara region for decades.

“When you get over into the Santa Ynez Valley where the grapes are grown in Santa Barbara County, the mood is very western and in the summertime it’s a little dusty and considerably warmer than on the coast. I just love the attitude, from Santa Maria barbecue to all of the crazy Danish memorabilia and architecture in Solvang,” Rose says. “It’s a lot of fun and I think it comes through in the book, which I divided up by trails or regions of the county.”

Also unique to the region: just about every wine grape variety known to the modern American consumer is grown in Santa Barbara County. A veteran photographer whose work has been featured in Time, Newsweek and Rolling Stone, as well as throughout the wine and travel world, Rose captures Santa Barbara’s beauty with sections on the various AVAs and wine trails, as well as chapters that spotlight people enjoying the wines in urban tasting rooms in downtown Santa Barbara and Solvang, and the all-important harvest.

“These people who toil out in the vineyards all year long really are the key and the linchpin of this whole business,” says Rose, who explains that his approach was kind of “National Geographic-style photojournalism.”

Indeed, the sumptuous landscapes and the intimate lifestyle shots are both truly a work of art — and an eight-year labor of love to compile and shoot. The book is handcrafted, hand stitched and each sheet was hand fed into a Heidelberg press, says Rose.

“Wine Country Santa Barbara County” is available at featured wineries, as well as georgerose.com.

Originally published in the spring/summer 2020 issue of Touring & Tasting. Click here to read this story and more! TT-SP20.digital

THE BUZZ | DESIGN DESTINATION: RH Yountville

RH Yountville, originally published in Touring & Tasting, spring/summer 2020.

An enchanting, elegant and extremely upscale amalgamation of food, wine, art and design, RH Yountville showcases a dazzling new experience in the heart of Napa Valley.

The five-building compound features a chic indoor-outdoor restaurant where guests dine to the sounds of water trickling from dramatic seven-foot fountains under a towering glass roof, surrounded by 100-year-old heritage olive trees and sparkling crystal chandeliers.

Previously known as Restoration Hardware, parent company RH launched this flagship project in 2019, marking Chairman and CEO Gary Friedman’s ongoing collaboration with celebrated restaurateur Brendan Sodikoff and award-winning design architect James Gillam of Backen & Gillam (recognized as one of Architectural Digest’s Top 100 architecture and design firms in the world, including more than a dozen top estate winery projects).

“RH Yountville reflects our vision for creating inspiring spaces and authentic experiences that respect and amplify the local culture. This is an inherently personal project given our nearby headquarters in Marin County,” said Friedman.

In addition to RH Restaurant, featuring an ingredient-driven menu with elevated interpretations of timeless classics like ribeye steaks, lobster rolls and housemade pastas, as well as an extensive brunch menu, RH Yountville also includes a two-story stone Wine Vault at the historic Ma(i)sonry building.

Originally home to one of Napa’s first vintners in the early 20th century, the landmark building has been transformed with a 24-foot cedar ceiling, rough-cut fieldstone walls, luxe lounge seating and a monumental limestone bar. Visitors can discover a curated selection of rare, limited-production wines from some of the valley’s top small producers, as well as classic champagnes.

Adjacent to The Wine Vault is an outdoor Wine and Barista Bar serving craft espresso, teas, fresh cold-pressed juices and wines by the glass. Also on the property are two boutique design galleries, featuring globally sourced antiques and inspired objects — all connected by lush garden courtyards with granite and bluestone walking paths and outdoor living room areas that can be reserved for wine tastings.

For more information, visit restorationhardware.com/content/ category.jsp?context=Restaurant_YV.

Originally published in the spring/summer 2020 issue of Touring & Tasting. Click here to read this story and more! TT-SP20.digital

When the Sun Goes Down, Paso Comes Alive With Light

When the Sun Goes Down, Paso Comes Alive With Light, originally published in Touring & Tasting, Spring/Summer 2020.

PASO ROBLES HAS ITS VERY OWN FIELD OF DREAMS

Strolling along the stunning, 15-acre outdoor art exhibit “Bruce Munro: Field of Light at Sensorio” is a mesmerizing experience that defies description.

Designed to enhance the natural topography of the rolling hills with a colorful array of almost 60,000 stemmed spheres lit by fiber optics that gently illuminate the landscape, guests stroll through property accompanied by live music and surrounded by blooms of morphing color.

A nighttime-only attraction, which comes alive when the sun goes down, visitors from 41 countries have come to experience Field of Light, says Sensorio Executive Director Tracy Strann of the installation, which has attracted worldwide press and acclaim, and significantly exceeded attendance expectations. Because of the high demand, the immersive exhibit’s run has been extended through June 30.

This solar powered artwork has attracted more than 110,000 visitors to date, according to Strann.

Munro, a London-born artist, is best known for large-scale light-based artworks that have been exhibited around the world.

Along with its beauty, the Paso Robles, California spot has also become known as a romantic setting for popping the question, with Sensorio staff reporting at least six marriage proposals on the grounds to date. Guests can toast their good wishes with a glass of wine, as on-site amenities include food and alcoholic beverages, as well as a special VIP terrace option offering a more extensive dining experience with a breathtaking seated view of the exhibit.

Tickets are available for Bruce Munro: Field of Light at Sensorio Thursdays through Sundays through June 30. For more information, visit SensorioPaso.com or call 805/226-4287.

Originally published in the spring/summer 2020 issue of Touring & Tasting. Click here to read this story and more! TT-SP20.digital

Chef Ink

Chef Ink Cover, SB Independent January 2, 2020

Chef Ink Cover, SB Independent January 2, 2020

Talking Tattoos With Decorated Chefs From Los Alamos to Coast Village Road

It was so much fun to interview local culinary wizards and talk tats. Check out this week’s cover story in the Santa Barbara Independent, or click below to see the PDF.

Chef Ink

Originally published in the Santa Barbara Independent on January 2, 2020.

Faces in the Crowd: Michael Christie

Faces In the Crowd: Michael Christie, photo by Gary Moss. This story appeared in 805 Living, December 2019.

Faces In the Crowd: Michael Christie, photo by Gary Moss. This story appeared in 805 Living, December 2019.

THE NEW MUSIC DIRECTOR OF NEW WEST SYMPHONY BRINGS HIS GRAMMY AWARD–WINNING TALENT TO THE VENTURA COUNTY ENSEMBLE’S 25TH SEASON.

After winning the 2019 Best Opera Recording Grammy Award for The (R)evolution of Steve JobsNew West Symphony’s (newwestsymphony.org) new music director Michael Christie is bringing his own kind of (r)evolution to the West Coast.

“We threw a lot at the audience,” Christie says of his first concerts in his new role with the Thousand Oaks–based symphony this past October. “Our concert format is slightly tweaked,” he says, “and we had our new venue [Rancho Campana Performing Arts Center in Camarillo], so people had a fair amount to take in.”

Patrons were treated to a Gershwin concerto, Corigliano’s “Salute” with kazoos, and a “Scheherazade” performance that Los Angeles Times critic Mark Swed praised as, “supplying far and away the most spectacular playing from what should no longer be considered a regional symphony.”

“The biggest difference,” says Christie, “is that we are using intermission as an opportunity for people to experience some new things if they choose.” This includes a question-and-answer session with the guest artist and an entr’acte. Up next is the global celebration of Beethoven’s 250th birthday on January 25 and 26, featuring the Eroica Trio, whom Christie calls, “three very vibrant, genius women who are just amazing [with] the energy that they bring.”

Christie has led top orchestras all over the world and served as music director for Minnesota Opera, The Phoenix Symphony, and the Brooklyn Philharmonic (now defunct). He now lives part-time in Ventura County, while his wife, Alexis, who is a physician, and their two children are in Minneapolis.

Much of the life of a musician-conductor is spent on the road, says Christie, a trumpeter, who first conducted when his middle school band director let him give it a try back in Buffalo, New York. “I was never sure how one became a conductor,” he says. “I just knew I wanted to know more about it. People were very generous with their time and always willing to answer questions.”

In February he’ll pay it forward with a one-month teaching and conducting stint at Indiana University. Christie is eager to communicate with students about the duties of an American music director, which he says, “are very specific to our particular situation of creating artistic vision and raising lots of money. It’s very particular to our country. I feel a great sense of responsibility for helping to convey that information, having lived it for the last 25 years. It’s fun to be asked to help the next generation start to figure that out.

“We [music directors] are the face of the organization in many ways,” Christie says. “We should be viewed by our audience as open, friendly, fun, and adventurous but also sensible, engaging, and concerned for our community, what it’s going through, and what it’s aspiring to be. And none of those words really say Mozart or Gershwin,” he says, laughing. “It’s all kind of wrapped together.”

Leslie Dinaberg

805 Living cover Dec. 2019Click here to read this story as it appeared in 805 Living magazine, December 2019 805 Living Faces in the Crowd Dec 2019

Providence Launches Innovative Design Program 

Christian College Prep Prepares Students for Fine Art and Digital Careers 

Providence Design Program, From Schools of Thought, Santa Barbara Independent, November 7, 2019.

Providence Design Program, From Schools of Thought, Santa Barbara Independent, November 7, 2019.

As digital design becomes a more and more prevalent part of our society, Providence School is developing programs to help students interact with that burgeoning industry. This fall, the Christian college preparatory school’s faculty members James Daly and Maxwell Beers launched Providence Studio, which is equipping students to be competent and ethical content creators. 

The response so far has been overwhelming, reported Daly and Beers. “Classes are full, and students are enthusiastic!” they wrote. “The Studio opens doors of opportunity and growth for students interested in a wide variety of fields, from photojournalism to filmmaking and graphic design.” 

The Providence Studio offer three academic tracks: Fine Arts, Digital Media, and a Fine Arts/Digital Media hybrid. The “Fine Arts” track is built upon the classical and academic models of art education. “I didn’t even realize the potential I had, or that I was that good at drawing, until Mr. Daly helped bring it out,” said sophomore Liza Coffin. “I am so excited to see how much more I will grow in my artistic expression with him teaching me through my time in the studio.” 

The “Digital Media” track includes working with Photoshop and learning to ethically create and edit images in a world where image manipulation is prolific. “We’ve been talking about how to use our technology responsibly and carefully and still effectively,” said senior Cameron Bleeker. 

It also includes an introduction to the skills and techniques of contemporary photojournalism. “I get to write articles as well as do the artistic elements, so it’s really combining a bunch of different classes that I enjoy,” said senior Alena Zeni. 

There’s also an introduction to the film and video production process. “I want to be a film major, so I feel like I can use what I’m learning here in the studio to direct my choices and my career,” said senior Eric Smith. 

Some of the “Hybrid” projects include: digital painting alongside classical painting; taking the techniques of drawing with pencil and applying them in the Adobe Illustrator application on a Wacom digital tablet; and starting with an 18th-century etching, students draw in pencil, then take creative liberties to paint, scan, trace in Illustrator, and make a vector-based design that can then be 3D printed. 

“Ultimately, the goal for our students is to build a broad, foundational skill set that they can take into any vocation and across all fields,” explained the teachers. “The ability to translate abstract concepts to the canvas or screen is no easy task; however, it is essential, even expected, in both expressions of media. As a result, each track emphasizes skill-based methods tailored to equip students to move into whichever field students choose.” 

What excites them the most about the Providence Studio is that “the students who go through the program will become influencers, storytellers, and content creators with a strong desire for integrity and truth to guide the work they create.” 

Click here to read this story as it originally appeared in the Santa Barbara Independent on November 7, 2019. SB Independent Schools of Thought Insert 11.7.19

A Sculptor’s Tribute

Photo by Gary Moss, 805 Living Magazine.

Before creating his full-size sculptures in tribute to the victims of last year’s mass
shooting at Thousand Oaks’ Borderline Bar & Grill, Ali Alinejad perfected his
designs with these miniature prototypes. Photo by Gary Moss, 805 Living Magazine.

The grieving process continues for the 12 people who lost their lives in the mass shooting at the Borderline Bar & Grill in Thousand Oaks on November 7, 2018.

“There was so much emotion and so much grief in this community after this happened, people didn’t have a place to go,” says Thousand Oaks–based sculptor Ali Alinejad. “Creating that place is what inspired me,” he says of the ceramic memorials he sculpted to honor each of the victims.

With the support of the community, Alinejad built an 8- to 12-foot totem for each victim, stacking the letters of their first names, which he sculpted from clay, and inscribing special memories on the back. The colorful, joyful sculptures are currently displayed throughout Alinejad’s neighborhood, which is also home to his business, Clay Studio + Gallery (claystudioandgallery.com). He hopes to find a permanent home for the sculptures and to create a memorial with benches that can be used as a site for contemplation.

For more information, visit the project’s GoFundMe page: gofundme.com/f/sculpure-memorial-for-the-12-victims-at-borderline.      —Leslie Dinaberg

805 Living Magazine, November 2019.

805 Living Magazine, November 2019.

Click here to read this story as it appeared in 805 Living magazine, November 2019 805 Living Magazine November 2019.

LEVI GILBERT | Art Meets Action

Levi Gilbert interview from 805 Living Magazine, October 2019.

Falling down stairs, crashing motorcycles, and taking death-defying leaps off the sides of cliffs are all in a day’s work for Levi Gilbert, a 2017 Santa Barbara High School graduate who got his first Hollywood stunt job as soon as he turned 18 and was legally allowed to perform. This might seem like a crazy career choice to some, but stunt performing is in Gilbert’s blood. His grandfather Mickey Gilbert’s career dates back to the 1969 classic Butch Cassidy and the Sundance Kid, and his father, Lance Gilbert, was Mel Gibson’s personal stuntman.

“I got started doing stunt work with the guidance of my dad,” says the 20-year-old Gilbert, who has already appeared in TV series such as 9-1-1, 13 Reasons Why, Ballers, Daybreak, Silicon Valley, and Agents of S.H.I.E.L.D., as well as the upcoming Ford v Ferrari film, which is generating Oscar buzz. “He has always helped me by giving me every opportunity to learn something new and expand my skill sets.

“Directors know exactly what they want from the stunt performers, but it’s up to you to make it happen safely,” says the youngest of the Gilbert family stunt artists. “The most dangerous stunts I have done so far in my career would probably be stair falls.” He starred as a young naval lieutenant who fell to a dramatic death in an NCIS: New Orleans episode this year.

“Difficulty and danger often go hand in hand,” he says. “But for me the hardest stunt isn’t a stunt at all—it’s acting—which is something I am working on and trying to understand the art of.”

Leslie Dinaberg

805 Living Magazine, October 2019.

Click here to read this story as it appeared in 805 Living magazine, October 2019. 805 Living Oct 2019 The 805’s Got Talent

Getting Schooled in Museum Education

student interns strike a pose. Courtesy UCSB Art, Design & Architecture Museum.

Art, Design & Architecture Museum student interns strike a pose. Courtesy UCSB Art, Design & Architecture Museum.

Interns at the Art, Design & Architecture Museum earn academic credit and valuable experience

By Leslie Dinaberg
Wednesday, August 28, 2019 – 06:00 Santa Barbara, CA

When this year’s cohort of interns take their place at UC Santa Barbara’s Art, Design & Architecture Museum (AD&A Museum), they’ll have the opportunity not only to add valuable skills to their own resumes, but also serve to the University and the broader Santa Barbara community.

“We are contributing to the development of the museum field by fostering future professionals,” said Elyse Gonzales, AD&A Museum’s acting director. “I also see the internship program, and all of our efforts really, as a means of developing future museum visitors, members, and donors for our museum and all museums in general. Our goals for the undergraduate internship program at the AD&A Museum are quite ambitious.”

Internships for academic credit are offered in the curatorial, collections management, archival management, programs/events, education outreach and public relations departments of the AD&A Museum. The museum also offers collaborative internships with the University Library’s special collections department; the Santa Barbara Museum of Art, where interns serve as gallery guides for students in grades six through 12; and with online platform impactmania — in collaboration with the Neuroscience Research Institute, Department of Religious Studies and global partners — where interns work to deliver a suite of interviews, interactive presentations, and events related to the topic “Human Mind and Migration.”

“I approach all of our UCSB students — really all students — who come to the museum the same way, with a warm welcome, emphasizing that the museum is for them,” Gonzales said. “If we can get them to visit while they are at UCSB, give them a positive experience and help them understand that the museum is not an intimidating place — this is not a place that is about exclusion, it’s about inclusion — then you’ve hooked a museum-goer for the rest of their life.

The more we can reach out to and engage younger generations, the better we are going to be in the long run. And when I say ‘we’ I mean the AD&A Museum, but also museums in general.”

Gonzales credits much of the vision for the internship program to Bruce Robertson, the recently retired museum director. “Studies reveal that most museum professionals and others in the arts became interested in these fields because they had a pivotal moment with an object or a formative creative experience. Knowing that, and with education as the imperative of the entire university, we immediately understood that we could make a significant contribution to our field,” Gonzales said. “But, also the reality of our situation is that we have a lot of tasks, projects, and events that need to be executed and managed and loads of ambitions to do even more. Knowing this, it became clear that working with students would not only help them but help us achieve our goals and mission.”

Focused on professional development, the resulting program pairs students with employees at the museum.

“The students have been great to work with — they are excited to learn new things, go ‘behind the scenes’ at the museum, and are able to explore possible career paths,” said Architecture and Design Collection Reference Archivist Julia Larson. “The students are eager to come in for their intern shifts because they are working on concrete projects — putting materials in folders, organizing and labelling collections, assisting with cataloging which they can cite as examples of work projects for future jobs or grad school. They also ask a lot of good questions and force me to think through my work and how best to explain things.

“The students learn how to process archival collections,” she added, “which is very hands-on work.”

Said Susan Lucke, collections manager and registrar, “We rely on our interns so much. They’re just not doing entry-level work. They actually get to do work that I would do. We need the help, and they gain a lot of experience and that’s so useful when they start to look for a job.

“I think it’s helpful for kids to look at all their options in school and this is a really a good program,” Lucke continued. “It’s not like sitting in a classroom with 300 other kids. It’s more of an intimate experience, and students get a lot of one-on-one attention plus it enables them to look at another side of life.”

AD&A Museum interns have gone on to graduate school; the Peace Corps; and to careers at many different kinds of museums, including the Smithsonian, the Peterson Automotive Museum, the Santa Barbara Museum of Art, the Museum of Contemporary Art Santa Barbara and the Architectural Foundation of Santa Barbara, among others.

For-credit internships are open to undergraduates in all majors. “We find that many of our interns love art and architecture but also feel like they need to have a degree in something else, something they perceive as being more stable,” said Gonzales.

“The impetus behind this internship program is primarily to help give students professional experiences but also to help alleviate student and parental concerns about future career opportunities,” she added. “In addition, one of my goals is to help reflect the diversity of our campus and to create opportunities to diversify the field for future museum leadership.”

What she feels most proud about the internship program is that when students leave, they have concrete real- world experiences they can put on a resume and several individuals willing to give them a great reference. “A really smart and committed intern can do wonders,” Gonzales noted. “We should know, our museum wouldn’t function half so well without their terrific help.”

Originally published in The Current (UCSB) on August 28, 2019.