10 West Gallery: The Nature of Things

Ben Riddering "Whorl," reclaimed wood from the fires, 58 x 16 x 35 tall, on view at 10 West Gallery.

Ben Riddering “Whorl,” reclaimed wood from the fires, 58 x 16 x 35 tall, on view at 10 West Gallery.

The Nature of Things opens on Thursday, May 31, at 10 West Gallery in downtown Santa Barbara.

On view until June 25, with an artist’s reception on Thursday, June 7, from 5-8 p.m., this exhibit features work from guest artist Ben Riddering, who shows his large abstract sculptures, made from the unburned hearts of trees lost to wildfire. Also on view is work by guest artist Lynn Brown, who shows embellished/repurposed masks from around the world. Guest artist Jim McKinniss shows black and white photography of a surreal nature.

Lynn Cunningham Brown, "VaVaVaVoom," vintage Balinese hand-carved wood mask embellished with studs, Swarovski crystals, tacks, weasel fur, glitter, Chinese rooster and jungle cock feathers, 10x7x4 inches, on view at 10 West Gallery.

Lynn Cunningham Brown, “VaVaVaVoom,” vintage Balinese hand-carved wood mask embellished with studs, Swarovski crystals, tacks, weasel fur, glitter, Chinese rooster and jungle cock feathers, 10x7x4 inches, on view at 10 West Gallery.

In addition, the exhibition includes work by 10 West members Penny Arntz, Rick Doehring, Maria Miller, Lisa Pedersen and Iben G. Vestergaard.

10 West artwork can be seen at www.10westgallery.com and the gallery (including participating guest artists) is also represented on the international web site: www.artsy.net/10-west-gallery.

Brad Nuorala, "Urban Life," acrylic on canvas, 50" x 42" on view at 10 West Gallery.

Brad Nuorala, “Urban Life,” acrylic on canvas, 50″ x 42″ on view at 10 West Gallery.

Iben Vestergaard, "Cross Section," 48x36, silicate and mixed media on canvas, on view at 10 West Gallery.

Iben Vestergaard, “Cross Section,” 48×36, silicate and mixed media on canvas, on view at 10 West Gallery.

Penny Arntz, "Filament," acrylic on panel, 24 x 24, on view at 10 West Gallery.

Penny Arntz, “Filament,” acrylic on panel, 24 x 24, on view at 10 West Gallery.

Maria Miller, "Escaping the Present Moment," limited edition digital collage 1/5, archival pigment inks on fine art paper, 30x20 inches, on view at 10 West Gallery.

Maria Miller, “Escaping the Present Moment,” limited edition digital collage 1/5, archival pigment inks on fine art paper, 30×20 inches, on view at 10 West Gallery.

Closed Tuesdays, the gallery (10 W. Anapamu St., Santa Barbara, 805/770-7711) is open daily from 11 a.m.-5:30 p.m. and from noon-5 p.m. on Sundays.  

Leslie Dinaberg

Originally published in Santa Barbara Seasons on May 30, 2018.

INSIDE: Photographs of Decommissioned Australian Prisons by Brett Leigh Dicks

Port Arthur, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Port Arthur, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

“Empty prisons are eerie places where the walls do speak. Etched into the stone is the passing of successive generations of inmates all with their own stories. Each prison has its own history, character, and tales to tell and so too does every cell. But old prisons are not just a reminder of the past—they also help guide the future,” says Photographer Brett Leigh Dicks.

Opening on May 18, INSIDE: Photographs of Australian Decommissioned Prisons by Brett Leigh Dicks is an exhibition at the Architectural Foundation of Santa Barbara of compelling, black and white images documenting Australian prison facilities that have surpassed their use-by dates.

Parramatta, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Parramatta, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Dicks, a Santa Barbara-based writer/photographer has spent the past 30 years photographing various natural and urban landscapes etched with traces of human history.

His work has been exhibited in Australia, Europe and the United States and hung beside photographers as diverse as Ansel Adams, Jeff Bridges, Max Dupain, Lewis Morley, Yoko Ono and Hiroshi Sugimoto. Dicks’ prison photographs currently sees him as a finalist in the 2018 Sony World Photography Awards. He is also a prolific writer and his work has appeared in publications around the world, including in Santa Barbara Seasons Magazine.

Old Melbourne, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Old Melbourne, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

For the past five years he has turned his photographic scrutiny upon closed-down jails, prisons and penitentiaries throughout Australia, Europe and United States. He returned last year to his Australian homeland, where he undertook the first comprehensive documentation of decommissioned prisons and jails.

“I have been photographing abandoned prisons across the United States for the past decade,” Dicks explains. “In 2016 that work was exhibited at Fremantle Prison where I asked about Australian prisons. Nobody had previously done a comprehensive study of old Australian prisons so last summer I set off with my camera and photographed closed –down facilities all across Australia.”

Maitland, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Maitland, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

He continues, “I was given access Parramatta Correctional Center where operations were suspended only a few years ago, traipsed around the infamous Port Arthur Historic Site in the midst of a bitter Tasmanian winter and even managed to talk my way into an old jail that’s now an outback police station.”

The exhibition includes both historic and contemporary Australian sites including Adelaide Gaol, Fremantle Prison, J Ward Ararat, Maitland Gaol, Old Melbourne Gaol, Parramatta Correctional Center, Port Arthur Historic Site, Trial Bay Gaol and the Wilcannia Police Station. The subject matter ranges from the empty quietness of once bustling cellblocks and common areas to more abstract contemplations of the interaction between barred windows with the morning light and the poetic twisting of coils of barbed wire.

Fremantle, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Fremantle, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

While Port Arthur closed in 1877, Parramatta Correctional Center housed prisoners until 2011. Dicks says photographing the two locations offered two very contrasting experiences. “There were still books and televisions and personal items in the cells at Parramatta—the ins and out of prison life remained very apparent whereas Port Arthur featured the haunting remnants of rustic metal and stone. The prisoner experience was obviously very different at each of those locations and so too were the resulting photographs.

Regarding the role photography can play in the afterlife of prisons, Dicks says that every society’s approach to punishment and incarceration should be something that is constantly being reassessed. “As society changes so too does its values. Prisons used to be a place of punishment and repentance, but in the lifespan of some of these prisons they were transformed into places of reform and rehabilitation. Justice and the form it takes should be an ongoing conversation in every community and I think there is a place for photography to illuminate that.

Ararat, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Ararat, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

INSIDE: Photographs of Australian Decommissioned Prisons by Brett Leigh Dicks is on view at the Architectural Foundation of Santa Barbara, 229 E. Victoria St., Santa Barbara, from May 18 – July 12, with an opening reception on May 18 from 5-7 p.m.

Regular gallery hours are Saturdays from 1-4 p.m. and by appointment (please contact Rocio Iribe at 805/965-6307).

Adelaide, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Adelaide, part of INSIDE: Photographs of Decommissioned Australian Prisons, by Brett Leigh Dicks.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on May 15, 2018.

“Andy Coolquitt: …i need a hole in my head”

L-R: Andy Coolquitt, CAA CAA, 2017, Bathmat on canvas, 55 x 66 in., Courtesy the Artist, Photo: Adam Schreiber. Andy Coolquitt, Modern Hotel Abstraction #1, 2017, Fabric on canvas, 96 x 32 in., Courtesy the Artist, Photo: Adam Schreiber.

L-R: Andy Coolquitt, CAA CAA, 2017, Bathmat on canvas, 55 x 66 in., Courtesy the Artist, Photo: Adam Schreiber. Andy Coolquitt, Modern Hotel Abstraction #1, 2017, Fabric on canvas, 96 x 32 in., Courtesy the Artist, Photo: Adam Schreiber.

Museum of Contemporary Art Santa Barbara, in partnership with Hotel Indigo Santa Barbara, presents Andy Coolquitt: …i need a hole in my head, an exhibition featuring a major commission of new works by Andy Coolquitt.

Based in Austin, TX, the artist has generated a body of work that includes paintings, sculptures and video, which he uses to form connections between some of the juxtapositional aspects of a place that is simultaneously private and public, homelike and commercial, an exhibition venue and a hotel.

According to the artist statement, Coolquitt uses the language of geometric abstraction to riff off of Hotel Indigo’s architectural and design elements, incorporating, for example, site-specific hard edge or gestural painting as a tactic to reimagine the lounge, stairwell, or skylight. Other works in the show consist of familiar domiciliary items such as bathmats, chairs, light bulbs, and nylon stockings. The artist elevates the significance of various undervalued ubiquitous objects that enhance our visceral response to interior environments, prompting viewers to consider the dimensions of our attraction to these basic yet undeniably essential things.

The public is invited to an Artist Talk on Wednesday, May 9, from 2:30 – 3:30 p.m. at Santa Barbara City College, Administration Building Room A211, 721 Cliff Dr., Santa Barbara.

Andy Coolquitt: …i need a hole in my head is on view at MCASB Satellite @ Hotel Indigo Santa Barbara from May 18 through March 7, 2021. The Hotel Indigo is located at 121 State St., Santa Barbara. For more information about the exhibition, visit mcasantabarbara.org.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on May 8, 2018.

Reflections, A Solo Show by Andrew Roy

Andrew Roy, "Dusk to Dawn." Courtesy photo.

Andrew Roy, “Dusk to Dawn.” Courtesy photo.

Local artist, Andrew Roy displays 26 stunning works in a solo show, Reflections, at the Faulkner Gallery West in May. Opening night is Thursday May 3 between 5 and 8:30 p.m.

A member of both the Abstract Art Collective and the Santa Barbara Art Association, Roy’s works are in private collections throughout the United States. Born and raised in Alaska, he made Santa Barbara his home in 2012. Working with oil pastels on paper and also with acrylics on large canvases, Roy’s art is vibrant, powerful, unique and compelling.

Andrew Roy, "Reflecting." Courtesy photo.

Andrew Roy, “Reflecting.” Courtesy photo.

“Art flourishes where there is a sense of adventure, a sense of nothing having been done before, of complete freedom to experiment,” says Roy. His award winning art has been shown in numerous galleries and shows in Santa Barbara and elsewhere, including Sullivan Goss, Gallery 113, CASA, the Santa Barbara Tennis Club and ArtSEE/JCC.

Faulkner Gallery West is located at 40 E. Anapamu St., Santa Barbara. The show is on view May 3-31.

Andrew Roy, "From Ashes." Courtesy photo.

Andrew Roy, “From Ashes.” Courtesy photo.

For more information about Andrew Roy, visit www.andrewroyart.com and http://abstractartcollective.com/andrew-roy/.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on May 2, 2018.

 

Poetry as Portraiture: Adam Zagajewski and Andrew Winer

Courtesy SBMA.

Courtesy SBMA.

Santa Barbara Museum of Art presents Poetry as Portraiture: Adam Zagajewski and Andrew Winer on Sunday, April 15 at 2:30 p.m. in the Mary Craig Auditorium (SBMA, 1130 State St., Santa Barbara). (Note: Please enter through the Museum Store or Park entrance during the current renovation project.)

Prize-winning, globally-admired poet Adam Zagajewski writes with precision and wonder about the calm and courage of ordinary life. He says of poetry that it “is like a human face—it is an object that can be measured, described, catalogued, but it is also an appeal.” His most recent book, Slight Exaggeration, is a blend of memoir, essay, and anecdote, and in which he defines poetry as “a slight exaggeration, until we make ourselves at home in it. Then it becomes the truth.” Zagajewski is interviewed by fellow writer, friend, novelist, and Chair of the UC Riverside writing program Andrew Winer. Book signing to follow.

This special presentation is part of SBMA’s Parallel Stories series, a literary and performing arts series that pairs art and artists with award-winning authors and performers of regional, national, and international acclaim. This series functions as a multidisciplinary lens through which to view the Museum’s collection and special exhibitions.

The event is free for SBMA Members, $10 for non-Members and $6 for seniors. Tickets may be purchased at  the Museum Visitor Services desk or online at tickets.sbma.net.

 —Leslie Dinaberg

Originally published in Santa Barbara Seasons on April 14, 2018.

UCSB Arts Walk

UCSB’s Department of MusicDepartment of Theater and DanceDepartment of ArtCollege of Creative StudiesArt, Design & Architecture MuseumMultiCultural Center and Library to host an open house of visual & performing arts

UCSB presents the inaugural UCSB Arts Walk on Wednesday, April 11, from 4:30-8 p.m. at various locations across the campus. The event gives students, faculty, staff and community members the opportunity to visit galleries and studios, watch preview performances and behind-the-scenes rehearsals, and participate in programming designed to highlight the artistic creativity and talent of the UCSB community. Best of all, everything is free of charge.

The Art, Design, & Architecture Museum has several exhibitions on display, including Chiura Obata: An American Modern, UCSB Campus Architecture: Design and Social Change, Jane Gottlieb Photographs France, and Keith Puccinelli. In addition, the museum hosts a Kitchell Architecture and Design lecture at 6 p.m., featuring UCSB Associate Campus Architect, Dennis Whelan. Whelan recounts the history of UC Santa Barbara campus planning and design, in conjunction with the Museum’s exhibition.

Image by Jane Gottlieb, currently on view at UCSB Art, Design & Architecture Museum.

Image by Jane Gottlieb, currently on view at UCSB Art, Design & Architecture Museum.

Highlights from the Department of Music include an open rehearsal of a faculty duet featuring cellist Jennifer Kloetzel and pianist Robert Koenig, plus performances by members of the Chamber Choir, Music of India Ensemble, Flute Choir, Jazz Combos, Middle East Ensemble, Chamber Players, Clarinet Choir, Gamelan Ensemble, and more. Guests can interact directly with performers during Q&A sessions following several of the events, such as a performance of scenes from UCSB Opera Theatre’s February production of Mozart’s The Marriage of Figaro and composition graduate student Brandon J. Rolle’s electro-acoustic music exhibition.

The Department of Theater and Dance also presents a wide variety of performances, open rehearsals, and exhibitions, including an open rehearsal for the department’s upcoming production of Cabaret (May 25-June 3), as well as performances by UCSB Dance BFA students in outdoor spaces surrounding the Theater and Dance buildings. The UCSB Dance Company and Freshmen Dance Company presents a special concert in the Old Ballet Studio (HSSB), while exhibitions showcasing puppets and work by UCSB Design students are also on display. Interactive playwright showcase stations will give guests the unique opportunity to work with student playwrights to compose novelty pieces on the spot.

On view from the Department of Art are multiple exhibitions of student work in the Art Building #534 and at the Red Barn Project Space in the Old Gym, Building #479, (near the bus loop by the Pollock Theater). Highlights include an exhibit of senior artwork in the GlassBox Gallery in Arts 1328, and from 7 p.m. on, Windows—a sampler of videos from Maya Gurantz’s “Intermediate Digital Video” class projected from the second story windows of Arts 2220, overlooking the bike path. In the Red Barn Project Space, UCSB Womanhouse Collective presents SHE-DEN, an intersectional, multi-media group exhibit exploring the place of women in contemporary art and culture.

The MultiCultural Center’s lounge features an exhibition by UCSB graduate student Andrew Morrison, entitled “Indian Heritage,” a Native American art exhibition that compliments his film, Great Walls of Indian Heritage. This exhibit speaks to all walks of life, its genesis is from the red road, and the American Indian Student Association inspires its vitality. The exhibit is on display in the MultiCultural Center Lounge through June 15, with an opening reception on April 12 at 6 p.m.

The College of Creative Studies (CCS), which is celebrating its 50th Anniversary during the current academic year, offers a glimpse into the work of the College’s Art, Music Composition, and Writing and Literature students in the CCS Gallery and the Old Little Theater. An exhibition of student artwork fills the CCS Gallery, while the Old Little Theater’s programming includes performances of Music Composition students’ original pieces as well as readings from Writing & Literature students and faculty.

Event link: https://www.library.ucsb.edu/artswalk

Directions and parking information: https://www.library.ucsb.edu/directions-parking

Campus map: http://www.aw.id.ucsb.edu/maps/ucsbmap.html

Leslie Dinaberg

Originally published in Santa Barbara Seasons on April 9, 2018.

 

Phoebe Brunner: Breathe

Phoebe Brunner, "Silver Threads," oil on canvas, 30 x 54."

Phoebe Brunner, “Silver Threads,” oil on canvas, 30 x 54.”

Sullivan Goss Gallery presents new work by acclaimed local artist Phoebe Brunner in her second solo exhibition for the gallery, titled “Breathe.” The show opens April 5, with a 1st Thursday reception from 5-8 p.m.

The gallery describes Brunner’s latest body of vibrant work as “connecting to the earth around us as it regenerates from a long lack of rain. Poppies explode, scattering their seeds to the wind for the next season of flowers. Roads lead through winding hills verdant with fresh grass. Clouds settle in to canyons to coat the hills with moisture. While her views are primarily imaginative, we are drawn to them by sense of memory for a place we have visited or more accurately, the familiarity of worlds we have wandered in our dreams. This remarkable group of paintings reminds us to take a collective breath. Spring is coming, bringing regeneration and a continuation of nature’s endless cycle.”

Phoebe Brunner, "Rain, Happy Hour," oil on canvas, 30 x 22."

Phoebe Brunner, “Rain, Happy Hour,” oil on canvas, 30 x 22.”

Brunner earned a BFA from UCSB and trained at Otis Art Institute, Chouinard Art Institute and the University of Guadalajara. She has been exhibiting in the Santa Barbara area for 40 years and brings a local’s knowledge of the terrain together with a visionary artist’s sense of interpretation.

The exhibition remains on view at Sullivan Goss Gallery, 11 E. Anapamu St., through June 3. For more information, visit www.sullivangoss.com or www.facebook.com/sullivan.goss or call 805/730-1460.

Leslie Dinaberg

Originally published in Santa Barbara Seasons on April 4, 2018.

Visions of the Gaviota Coast

Beach Shack by Kevin Gleason. Image courtesy SCAPE.

Beach Shack by Kevin Gleason. Image courtesy SCAPE.

Enjoy beautiful art and support a good cause at “Visions of the Gaviota Coast,” the Sixth Annual SCAPE Art Benefit for Gaviota Coast Conservancy and Naples Coalition. Held at the Ritz-Carlton Bacara Resort and Spa (8301 Hollister Ave., Goleta), the art sale goes from Friday, March 30 at 2 p.m. through Saturday, March 31 at 5 p.m. The two-day exhibit features a reception on Friday (5-8 p.m.) with live music, silent auction, appetizers and wine with donation.

More than 150 Southern California Artists Painting for the Environment (SCAPE) artists and fine art photographer Reeve Woolpert will participate in this benefit art exhibition showcasing the stunning Gaviota Coast. Painter and exhibit juror Richard Schloss has many years of collaboration with the renowned Oak Group artists. The funds raised will assist Gaviota Coast Conservancy and the Naples Coalition in continuing their successful efforts to protect this majestic 72 miles of open coastline, providing a pristine habitat for over 1,400 species, including the endangered snowy plover. Forty percent of all art sales will benefit the two nonprofit organizations.

Gaviota Coast Conservancy and Naples Coalition have recently achieved big victories towards the protection and preservation of the Gaviota Coast. Ritz-Carlton Bacara Resort and Spa is hosting the event, and donating an overnight stay and spa treatment for the raffle (no need to be present to win). “We consider it an honor to call the Gaviota Coast our home,” says Shashi Poudyal, general manager. “Bacara will continue to partner with the Gaviota Coast Conservancy to be a great steward of this land.”

Free parking is provided (follow the signs), or you can valet park.

To donate directly to the Gaviota Coast Conservancy: http://gaviotacoastconservancy.org/donate

To donate to Naples Coalition: http://www.savenaples.org/donate

Leslie Dinaberg

Originally published in Santa Barbara Seasons on March 28, 2018.

Local Lowdown: The River’s Journey

Paintings in the Wildling Museum show The River’s Journey: One Year, Six Artists, 92 Miles include work by (clockwise from top left): Holli Harmon, Pamela Zwehl-Burke, Nicole Strasburg, Nina Warner, Connie Connally and Libby Smith.

Paintings in the Wildling Museum show The River’s Journey: One Year, Six Artists, 92 Miles include work by (clockwise from top left): Holli Harmon, Pamela Zwehl-Burke, Nicole Strasburg, Nina Warner, Connie Connally and Libby Smith.

ONE YEAR, SIX ARTISTS, 92 MILES

By Leslie Dinaberg

SIX LOCAL ARTISTS have pooled their talents around one very big idea—our communal connection to and responsibility for our water resources—uniting their unique points of view in a new exhibit, The River’s Journey: One Year, Six Artists, 92 Miles, on view at the Wildling Museum of Art & Nature through July 9.

Initially joining together to experiment with the lesser-known medium of gouache (an opaque watercolor paint), the group— which includes Connie Connally, Holli Harmon, Libby Smith, Nicole Strasburg, Nina Warner and Pamela Zwehl-Burke—is united in a quest to use their art to inform the public about how the Santa Ynez River and the watershed functions and our indi­vidual responsibility to protect its viability.

Rose Compass artists (L-R): Nicole Strasburg, Connie Connally, Libby Smith, Holli Harmon, Pamela Zwehl-Burke and Nina Warner. After the exhibition ends in July, it will travel later in 2018 to Santa Barbara City Hall and Sullivan Goss Gallery. Photo by Monica Wiesblott.

Rose Compass artists (L-R): Nicole Strasburg, Connie Connally, Libby Smith, Holli Harmon, Pamela Zwehl-Burke and Nina Warner. After the exhibition ends in July, it will travel later in 2018 to Santa Barbara City Hall and Sullivan Goss Gallery. Photo by Monica Wiesblott.

“Originally, I was just enthralled with the medium of gouache,” says Strasburg, who saw the potential through the work of artist Thomas Paquette, who had a wilderness-themed show at the Wildling and also has some paintings in The River’s Journey. As Strasburg dug deeper into the subject matter of the watershed, “it became about so much more than painting the landscape.…I just keep reading and researching and discovering new connections.”

The group, now known as Rose Compass (named for the flower-shaped figure on a map and “like the compass rose, our work reflects our individual points of view”), is very dedi­cated to the project. “The three devoted plein air artists have gone out every single Monday for the past two years to paint the water in the area,” says Strasburg.

Libby Smith, Measuring Stick, Alder Creek.

Libby Smith, Measuring Stick, Alder Creek.

They routinely post their musings and progress on the project on the website (rose-compass.com) and are working to secure additional venues to showcase the breadth and depth of their work on The River’s Journey, which visually brings to the forefront questions of stewardship, preservation and conservation.

“Art starts the conversation while providing education and information that can change behavior and expectations at a pivotal moment in our new paradigm of water resource management,” says their collective artist statement. “When artists, scientists and water managers work together, we create a powerful and compelling message that moves the community to make better ecological and civic choices. Awareness, conservation, stewardship and collaboration will all be key to the new paradigm of protecting this resource and ensuring the longevity and viability of our entire community.”

Wildling Museum of Art & Nature is located at 1511-B Mission Dr., Solvang. For more information, call 805/688-1082 or visit wildlingmuseum.org.

Connie Connally, Turkey Vultures.

Connie Connally, Turkey Vultures.

Nicole Strasburg, River Path, Santa Ynez.

Nicole Strasburg, River Path, Santa Ynez.

Holli Harmon, Yellow Kayak.

Holli Harmon, Yellow Kayak.

Nina Warner, Gibralter Dam.

Nina Warner, Gibralter Dam.

Pamela Zwehl-Burke, White Rock.

Pamela Zwehl-Burke, White Rock.

This story was originally published in the spring 2018 issue of Santa Barbara Seasons Magazine.

Delineations at MichaelKate Interiors & Art Gallery

Charlie Patton, “The Woman and The Veil,” oil on canvas.

Charlie Patton, “The Woman and The Veil,” oil on canvas.

Opening March 16, DELINEATIONS at MichaelKate Interiors & Art Gallery (132 Santa Barbara St.) features four Santa Barbara based artists: Jo Merit, Douglas Dafoe, Katarzyna Kociomyk and Charlie Patton and is curated by Jan Ziegler. 

“The delineated characteristics of Jo Merit’s paintings and the fine craftmanship of Douglas Dafoe’s geometric wood wall sculptures drive the title of the show,” writes Ziegler. “Complementing their precise line work, we have Katarzyna Kociomyk’s lush boats at rest on the water and Charlie Patton’s large and small expressive paintings.”

Join the artists for the reception on Friday, March 16, from 5-8 p.m. The artists will speak about their work at 6 p.m.

The show remains on view through May 13. 

—Leslie Dinaberg

Charlie Patton, “Misty Copeland Two Slippers,” oil on canvas.

Charlie Patton, “Misty Copeland Two Slippers,” oil on canvas.

Jo Merit, “At The Dark End Of The Street,” acrylic on canvas.

Jo Merit, “At The Dark End Of The Street,” acrylic on canvas.

Katarzyna Kociomyk, “Cast In Bronze,” oil on canvas.

Katarzyna Kociomyk, “Cast In Bronze,” oil on canvas.

Douglas Dafoe, “untitled,” wood with copper paint.

Douglas Dafoe, “untitled,” wood with copper paint.

Originally published in Santa Barbara Seasons on March 16, 2018.